In efforts to improve both sculpting techniques and enclosure design, the Triffid Ranch library is full of books offering inspiration and advice on miniature perspective, ranging from the Vietnamese art of Hòn non bộ to entirely too many guides on practical special effects from the 1970s. Sometimes, though, it’s a matter of going directly to the source for reference, which presented itself with a maintenance trip to my late father-in-law’s ranch in West Texas.
The ranch in question is atop the Edwards Plateau, which makes up a significant portion of the border of the Brazos River as it meanders through West Texas to the Gulf of Mexico. The Plateau is on a thick base of limestone and sandstone dating to the Pennsylvanian Period, almost exclusively marine deposits but occasionally showing thick layers of conglomerate from the erosion of long-vanished mountains. Even the thickest layers are only about a meter thick: most are less than a centimeter thick, and many are paper-thin. Several roads lead the length of the ranch to the Brazos, and the limestone at the highest elevation is thick and strong enough to have supported two quarries that ran until the late 1960s. The rest, well, not so much.
Anyway, many of these ancient seabeds were shallow enough that they supported all sorts of life, as evidenced by innumerable fossils of crinoids, brachiopods, and horn corals. No vertebrate fossils have turned up, but plant fossils are abundant, usually consisting of Lepidodendron and other land plants apparently washed out to sea during floods. Some of the layers are so thin that they suggest ultrashallow lagoons that came close to drying out. All in all, the ranch collects about 50 million years of the history of Texas, just waiting for someone other than me to interpret what it says.
Because of those ultrathin layers, I’d wanted to get photos of these for scale, in attempts to replicate this in enclosure form for future projects. Not only was this shoot intended for reference on lighting and accessory arrangement, but it’s also an opportunity to offer a slight distraction in trying times. Enjoy.
And finally, as a direct opportunity to aggravate Ethan Kocak of The Black Mudpuppy, it’s time to prove that if he wants to mess with us on horrible mashups, some of us will mess back:
For those encountering carnivorous plants for the first time, they tend to be shocked by the sheer range of environments in which carnivores live. There’s the automatic assumption that they all live in hot, swampy jungles, and express shock at discovering the number of species found in North America alone. The shock spreads when they discover that Venus flytraps can be found a day’s drive from Washington DC, and they really lose it when they discover the variety of carnivores in the Pine Barrens of New Jersey. Best, though, is when I tell them about Canada.
Canada may not be as rich in carnivores as the United States or Mexico, but it has considerable charms. The most famous, of course, is the purple pitcher plant, Sarracenia purpurea, the flower emblem (the Canadian equivalent of the US’s state flower) of Newfoundland & Labrador. S. purpurea isn’t isolated to that area: it ranges due west from Newfoundland across Ontario (with that range extending south to Michigan and Minnesota) all the way to eastern Alberta, and then north to just short of the border with Alaska. On the west coast, the cobra plant, Darlingtonia californica, ranges well along the coast of British Columbia and south into Washington, Oregon, and Northern California. Canada also has a wide range of sundews and butterworts in a wide range of habitats, and one of the most interesting places to view carnivores for sheer spectacle is in the Canadian Rockies of Alberta.
Alberta and Texas have a lot more in common than most people would expect. In fact, when getting off the plane in Calgary from Dallas, it’s hard not to wonder if the plane just circled around Iowa and landed where it started, especially if you travel to Calgary in time for the Calgary Stampede. During the Stampede, the only way you can tell Calgary and Fort Worth apart for sure is that one has more cactus and one has more Mounties. If you see lots of mesquite trees, you’re not in Calgary. That similarity stretches across most of the province: driving near Drumheller, for instance, the plains are so flat and the scenery so similar to North and West Texas that the only way to be sure that you’re in Canada is that the highway signs list kilometers and are written in English and French. All that fails if you head sufficiently west: I recommend doing it the way I did, in the middle of the night when the moon is rising, and you realize that something took a big bite out of the moon and won’t give it back. At that point, you’ve hit the Rockies.
When you’re that far west, there’s absolutely no reason not to visit Banff National Park, especially for those of us fascinated with geology and natural history. However, for butterworts, stop in the town of Canmore just outside of Banff, and head out to Nordic Provincial Park in the mountains overlooking Canmore. That’s where you’ll find treasure.
Backstory: my last trip to Nordic Provincial Park was in 2006, as part of a trip with my wife’s family. I’d never been to Alberta before (my grandparents were from Ontario, but I’d never been that far west), but had dreamed about it ever since learning about the gigantic bone beds around Drumheller and Edmonton as a kid. Caroline and I were already outliers in the family as far as cultural markers were concerned, as they looked at us like dogs being shown a card trick when we noticed a new bicycle trail freshly opened that was named “The Riders of Rohan.” The worst, though, was when heading up one trail, we came across the leftover bracket from a long-removed gate still attached to a tree, and Caroline asked what kind of spigot that was. “That’s for collecting pine syrup,” I told her. “Real Canadians eat their waffles with pine syrup, and maple syrup is just the crap we give to Americans who don’t know any better.” My sister-in-law has never forgiven me for telling her that, because she spent the rest of the trip asking for pine syrup and getting angry that the locals wouldn’t share.
Anyway, half of the family split up to take one trail that led to a mountain lake at the highest easily accessible elevation in the park, and the other half went on the other. This trail’s vegetation thinned as we climbed higher, with spectacular views of the valley and the whole of Canmore. Best, though, was the waterfall on an adjoining peak that blasted mist across the gorge and onto our trail.
Finally, at one point, we stopped to admire the waterfall, up against a boulder about the size of an SUV that had rolled down at some time in the reasonably recent past. It was still reasonably clear of vegetation other than some moss, but it also had a flash of blue-violet at the top. I got closer to investigate the blue, and discovered, snuggled in a patch of soil about the size of a toonie, were a pair of butterworts. Pinguicula vulgaris, to be precise.
This was reason to stop alone, but we figured “Let’s keep going up and see what everyone else found.” Well, that mountain lake was just covered with butterworts: the soil was little more than rock dust, with no real nutritive value, so the butterworts were at home, just blooming away.
As it turned out, they were a great example for people who were afraid of raising a carnivorous plant because they couldn’t keep one warm enough. If a P. vulgaris butterwort can survive an Alberta winter, it can definitely survive a Texas winter. And to this day, when doing slideshow lectures for garden shows and classrooms, I still use the same shots of those butterworts to demonstrate that they can be found in all sorts of odd places:
Posted onApril 24, 2020|Comments Off on State of the Gallery: April 2020
A solid month after the COVID-19 lockdown started, and everyone understands my hometown’s unofficial motto: “So…aside from THAT, Mrs. Kennedy, what do you think of Dallas?” For those having issues with shelter-in-place orders, I sincerely sympathize and empathize with your plight, and here’s hoping that the Triffid Ranch can help take the edge off. For those suddenly finding ourselves with the opportunity to live our preferred hours, “If I’m not back in my coffin by sunrise, I turn back into a pumpkin,” there’s a lot to do. Hang on.
To start off, the virtual Manchester United Flower Show on April 18 was an experiment in terror, but it also worked. Yeah, the video froze at the beginning (a glitch in its iPad app means that everything freezes if texts or other notices come through, requiring a hard restart to get everything going again), but it was a grand start. This, of course, was the beginning: the archives are up on Twitch, and expect new installments every Sunday evening. (During the duration of the lockdown, don’t expect any Saturday evening virtual open houses for one very important reason. I refuse to make anyone choose between Triffid Ranch streams and those of Panoptikon Dallas, myself included. Dallas’s best goth club is having issues with the lockdown as well, the DJs and crew are friends, and the Friday and Saturday night playlists are a great comfort in the gallery late at night.)
And on the subject of virtual events, it only gets better next week. Until March, the biggest Triffid Ranch show of the year was the planned Texas Frightmare Weekend horror convention that traditionally runs the first weekend of May. Frightmare has been moved to September, and we’re all awaiting word as to whether it’ll be safe for the show to run then (and whether we’ll all be wearing masks and not just for costuming), but Grand Poobah Loyd Cryer decided that if we couldn’t have the show in May, we at least needed something. That’s why, starting on April 25, the new Frightmare HQ streaming show promises to give everyone a taste of what makes TFW such an event. The first broadcast runs on April 25 and runs through the weekend of May 2, and those who missed out on the last virtual open house get a good look at the inside of the gallery starting at 2:00 pm Central Time. And yes, if you can’t watch live, the archives will be available on YouTube and Twitch.
In other developments, it’s official as of today: the governor of Texas signed an executive order today that allows non-essential business to conduct pick-up and delivery business, which means that the Triffid Ranch is back to limited operation. Because (a) customers cannot enter the premises, (b) only curbside delivery is allowed, and (c) the gallery is currently full of plants that had been potted in anticipation of the Dallas Oddities & Curiosities Expo show scheduled for March, we’re going to try something different. All enclosures listed in the Enclosures Past & Present section are available for purchase at any time (just schedule an appointment for pickup or delivery), but most of the sales at shows such as Oddities & Curiosities and Texas Frightmare Weekend were for smaller, individual plants and containers. Because setting up tables and letting customers go through a complete inventory isn’t an option, it’s time for a Sunday Flash Sale. For the foreseeable future, from 12 noon until we’re out of plants, the Triffid Ranch front porch will have one specific species or group available, all generally identical, and all for the same price. Check back each Saturday to find out what the Flash Sale special is going to be, and call or write to reserve a plant once the special is announced. For those who want to drive by first, we accept drive-up visitors, but everyone will HAVE to stay in the car while doing so. (On my side, it’s masks and gloves all the way around, with containers cleaned before the sale starts.) For obvious reasons, the sale starts with tropical carnivores, but expect to see Sarracenia and other outdoor carnivores in the next few weeks once growing season gets going.
Well, it’s not the same as normal operations for an April, but things could be a lot worse. After all, three years ago, the gallery was a packed-up mess after its relocation, and it took six months of work to get it ready for its official reopening. If we survived that, we can survive anything.
Posted onApril 12, 2020|Comments Off on Welcome To Your Career In The Arts
For the last several years, I freely admit that I blatantly stole a beautiful concept from the artist and musician Steven Archer, famed for his involvement with Ego Likeness, Hopeful Machines, and Stoneburner. In addition to his other endeavors, any of which make us mere mortals want to eat his brain so we can steal his powers, Steven also shares particularly disturbing failure videos and gifs, usually involving faceplants and setting idiots’ knees afire, all of which beg for one specific soundtrack, for his followers and interested passersby. The punchline is the same with each video or animated gif: “Welcome to your career in the arts.”
Part of the reason why so many of these are so funny isn’t just in being glad that we aren’t as unlucky, unskilled, or foolish as the individuals in said videos. It’s that for anybody with an actual career in the arts, we watch the videos, wipe our brows, and sigh “So it’s not just me.” So often, no matter how hard we prepare and what we try, it’s Faceplant City, and most of us just brush the concrete dust off our noses, spit out the broken teeth, and get up to do it again. Compulsion is a wonderful thing.
And so it goes. Since before the beginning of this foul Year of Our Lord 2020, the original plan for the Triffid Ranch was to jump up the number of Triffid Ranch shows, lectures, and open houses, including an expansion outside of the greater Dallas/Fort Worth area. Well, you can call COVID-19 “The Rona” or “Captain Trumps,” but every artist, musician, and writer in town saw the implosion of venues and events and called it “The Devil Vomits In My Face Once More.” You wipe off your eyes, reach for a towel and an eyewash station, and start again.
And to follow the old adage “when God closes a door, He also opens a window,” it’s time to see if if the next few weeks constitute defenestration or flying. The original plan was to hold a major open house, the Manchester United Flower Show, on April 18, if the current shelter-in-place order for Dallas County would allow it. Since that order runs until at least the beginning of May, this wouldn’t happen anyway, and a lot of folks understandably don’t want to risk crowds even after the order is lifted. We can’t have a traditional open house, and a lot of people outside of Dallas regularly mope (but mope in a cute way) about not being able to get to an open house anyway, so it’s time to make things virtual.
With the recommendation and inspiration of Christopher Doll of Breaking Fitt’s Law and Pete Freedman of Central Track, both essential reading, the Triffid Ranch is going to Twitch. The Eventbrite invitations will go out soon, but we’re going to try a video open house starting at 6:00 pm Central Standard Time on Saturday, April 18. Just as with the in-person open houses, this will run until about 11:00, thus allowing folks in varying time zones a chance to jump in. If this works out well and it doesn’t lead to a terminal curbstomping, we may have more in our current time of crisis, and probably way beyond. Not only will this give friends and interested bystanders a chance to see the inner workings of carnivorous plant blooms, but it gives a chance to confirm that the sole proprietor has far too much in common with the late Rik Mayall’s most famous character. See you then.
Posted onApril 3, 2020|Comments Off on Bluebonnet Season 2020 – 3
Even in better times, Texans and tourists rushed out every spring to view the return of the Texas bluebonnet, Lupinus texensis, bringing family, loved ones, and pets into the mix. This didn’t always end well for the bluebonnets: the plants themselves are reasonably tolerant of abuse, but the flowers are very easily crushed. This was really a problem for actively trafficked areas: for the most part, bluebonnets are common enough and widespread enough that the species can handle the occasional trampled cluster. In these days of social distancing, that dose of blue, purple, and green is even more important than ever, as is the need to give everyone a chance to see them who wants to do so. Please, please be careful when taking family photos in bluebonnet patches, if only by sticking to the edges and not flattening the whole thing. Most importantly, clean up after your pets, unless you want that kind of karma in an age of security cameras everywhere. Everyone else will thank you for this in the future.
For everyone who has followed this little trek so far, thank you very much, and keep an eye open for future posts. Bluebonnet season is just getting started, and there’s no telling what we could find among the undergrowth in a week or so. No telling at all.
Posted onApril 2, 2020|Comments Off on Bluebonnet Season 2020 – 2
One of the things that amazes so many initiates to Texas bluebonnets is exactly how much animal life can reside inside one bluebonnet clump. No, not bluebonnet rattlesnakes: a thriving field of bluebonnets captures dead leaves and other debris to feed detritivores, and the leaves provide sustenance for a whole legion of foragers and grazers, while the flowers attract a wide range of pollinators that themselves depend upon the flowers’ pollen and nectar. With those herbivores come predators to take advantage of the largesse, and bodies of predator and prey themselves feed the detritivores. It’s a short-lived cycle that ends when the plants die off and burn back in May, but it’s absolutely essential for a wide variety of fauna, mycota, and other flora to continue their own life cycles. Give the land a chance to cool and rest over the winter, and the cycle starts all over in spring.
Posted onApril 2, 2020|Comments Off on Bluebonnet Season 2020 – 1
For those outside of Texas, and for everyone sheltering in place, the Texas wildflower season started about the time we all started self-quarantining, and it now gets going with the beginning of bluebonnet season. Lupinus texensis is a denizen of poor soils throughout the state, growing thickly on roadsides, fields, industrial parks, and anywhere where nitrogen is at a premium. Part of their appeal is the tremendous clumps of blooms at the height of the season, but also their transitory nature: by the end of April, they generally burn off and deposit seeds for next year’s crop. By July, most people who hadn’t witnessed the waves of blooms in April would never have known they existed: the stems and flowers turn to powder and are overgrown by grasses and other summer flora.
Because of this temporary display, many bluebonnet habitats throughout Texas will not mow until the bluebonnets and other wildflower species go to seed. With the bluebonnets come legions of wildflower tourists to get photos of family and/or loved ones among the bluebonnets, in addition to utter idiots fussing about bluebonnet rattlesnakes. This is all fine and good, but these photos generally avoid one important fact: L. texensis is a fascinating plant when seen from the ground, to the point of seeming unbearably exotic.
It’s easy to be flippant about plant blindness, the cognitive bias that prevents people from seeing the plants in their everyday environments. It’s an understandable heritage of being taught over and over to look for the animals in various environments: look back on the number of pictorials of exotic environments and then consider how many focused solely on the plants and ignored the animals. You might be considering for a while: everything from National Geographic foldouts to dinosaur books focus on the animals big and small, with the accompanying flora a sidenote at best. The phenomenon of plant blindness is even worse with documentary films and videos: show a field of Sarracenia pitcher plants, and interest only perks up when the viewer sees tree frogs in the pitchers. On a personal level, I deal with this at Triffid Ranch shows on a constant basis: not only do people look at an enclosure in a quest for the animal they’re sure is inside, but after being told that the enclosure holds nothing but plants, they check again just to make sure. Plant blindness isn’t innate and it isn’t genetic: it’s a learned behavior, and it’s one that can be broken with enough practice.
This is why, in the tradition of Sir David Attenborough, it’s time to go among the bluebonnets. Expect more pictures in the very near future: after all, bluebonnet season is only just starting up, and they’re going to get thick in the next few weeks. Most importantly, though, try to remember that plant blindness. Don’t focus on anything else: focus on the plants. Note the foliage as well as the blooms. Only this way can you break the curse of plant blindness.
The best-laid plans, and all that. The old Chinese curse about living in interesting times definitely applies through this month, and apparently beyond. The news about the Dallas County shelter-in-place order requiring all residents to stay at home unless conducting essential business is now international news, but the subsequent mandatory orders applying specifically to Richardson and Garland are just as big a deal. Right now, the Dallas County order will be up for review on April 3, the Garland order until at least April 7, and Richardson cut to the chase and set its order to run until at least April 29. Any way you look at it, anyone in the greater Dallas area isn’t going anywhere, especially since local police are empowered to ticket and/or arrest anyone running about without good reason.
And how does this affect the Triffid Ranch? Quite honestly, it stops everything for the next month, and directly affects the rest of the year. Unlike the twerp at the mail drop last Monday who wanted to argue that the Dallas County order didn’t apply to him because of one tiny issue that he assumed invalidated the whole order, the orders aren’t up for debate over here. As anybody in US Army Basic Training learns on the first day of Nuclear/Biological/Chemical training, you do NOT take off your mask until someone with the proper authority gives the proper “ALL CLEAR” signal. You may be melting in the heat, and you may want the freedom to take it off and relax, but it’s there for a reason.
So what this means is that every Triffid Ranch event scheduled for March, April, and May has been rescheduled, delayed, or otherwise put on hold. The planned April 18 Manchester United Flower Show open house is delayed. This also means that all appointments will have to wait until Richardson’s order is lifted, although remote consultations are still open. (If anything, if you’re looking for a custom enclosure, the delay should give it plenty of time to get established by the time you’re able to pick it up.) Among the important events:
As always, keep an eye on the Shows, Lectures, and Other Events page for changes to the schedule: everything depends right now on how well the COVID-19 situation flattens out, and what gets scheduled against what. Until then, stay safe, stay distant, and we’ll see you when we see you.
Posted onMarch 15, 2020|Comments Off on State of the Gallery: March 2020
Well. Skip out on one update in February, and look at what happens. All I wanted was a Pepsi, just one Pepsi…er, I mean, all of those years of mental preparation for the collapse of human civilization, and here’s what it comes down to. No zombies, no Daleks, no mutants, no dinosaurs, no asteroid impacts, all of the rampaging highway raiders in Mohawks and bondage pants are riding mopeds…there’s a very good reason to stay home until this is all over.
Very seriously, for all of the “Love In the Time of COVID-19” jokes, March just got very interesting around the Triffid Ranch. Being open solely by appointment, social distancing was already enforced before everything went down, and a lot of those appointments may now be run virtually. (Yes, that means finally getting my Skype account up and going.) I was literally in Austin for 15 minutes last weekend when the City of Austin announced that it was shutting down the SXSW art and music festival, and cancellations rapidly spread through Texas, especially after Dallas County set up a ban on gatherings for more than 500 people on March 13. I was last-minute scheduled for a one-night presentation via the Corpsepaint Show at Gas Monkey Live on March 13, so there was that. All-Con was on its second day when Dallas County ordered its shutdown, with all of the vendors having to pack up and go home at about 11:30 Friday morning. Then came the list of events that were being rescheduled because there was no guarantee that COVID-19 would abate by the planned date. The Deep Ellum Art Festival. Fan Expo Dallas. When the Houston Livestock Show and Rodeo shuts down, you know people are taking this seriously.
To their eternal credit, the organizers of the Oddities & Curiosities Expo touring shows and Texas Frightmare Weekend have been on the case. Not within an hour of the Dallas County announcement, the Oddities & Curiosities crew were up and rescheduling shows, with the Dallas show moving from March 28 to June 27. Texas Frightmare Weekend is still starting on May 1 until further notice, but Loyd Cryer and his faithful crew were already running contingency plans and reassuring attendees and vendors that if anything changed, they’d know as soon as humanly possible. To their greater credit, both shows understood that a lot of us vendors were going to be hit badly due to the number of March shows shutting down, so they both posted lists of vendors so interested bystanders could buy from them directly until the situation was under control. In the interests of solidarity with cohorts and friends, go check them out and buy mass quantities, or at least let friends know that they’re out here:
With all of this, it’s hard not to bring up my home town’s unofficial motto: “Aside from THAT, Mrs. Kennedy, what do you think about Dallas?” All I can say is that while we’re all staying home, with good reason, keep an eye open for interesting updates: since the gallery is reasonably isolated and I have plenty of time that was previously taken up with show preparation, it’s time to write up all of the plant care guides and other ephemera that had been put off for months and sometimes years. At least, that’s the idea. We’ll see how it goes from here. Until then, stay inside, stay safe, and rest assured that if you get a newsletter from me, it’ll include more content than far too many of the ones flooding your email box right now. And so it goes.
UPDATE (3/16/2020): I just got word from Jason at Curious Garden about Saturday’s carnivorous plant workshop, and it’s being rescheduled for a date after all of our current self-quarantine. This news wasn’t unexpected, but it came just as the City of Dallas ordered the closure of bars, restaurants, and gyms within city limits. It’s getting strange out there, folks, so take care.
The end of any year in the Gregorian calendar that ends in a “9” always ends the same: innumerable alcoholic amateurs assuming that they’re channeling the spirit of Hunter S. Thompson, massive disappointing clearance sales with clothing stores acknowledging that styles WILL change and soon, and the continuing war between pedants on whether a particular decade ends at the end of the “9” year or the end of the “0” year. Personally, since 1970, which just never rolled over and went away until about 1987, my attitude has been that those “0” years are transition years: the decade that was dies tonight at midnight, but the beast won’t die until the signal travels all the way through its bulk and reaches its tail, and it’ll thrash around for a while in the process. We now have a year to find out what the Twenty-Twenties are going to look and sound like, and we shouldn’t worry about the exact date of death. What matters right now is that as of midnight on January 1, the Twenty-First Century is now one-fifth over, and we should start behaving like it. Want a semantic cause? Start insisting that those still using the term “turn of the century” need to emphasize which one.
There’s no question that 2019 was a year of transition, of what the author Harlan Ellison referred to as “the hour that stretches.” Harlan’s 1988 collection Angry Candy started with an introduction discussing all of the friends, cohorts, heroes, and fellow travelers he’d lost by that point, and how the sudden conga line of mortality directly affected his storytelling. At the time I bought that collection when it came out in hardcover, I was nearly 22, so I had no real grasp of his pain: now, I’m the age he was when Angry Candy was published, and I understand far too well. You may not recognize the names of Jeb Bartlett or Rob Fontenot or Laura Huebner, or of my father-in-law Durwood Crawford, but they made the world just a little more fun and a little more kind, and they’ll always have a spot in the Triffid Ranch pantheon of heroes alongside Adrian Slack and old Harlan himself. (And I have to leave a little room for my late cat Leiber, as his life stretched across nearly a third of mine, and not hearing his happy chirps when I’d look at all of the cat fur in the vacuum cleaner and scream “WHY IS THIS CAT NOT BALD?” has left the house just a little darker and lonelier, no matter how much Alexandria and Simon try to fill the gap.)
As far as accomplishments are concerned, this was a good year because of their sheer number. This was the first year a Triffid Ranch enclosure was entered in a professional art exhibition, and the first year of making more than one trip outside of Dallas to show off enclosures. (Next year will be even more fun, with at least three shows in Austin, one in Houston, and the first-ever show outside of Texas in New Orleans in August.) This was a year for workshops, and a year for presentations, and a year for rapidly changing directions. This was the year, a decade after the first halting Triffid Ranch shows, where I never regretted quitting professional writing less, because those workshops and presentations did more actual good than writing about long-forgotten movies and books ever did. Expect a lot more of those in 2020, too, because the life of a carnivorous plant grower is always intense.
With that year in transition comes a few unpleasant but necessary sidebars. 2020 is going to be a year without Facebook: after a lot of thought about Facebook’s accessibility for friends and customers versus the company’s issues with security, its never-ending throttling of Page access to subscribers unless the Page owner pays for “boosts” (and the ever-decreasing reach of those boosts thanks to ad blockers and the company’s own algorithms), it’s time to leave early so as to avoid the rush. Social media access continues with both Instagram and Twitter (just search for “txtriffidranch”), but the rabbit hole opened every time someone sent a message that lowered Triffid Ranch Page posts if I didn’t respond immediately to yet another discovery of that idiotic Santa Claus Venus flytrap video just takes up too much time. Besides, if you’re wanting news on what’s happening with the gallery, that’s what the newsletter is for.
Anyway, thank you all for sticking around, for coming up and asking questions at presentations and lectures, for buying enclosures so I have room to place new ones, and for coming out to open houses. You’re appreciated, and just wait until you see what’s planned for 2020. The first open house of the year is on January 25: you won’t want to miss this one.
Due to a death in the family, this Saturday’s Nightmare Weekend Before Christmas has been cancelled, but expect a full return to form on Saturday, December 7. If you’re really nice, I might even sing for the occasion:
Posted onNovember 21, 2019|Comments Off on State of the Gallery: November 2019 – Special Edition
A lot has happened in November so far, and more is gearing up for the rest of the month, in what the author Harlan Ellison called “the hour that stretches.” November has always been an, er, interesting month in my life, what with layoffs, moves, new jobs, and more than a few deaths. November 2019 follows in that tradition, and the plan is that the window that opens when the door closes is a greenhouse vent and not an airlock. Yeah, it’s been one of THOSE Novembers.
Anyway, the practical upshot is that appointment availability for Triffid Ranch consultations just became a lot more open. The Nightmare Weekends Before Christmas Saturday night open houses starting on November 30 remain unaffected, but now the gallery will be open a lot more often during the week, too. Just excuse the mess: the events over the last two months (of which no more will be said) interfered with new projects, so the idea now is to rectify that situation. Among other things, this frees up storage space, it gives new homes for older plants to stretch out, and it gives more reasons for all of you lot to come out to multiple Nightmare Weekends to see what’s new THIS time. If you’ve had an eye on a particular enclosure but haven’t made the move to take it home just yet, this may be the perfect opportunity.
And the rest of the year? That’s dedicated both to a wedding anniversary blowout (17 years as of December 28, and people still assume that we’ve been married for weeks) and to getting ready for 2020. This includes a stem-to-stern renovation of the gallery, other essential updates (after all, we’ve been in the space for three years as of February, so we have plans), and scheduling for the largest list of outside events yet. Among other things, a quick perusal of the calendar revealed that next Valentine’s Day falls on a Friday, and between this and Leap Day on a Saturday, it’s time to call some people and plan a multi-venue event. As always, details will follow as they happen: if it doesn’t happen, you’ll never know about it.
Speaking of venues, if you’ve attended an open house and never stepped across the doorway to our neighbor Visions of Venice, consider yourself encouraged to investigate. Besides being the absolute best business neighbor a boy could ever want, the amount of crossover interest between carnivorous plants and Italian glasswork continues to surprise me. Even better, the storefront is open during the week, so don’t be afraid to head out during a lunch break with a whole group of coworkers and peruse the stock of masks and chandeliers. (Yes, they actually go together. Don’t argue with me on this.)
Finally, before loading up the van and heading out to Austin for this weekend’s Blood Over Texas Horror For the Holidays show at the Travis County Exposition Center, a little note: some of you may have noticed that the new URL for this Web site changed to http://www.texastriffidranch.com within the last week. It’s a funny story as the old URL still works, and you’ll have to come out to one of the Triffid Ranch events for an explanation. In the meantime, if you haven’t been exploring through the archives in a while, please indulge your curiosity, as WordPress and Google are fighting over whether or not this is new content. Besides, you don’t have anything better to do the week before American Thanksgiving when you’re trapped at work and everyone else is taking off on early vacations, right?
Comments Off on State of the Gallery: November 2019 – Special Edition
There’s usually nothing quite like the Monday after a big show, and with two shows this last weekend, I was expecting a humdinger of a Monday morning. I had no idea. For those catching the news, the north Dallas area was hit by multiple tornadoes on Sunday night, and the damage is still being assessed. To cut to the chase, the gallery was fine: aside from a power outage, everything was in good shape after a quick morning inspection. (People regularly ask about the odd electric clock running in the gallery that still lists the date as sometime within 2000. This is my blackout clock. It’s an easy way both to tell that the gallery was hit with a power outage and to determine how long it’s been back on. After last April’s horrendous storm and subsequent power outage, I’m seriously thinking about getting an emergency generator, just for the freezer.)
The rest of the area, though, isn’t as lucky. The big tornado tore a divot through residential and business areas just south of the gallery, running roughly parallel to LBJ Freeway. Apparently the neighborhood in which I lived at the end of the last century was hit very hard, as was the shopping plaza where I had my old mail drop between 1997 and 2012. North Haven Gardens came pretty close to being wiped off the map, and the main tornado then hopped Central Expressway and took out the gallery’s local Home Depot. Another tornado touched down just east of the gallery, disintegrating both a train crossing and all of the trees in the immediate vicinity. It’ll probably be a few days before anybody gets a good assessment of the damage, but the good news is that tornado sirens and phone alerts worked and no fatalities were reported.
(One aside: not only are we fine, but thanks to the City of Garland keeping up proactive maintenance on power lines, we kept power all through this. The only scary moment came after returning the rental truck for last weekend’s shows: this marks two times in my life that I’ve viewed a funnel cloud from the underside, and it’s a phenomenon I’d be very happy to leave to experts.)
In the meantime, if things go quiet, it’s mostly from helping friends and neighbors dig out from the mess. Thank you for understanding, and normal snarkiness will resume shortly.
A little side-project tied to the October gallery open house this weekend: with the exceptions of side-trips to Tallahassee, Portland, and northeast Wisconsin, next December marks 40 years in North Texas. In that time, I haven’t done a lot of things either expected of me or intimated that it might be in my best interest. I’ve never been to South Fork or the 6th Floor Museum, I haven’t been to Six Flags Over Texas since 1982, I haven’t gone to a high school football game, and I have yet to come across a rattlesnake in the wild. (I had to go to Tallahassee for that.) One of the things I’ve wanted to do besides come across a seven-foot Western diamondback, though, was to eat prickly pear cactus fruit until I fell over, and that’s now checked off the bucket list.
The prickly pear (Opuntia spp.) is a regular component of the Texas experience. Technically, the Dallas area isn’t the eastern edge of its range (Opuntia is found growing along the Gulf Coast into the western coast of Florida, often growing in the crooks of mangrove trees), but Dallas marks where the pine trees of East Texas are supplanted by cactus. In our area, they tend to show up in poor, well-drained areas such as along culverts and bridges, and they’re just cold-tolerant enough to survive most Dallas winters. The cactus has not only been a food source for humans for centuries (the pads and fruit are referred to in Spanish as nopales and tuna respectively), but if you’re lucky, you’ll see little tufts of what look like white cotton lint on the pads. Those tufts are camouflage for the cochineal bug (Dactylopius coccus), the source for the cloth and food dye carmine. (That little bug is the main reason why prickly pear was a major invasive pest in Australia, but that’s a story for later.)
Anyway, prickly pear fruit is much like apples: just because it looks ripe doesn’t mean that it is. I’d been watching a lone cactus clump near the bike path I take to the gallery, telling myself that this would be the year that I harvested that patch. In 2017 and 2018, someone else harvested the whole lot in early September, probably realizing afterwards that nice purple tuna had all of the flavor and consistency of aquarium gravel at that point. This year, though, they stayed until mid-October, and a preliminary test suggested that the whole clump was ready. Tuna don’t have the vicious spines that the pads do, but they’re still covered with irritating hairs to dissuade cattle and other big herbivores, so it was time to go out with kitchen tongs and a big bag.
Now remember those irritating hairs I mentioned? Those need to be removed before eating. The traditional way was to burn them off, either in a campfire or in the flames of a gas stove, but silicone hot mitts also work very well in removing hairs without getting a handful. (Trust me: you do NOT want these hairs stuck in your skin, as they can take days or even weeks to pull free, and tweezers tend to break them.) Whichever you choose to clean them, a good rinse with water, and they’re ready for processing.
A lot of recipes are available for prickly pear fruit, but I knew exactly what their fate was going to be: sorbet. After coming across a good recipe, the next trick was to puree them, as the skin adheres to the pulp when they’re this ripe. Even in the initial testing with a smoothie maker, the juice was flavorful enough that it would have made a great breakfast juice. The plan, though, was to go further.
The final juicing yielded about four liters of liquefied fruit, and then came the real joy: straining. Prickly pear seeds never stop tasting like aquarium gravel, and they’re packed in enough that they’re a threat to the teeth. This meant that a new colander got quite a workout. (Friendly warning: not only will prickly pear fruit juice stain just about anything it touches, but expect at least some seeds to get through unless you’re straining through cheesecloth. Just be prepared for that.)
The next stage started after the juice chilled in the refrigerator for 24 hours, and that involved an ice cream maker. Some enthusiasts prefer making a prickly pear sorbet at relatively warm temperatures to keep up the consistency: others recommend freezing it hard so a spoon takes off shavings. However you want to do it, make sure your ice cream maker is well-cleaned, check it regularly if it’s electric, and make sure it has plenty of ice in the bucket.
The end result? Well, the end result went into ramekins and then into the freezer, and those attending this weekend’s open house gets to try it firsthand. It’s not as outré as horse crippler cactus ice cream, but if it’s popular enough, this may have to be a regular addition to the October open houses. That is, if I don’t eat it all myself.
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Posted onAugust 23, 2019|Comments Off on The Aftermath: Austin Oddities & Curiosities Expo 2019 – 1
At the beginning of the year, the plan for 2019 was simple: more shows, more unique shows, and more shows outside of Dallas. The execution, of course, involved both finding these shows and getting to them. Texas’s geography and geology entails lots of fields and scrublands between cities, and its meteorology requires being able to get between those cities as quickly as possible, especially in summer. The new touring Oddities & Curiosities Expo offered opportunities to test both geography and meteorology, and after last March’s flabbergastingly successful Dallas show, it was one of the best options for getting practice in touring.
One of the absolutes on out-of-town shows, besides the guarantee that one small but vital item will be left behind by accident (in this case, a DC-to-AC inverter for the battery powering display lights), is that you should always take any estimates of travel time and throw them through a wall. The vast majority of the trip between Dallas and Austin was as uneventful as can be expected in August: hot, sunny, and dry, and much of the perpetual road construction on Interstate Highway I-35 was complete or in its final stages. What neither I nor many other vendors expected was the near-perpetual traffic jam to the north of Austin, one that exists for no readily discernible reason, so a nearly three-hour cushion to get the Triffid Ranch booth set up turned into a frantic ten-minute rush to get plants out of the heat before the doors to the Palmer Event Center closed for the night. Thankfully, the Expo crew allowed lots of time the morning of the show to get established, so after everything cooled off overnight, it was time to get going….
To be continued…
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Posted onAugust 14, 2019|Comments Off on The Aftermath: DFWS FIRST Thrift Convention – 2
One of the more interesting aspects of the recent DFWS FIRST Thrift Convention was watching the culmination of a sea change I’ve observed with shows of this sort for the last decade. The old perceptions of flea markets and thrift fairs are falling apart: why would anyone with access to a smartphone put up with a surly vendor with a pile of broken or heavily worn items at “you won’t find it anywhere else” prices? (I submit that this is a major factor in the ongoing implosion of literary science fiction conventions, too, but that’s a different dangerous vision.) Successful vendors in this new world are engaging vendors, and attendees notice and respond to naked enthusiasm. At this show, a small subset complained loudly about how the word “thrift” was misleading, as there weren’t any spectacular discounts they could steal away and sell on eBay. They were overwhelmed by a very large crowd that was willing to pay an admission fee for an experience, and boy howdy did they get one. The venue itself was a little small, but a lot of intriguing vendors, carrying items that attendees didn’t know they wanted until they saw them, didn’t mind in the slightest.
To be continued…
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Posted onMay 8, 2019|Comments Off on Enclosures: O’Keefe (2019)
Description:The request was for a custom carnivorous plant enclosure that invoked the style of Georgia O’Keefe without plagiarizing it, and the challenge was to synthesize both O’Keefe’s skyscraper period and her New Mexico period in the context of a durable carnivore enclosure.
Dimensions (width/height/depth):18″ x 36″ x 18″ (45.72 cm x 91.44 cm x 45.72 cm)
Plant:Nepenthes x. ventrata
Construction:Glass enclosure. polystyrene foam, vacuum-formed plastic, found items.
Posted onMay 2, 2019|Comments Off on State of the Gallery: May 2019
So there’s no State of the Gallery report for April 2019. This is completely my fault, mostly due to my addiction to gas station sushi, but I have an excuse. After a little over ten years of trying to turn the Texas Triffid Ranch into a viable and sustainable business, the last month is where things got busy. VERY busy. The show and open house calendar is now so packed that there might be a break around Canada Day.
(And as a note, you may notice that the photos in this posting are much better than average. This is deliberate: after years of doing for carnivorous plant photography what Jeffrey Dahmer did for vegan cuisine, it was time to hire a professional who could capture the look of Triffid Ranch enclosures. Allison David not only is a consummate professional, but she and I ran in many of the same circles with the same people that make Dallas so interesting and yet never ran into each other before now. Expect to see a lit of her photos in upcoming Triffid Ranch promotional material, particularly press releases and portfolios, and feel free to contact her for your own photographic needs.)
To start, most activities for the past two months have gravitated around getting everything ready for the Triffid Ranch’s tenth year at Texas Frightmare Weekend, running the weekend of May 3 at the Hyatt Regency DFW Airport. I think the only person more shocked than I at the incredible growth of Frightmare is Loyd Cryer, the founder and grand poobah, and he has every reason to be proud of this monstrous baby of his. As I write this, the plants are potted and awaiting loading, and now all I’m doing is waiting for the inevitable potential disaster to start off what turns into a spectacular show. In 2016, it was having the truck struck by lightning as I was arriving: so what happens in 2019?
Most years, the weekend after Frightmare is dedicated to quiet introspection. Well, if lying on the floor and twitching all day Saturday is introspection, I’ll take it. However, it’s time to take a lead from the title of my most-missed 1990s-era glossy magazine and plan for the next weekend. This time, it’s a matter of putting down roots in my home town, as the Garland Urban Flea opens its may event in downtown Garland, Texas on May 11. Previously, work schedules and weather conspired against setting up a tent at Garland Urban Flea (when the National Weather Service describes the day’s weather by running clips of the Star Trek episode “The Doomsday Machine,” odds are pretty good that nobody is coming to the show unless they own a bathyscaphe, as I’ve learned to my sorrow in the past), so here’s hoping that the weather that Saturday is clement and calm. And stop laughing: Texas weather isn’t THAT bad.
The next weekend is a quiet one, right? Noooope. Because June promises to be even busier, we’re holding the next Triffid Ranch open house on Saturday, May 18 from 6:00 to closing, with the opportunity for those previously unfamiliar with the gallery to view new plant enclosures and arrangements. No theme this time: it’s all about being glad that you’re coming out to take a look.
The next weekend is Memorial Day weekend. That’ll be a weekend to relax and recuperate, right? Well, maybe on Monday, but Saturday, May 25 is dedicated to the Triffid Ranch’s first-ever show in Denton, Texas for Punk Palooza. This is going to be a return for a lot of reasons, the least of which being in a very disturbing alternate reality, I’d be returning to the University of North Texas to celebrate the fruits of either my journalism or my Radio/Television/Film degree from UNT. Yeah, that’s an alternate reality that keeps me awake at night, too.
And after that? June 1 and 8 are reserved for private events at the gallery, but then it’s back on the road for Swizzle’s Waipuna Tiki Flea in Dallas on June 15. Those who may remember last year’s Swizzle event may remember how much fun it was even with rain and a cold front coming through, and June in Dallas is generally noted for “warm and sunny.” Besides, having several friends in the tiki bar culture gives then excuses to visit Dallas, so everybody wins.
Well, that’s about it for the next six weeks: after that, it all depends upon the weather and whether we have a reasonably mild summer or another repeat of 2011 or 1980. If the former, lots of long-range travel is in the forecast. If the latter, guess who’s getting additional air conditioning units for the gallery and stocking up on frozen blueberries?