This commission had three absolutes: it had to fit into a very small space, the plant in the enclosure had to be a Nepenthes “Bloody Mary” hybrid, and it had to be a surprise. Considering that the recipient was an enthusiastic Star Wars fan, months of research into weathering and oxidation on World War II ordnance and installations paid off. If nothing else, the project also gave a whole new appreciation for the modelmakers in special effects workshops, because they’re obviously underpaid.
Dimensions (width/height/depth): 12″ x 18″ x 12″ (30.48 cm x 45.72 cm x30.48 cm)
Plant: Nepenthes “Bloody Mary” hybrid
Construction: Polystyrene model kit, polystyrene foam, epoxy putty
Price: Custom commission
Shirt Price: Custom commission
Today would have been my grandmother’s 96th birthday, so let’s celebrate it in style:
If you’re in the Dallas area or happen to have quick access to the Dallas area, you are cordially invited to the Triffid Ranch open house running today. If you aren’t, there’s always music.
One of the many inspirations for the gallery and what we’re doing died 25 years ago today, so it’s particularly appropriate to doff hats and remember Vincent Price. If not for an NBC broadcast of a documentary on carnivorous plants narrated by Price, my life would have turned out very differently.
One week until the next open house, and a perfect song as soundtrack for the Nepenthes enclosure currently finishing construction this weekend…
The response to the new Netflix series The Curious Creations of Christine McConnell, which premiered last weekend, has been interesting. What’s particularly interesting has been the very polarized responses from friends and colleagues whose opinions I respect and often admire. Two friends whose contributions to goth culture in the Nineties were vital in establishing said culture were livid: they were furious as to the overly cutesiness and the attempt to sell creativity to and for the terminally uncreative. Others equally vehemently celebrated a show that was trying its best to be a little dark, but not too dark. Finally, at the bequest of Caroline of Tawanda! Jewelry (and Delenn to my GIR at the gallery), I sat down and watched a few episodes. Not that my opinion means anything at all, but the only issue I had was that so many of the projects looked like video accompaniment to an upcoming book (not that there’s anything wrong with that at all) and had nowhere near enough detail to allow a casual watcher to recreate most of them without additional online help. Then again, neither does The Great British Baking Show, and that’s not why people watch that, either.
What excited me about Curious Creations wasn’t just that so many of us incipient gothlings would have done just about anything for a show like this a quarter-century ago, but that it shows an inherent strength to Netflix. Namely, instead of worrying about its programming playing to Peoria, Netflix management realized that not copying what everyone else is doing in a particular format gets more viewers, not fewer. Combine that with the current trend in comfort viewing that emphasizes creativity and encouragement toward excellence, and we might have the new movement in entertainment for the next decade: getting those curious about a particular artform or art movement moving in the right direction.
If this is more of a trend toward celebrating more gonzo artistry, as the upcoming second season of Curious Creations suggests, then one thing is certain: it’s time to start pitching more shows of this caliber. I can think of two horticulturalists, Janit Calvo of Two Green Thumbs Miniature Garden Center and Amanda Thomsen of Kiss My Aster, who would be perfect for their own gardening shows, and letting Stewart McPherson travel the world to view carnivorous plants in the wild would be incentive for me to pay for Netflix access for the next five years all by itself. (If nothing else, an all-Amanda Thomsen show has the added novelty of watching her family, including three singing dogs and the world’s most put-upon cat, in action, because they’re ALWAYS entertaining.) Just don’t ask me to pitch a show with my horticultural and social sensibilities to Netflix: it’s already been done.
And in the theme of the cold front passing through:
A quick note for those planning a relaxing Saturday around carnivorous plants in Garland, Texas who haven’t caught the latest weather report. As of this writing, a massive cold front spreading across North America is on its way to Texas, with the end result being a solid weekend of potentially dangerous thunderstorms through the Dallas area. Because of that, the decision was made last night to cancel the Garland Urban Flea event on October 13. That means that if you’re willing to risk Dallas thunderstorms (and our storms can be impressive) to come out to the Triffid Ranch tent, you’ll have to turn around because nobody will be there. Well, nobody without gills: we’ve already had ridiculous rains, even for an October, so nobody is likely to be in downtown Garland on Saturday afternoon without a spare SCUBA tank.
And in the spirit of gallows humor, things could have been a LOT worse. This weekend is also the weekend for Fear Con in Salt Lake City, and the organizers waited until two weeks ago to solicit my becoming a vendor at that show. Even under absolutely perfect conditions, Salt Lake City is a two-day drive from Dallas, so hauling out plants to Utah with two weeks’ notice wasn’t a practical option. Remember that cold front? It may be producing thunderstorms in Dallas, but it may produce snow in the Texas Panhandle, which is a spectacle best experienced from a distance, such as 1993. (1993 was the last year we saw subfreezing temperatures in Dallas on Halloween: for the first time for most of us, we saw autumn leaf colors in November that weren’t pastels.) Considering the likelihood of that front dropping considerably more snow further north, just contemplate the fun of driving a van full of heat-loving carnivorous plants through the Rocky Mountains for two days out and two days back, while wearing tire chains. Just call me “Neo“.
And to continue with the holiday theme: a little extra from a Triffid Ranch favorite.
Much to the surprise of we animals, many plants are adept at reviving and growing after appearing completely dead. The resurrection plant of the American Southwest (Selaginella lepidophylla) remains brown and brittle for years until a sudden downpour brings it back to full green splendor until it dries again. Many others, upon being shocked by adverse conditions, die back and marshal their reserves for a new burst of growth. Fire, ice, wind, drought, flood: many others cannot bloom or set seed until after exposure to extremes that could kill them. And when it’s all done, they come back and grow, until the next onslaught.
Dimensions (width/height/depth): 18″ x 36″ x 18″ (45.72 cm x 91.44 cm x 45.72 cm)
Plant: Nepenthes rafflesiana
Construction: 3D-printed mask, polystyrene foam, epoxy putty, glass, wood.
Shirt Price: $250US