Nosferatu Festival in Austin had a lot going for it, but one of the best was the screenings on Saturday and Sunday of the classic 1922 film. Modernized soundtracks for silent films aren’t new (after all, it’s been 35 years since the rerelease of Metropolis with a soundtrack highlighted with new music from Freddy Mercury and Bonnie Raitt, among others), but Nosferatu seems to bring out the best from original electronica composers, and attendees of Nosferatu Festival got two live performances for their efforts. After that, the number of people chuckling and pointing back at my booth at the scene showing off carnivorous plants was just gravy.
All said, thanks to everyone involved with Nosferatu Festival, from the venue to the attendees to the interested bystanders, for putting up with me over two days, and I for one would love to see more events like this at Come and Take It Live. The venue has an excellent feel that’s perfect for darker events such as this, and combine that with a very horror-friendly staff, even having a tire blow out on my cart while packing up on Saturday night wasn’t the bummer it could have been. (Said tire ruptured with no warning on my second-to-last load, loudly and explosively enough that I thought I’d been shot at, and much better that it blew out at the end of Sunday night than when I started setting up on Saturday. THIS, kids, is why any vendor at any show should have at least one spare cart, rack, or other contrivance to convey inventory, just so you’re not dependent upon borrowing someone else’s cart that might not exist.) Let’s see what next year brings, shall we?
Well, there’s Austin. Despite arriving in town just in time to learn that the famed SXSW Festival was being cancelled due to COVID-19 concerns, everyone else involved with this year’s Nosferatu Festival was ready to go, and so was the Triffid Ranch. It shouldn’t be any surprise that a three-day festival dedicated to the first movie vampire would attract people with an appreciation for impending plagues, so even with the rest of Austin crashing around us, we made the best of it. (A little tip: George Romero taught us all that apocalypses are easier to bear if there’s a sufficient supply of barbecue on hand, and I make it a point to stock up at Green Mesquite on Barton Springs every time I’m in town. Considering how late we all got out of the festivities each night, having a nice stockpile waiting for you at the hotel makes being in a strange town a bit better.)
It’s been a while since the last time I set up a booth at Come and Take It Live (some may remember it as the site for the Blood Over Texas Horror For the Holidays shows until it switched venues in 2019), but it’s like riding a bike. The staff and support crew was on the ball, the weather was exemplary, and an enthusiastic crowd waited outside for the 4:00 opening on the two main days. Even with the threat of coronavirus, we were determined.
Posted onFebruary 21, 2020|Comments Off on The Aftermath: NARBC Arlington Spring 2020 – 4
The spring 2020 NARBC Arlington reptile show is over, but the application for the September 2020 show just went out. Expect a much wider range of plants in September, as the Venus flytraps and North American pitcher plants were still in winter dormancy in February, and expect a whole new range of enclosures as well. Thanks to everyone who came by the booth this time, and I look forward to seeing all of you in seven months.
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Posted onFebruary 20, 2020|Comments Off on The Aftermath: NARBC Arlington Spring 2020 – 3
Astute readers might notice that the enclosures at the gallery and at shows through 2020 so far have nameplates with both basic information on the enclosure and a QR code. Triffid Ranch displays already started phasing out individual business cards as of last year and using QR codes for the main Web site, with overwhelmingly enthusiastic results. The QR codes on the nameplates was based on extensive study of museum display design: the overwhelming number of smartphones today read the QR code with the camera and ask “Would you like to go to (Web site)?” as soon as it’s detected. Among many other things, the individual nameplates are for those who want to take a further look when the booth is overcrowded: take a quick shot and read the enclosure listing at your leisure.
The biggest surprise upon implementing QR codes was with younger attendees: they know about the codes, but overwhelmingly they only see it used for advertising, and advertising for products where they have absolutely no interest, in an attempt to be “edgy”. When they discover someone who uses QR codes that actually impart information, instead of trying to get their email addresses in exchange for a discount coupon, they practically squeal with joy. When I get back to technical writing, this is going to be part of an ongoing discussion on usability that needs to be elaborated further. As Vincent Flanders has been noting for the last two decades, people are willing to use new technology if it actually does something for them, and not because some marketing rep is looking to pad his/her resume with yet more buzzwords. Suffice to say, expect the Triffid Ranch to expand in their use, particularly with more elaborate plant care guides in the near future.
To be continued…
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Posted onFebruary 20, 2020|Comments Off on The Aftermath: NARBC Arlington Spring 2020 – 2
One of the best things about attending the NARBC Arlington reptile show for the last decade is watching the evolution of the venue and the attendees. While Texas had excellent reptile shows on its own in the past, the real conversations involved big shows on either coast of the US, and we were left on the sidelines. The last time I was a vendor at NARBC, back in 2013, one of the regular questions asked by attendees was “Are you going to be at (big East Coast show)?” This time, all focus was on Arlington, with a remarkable number of attendees coming in from outside the state, and some coming from outside the US.
(This leads to an apology in advance: this show and Texas Frightmare Weekend are the two Triffid Ranch shows with a significant number of attemdees who fly in from elsewhere, so a lot of patrons point to a bottle or jar and ask “Could I take this on the plane?” That’s a question I honestly cannot answer, because it depends upon the airline, the baggage handler, and whether or not the TCA rep inspecting your carry-on luggage has issues with you having a flask full of sundews among your lacy unmentionables. The best thing I can recommend is to check two sources before flying out to an event like this: the first is to check with the airline in advance as to its policies about glassware in carry-ons, and GET IT IN WRITING in case someone has an issue during boarding. The second is to check with the state or country to which you will be returning about any necessary inspections or permits needed to bring live plants back home: the last thing any of us want is for you to have your new plant confiscated and/or destroyed because of a regulation or ordinance of which you were unaware.)
This in itself led to interesting conversations with regulars from the NARBC Tinley Park show in Illinois, many of whom hoped that the Triffid Ranch might go transcontinental. Sadly, as much as I would love to attend any show in the Chicago area (I haven’t been in Chicago in 40 years, and a lot of online friends have been nuhdzing about making a trip north for a while), the thought of a trip of that duration depends upon how well the New Orleans Oddities & Curiosities Expo show goes this August. If New Orleans works out, well, it’s high time to head up to Chicago.
To be continued…
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Posted onFebruary 19, 2020|Comments Off on The Aftermath: NARBC Arlington Spring 2020 – 1
It’s been a while since the last time a Triffid Ranch booth appeared at the North American Reptile Breeders Conference show in Arlington: it wasn’t for a lack of interest, but a lack of opportunity. This year, though, it was time to return, both to a new date (the first time since moving to the new gallery space that it was practical or sane to attempt a February show) and to an extensively expanded space at the Arlington Convention Center. Taking over the adjoining hall meant both room for new vendors and much wider aisles between rows than in previous years, both of which were greatly appreciated by new and returning attendees. This meant the largest crowds I’ve ever seen at an NARBC event, and the crowds kept coming all day Saturday and to the close of business on Sunday. Reptiles, amphibians, invertebrates, enclosures and accessories: NARBC had it all, and now it included carnivorous plants.
To be continued…
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Posted onJanuary 10, 2020|Comments Off on The Aftermath: ReptiCon Dallas January 2020 – 3
Among many other things, the ReptiCon Dallas show marks the beginning of a new decade for the Texas Triffid Ranch: we’re now a fifth of the way through the Twenty-First Century, so it’s time to act like it. For the previous decade, the Triffid Ranch got its start at science fiction and horror conventions, and a very selective spread of shows at these will continue. (Anyone who tells you that I’m phasing out Texas Frightmare Weekend shows, for instance, is trying to start something, because so many of the staff and attendees are family in all but DNA, and even then I have suspicions.) This year, though, that expands to a much more aggressive push toward art gallery shows, reptile and amphibian shows (particularly the upcoming NARBC show at the Arlington Convention Center on Valentine’s Day weekend), and museum events. Expect to see a lot more carnivorous plants all over the place, because 2020 is going to get a bit wild.
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Posted onJanuary 9, 2020|Comments Off on The Aftermath: Repticon Dallas January 2020 – 2
When coming out to a new event, placement may be everything, but that depends upon what you want to accomplish. Being completely unfamiliar with the venue for ReptiCon Dallas, two adjoining tables at one end of the hall seemed like a perfect spot. These two tables were beneath an overhang and next to a big projection screen complete with a big black curtail, and fellow vendors winced “Oh, they stuck you back THERE?” For most of the reptile and reptile supply vendors out there, the location may have been the kiss of death, but for the Triffid Ranch, it was absolute perfection. The curtain meant that I could sit across the aisle from the tables, talking with customers while others filed by, without worrying about bumping into neighbors or clogging access, and the curtain helped baffle noise from the rest of the room. When I return to ReptiCon, I’m asking for these tables, because I couldn’t have found a better locale if I’d intended to do so.
To be continued…
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Posted onJanuary 8, 2020|Comments Off on The Aftermath: ReptiCon January 2020
It started as a lark. For the last several years, notices for ReptiCon shows in Dallas would arrive in the mailbox, usually literally seconds after scheduling another event for that same weekend. At the end of December, another notice came for a show right after New Year’s Day, and this time, the schedule was free. Load up the van, galumph out to the town of Grapevine, unload at the Grapevine Convention Center, and spend the next two days talking about carnivorous plants with a very tight and cohesive show full of people with a mission: I’ve spent much worse New Year’s weekends doing much worse things.
To be continued…
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Posted onNovember 30, 2019|Comments Off on The Aftermath: Blood Over Texas Horror For the Holidays 2019 – 4
Ever since the gallery went live, the Blood Over Texas Horror For the Holidays show has been a good excuse to go to Austin, a good excuse to see old friends who moved out of Dallas, and a great way to end the year as far as outside events were concerned. Thanks are in order for the Blood Over Texas crew, all of the attendees of the Horror For the Holidays show, and the staff of Green Mesquite BBQ on Barton Springs in downtown Austin, who kept me fed all weekend. I’ll see you all next November.
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Posted onNovember 28, 2019|Comments Off on The Aftermath: Blood Over Texas Horror For the Holidays 2019 – 3
Now, people outside Texas may be a little concerned at the thought of a horror-themed holiday market such as the Blood Over Texas Horror For the Holidays shows, as monsters and nightmares don’t seem to fit the traditional holiday spirit. These are folks who may not be familiar with the history of the German and Czech settlers who moved into Central Texas in the 19th and 20th Centuries, and they brought a lot more than their traditions for beer, sausage, and cheese. (Handy travel tip: Central Texas is full of caves eroded into the underlying limestone, which is one of many reasons why Texas has some of the best cheese caves on the planet. Don’t even get me started on how a breakfast without kolache is like a broken pencil.) Krampus parades are as much a Texas tradition as chili, and the Blood Over Texas crew knows how to throw a good one.
To be continued…
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Posted onNovember 27, 2019|Comments Off on The Aftermath: Blood Over Texas Horror For the Holidays 2019 – 2
A regular comment made around the Triffid Ranch this time of the year: the one unrealistic thing about the Henry Selick film The Nightmare Before Christmas (that famed hyperrealistic portrayal of the time the skeletal avatar of Halloween kidnapped Santa Claus) involved the ending. Out of all of the kids getting new presents from Santa to replace the horrific ones from Jack Skellington, you’re trying to tell me not one child on the planet Earth would be crying and pleading to keep Jack’s presents and decorations? That Santa didn’t come back to Christmastown with at least one set of preteen teeth firmly locked onto his ample posterior and refusing to let go without Santa surrendering that Russian doll with the scorpion inside? Not one kid writing Jack Skellington each year with a list of science toys, begging him to take over for Santa for just one otherwise miserable holiday season?
Judging by the crowd at this year’s Blood Over Texas Horror For the Holidays show, a lot of other people felt the same way, and made accommodations as they got older. Santa tries to take these gifts back, and he’d better have plate-steel Underoos.
To be continued…
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Posted onNovember 26, 2019|Comments Off on The Aftermath: Blood Over Texas Horror For the Holidays 2019 – 1
Three years after the first out-of-Dallas Triffid Ranch show, and the crew at Blood Over Texas in Austin decided to punch up the annual Horror For the Holidays show this year. Having wildly outgrown its old location, both in attendance and in vendors, the plan this year was to relocate to the Travis County Expo Center, which allowed a lot more usable room, more natural light, and a schedule that allowed both Saturday and Sunday operation. They offered the venue, and we vendors took it over.
As far as the last out-of-town Triffid Ranch event of 2019 was concerned, it went out on a great note. Lots of old friends (including three who happened to be out from Dallas that weekend), lots of new faces, and several folks whose assistance will be of great help with future projects. Best of all, many attendees were very helpful with ideas for next year’s shows in both Austin and Houston.
To be continued…
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Posted onNovember 21, 2019|Comments Off on State of the Gallery: November 2019 – Special Edition
A lot has happened in November so far, and more is gearing up for the rest of the month, in what the author Harlan Ellison called “the hour that stretches.” November has always been an, er, interesting month in my life, what with layoffs, moves, new jobs, and more than a few deaths. November 2019 follows in that tradition, and the plan is that the window that opens when the door closes is a greenhouse vent and not an airlock. Yeah, it’s been one of THOSE Novembers.
Anyway, the practical upshot is that appointment availability for Triffid Ranch consultations just became a lot more open. The Nightmare Weekends Before Christmas Saturday night open houses starting on November 30 remain unaffected, but now the gallery will be open a lot more often during the week, too. Just excuse the mess: the events over the last two months (of which no more will be said) interfered with new projects, so the idea now is to rectify that situation. Among other things, this frees up storage space, it gives new homes for older plants to stretch out, and it gives more reasons for all of you lot to come out to multiple Nightmare Weekends to see what’s new THIS time. If you’ve had an eye on a particular enclosure but haven’t made the move to take it home just yet, this may be the perfect opportunity.
And the rest of the year? That’s dedicated both to a wedding anniversary blowout (17 years as of December 28, and people still assume that we’ve been married for weeks) and to getting ready for 2020. This includes a stem-to-stern renovation of the gallery, other essential updates (after all, we’ve been in the space for three years as of February, so we have plans), and scheduling for the largest list of outside events yet. Among other things, a quick perusal of the calendar revealed that next Valentine’s Day falls on a Friday, and between this and Leap Day on a Saturday, it’s time to call some people and plan a multi-venue event. As always, details will follow as they happen: if it doesn’t happen, you’ll never know about it.
Speaking of venues, if you’ve attended an open house and never stepped across the doorway to our neighbor Visions of Venice, consider yourself encouraged to investigate. Besides being the absolute best business neighbor a boy could ever want, the amount of crossover interest between carnivorous plants and Italian glasswork continues to surprise me. Even better, the storefront is open during the week, so don’t be afraid to head out during a lunch break with a whole group of coworkers and peruse the stock of masks and chandeliers. (Yes, they actually go together. Don’t argue with me on this.)
Finally, before loading up the van and heading out to Austin for this weekend’s Blood Over Texas Horror For the Holidays show at the Travis County Exposition Center, a little note: some of you may have noticed that the new URL for this Web site changed to http://www.texastriffidranch.com within the last week. It’s a funny story as the old URL still works, and you’ll have to come out to one of the Triffid Ranch events for an explanation. In the meantime, if you haven’t been exploring through the archives in a while, please indulge your curiosity, as WordPress and Google are fighting over whether or not this is new content. Besides, you don’t have anything better to do the week before American Thanksgiving when you’re trapped at work and everyone else is taking off on early vacations, right?
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Posted onNovember 14, 2019|Comments Off on The Aftermath: Deep Ellum Creative Market – 2
One of the biggest issues with doing Triffid Ranch shows outside involves wind. After all, North Texas is noted for its winds, and both the big windstorm that hit Dallas last June and the tornadoes that hit us in October arrived shortly after I’d broken down after events, either earlier that day or the night before. (With the June show in Garland, not only would the storm have blown everything to Oz or at least Nehwon, but the tree shading my booth also shed the big branch previously hanging directly overhead.)
In the case of the Deep Ellum Creative Market, the tradition continued: subfreezing temperatures and a serious threat of snow, but those only came after everything had been packed up and carted home. Before that, though, for a weekend with an inordinate number of events in the Dallas area, including a major Cowboys football game, the crowd coming through was both numerous and enthusiastic.
For a first-time show, the Creative Market ran very well, and its only issues were due to its youth. If things go well and it runs next year, expect to see the Triffid Ranch out there in a prominent location.
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Posted onNovember 14, 2019|Comments Off on The Aftermath: Deep Ellum Creative Market 2019 – 1
When doing outdoor shows, it’s best to go out on a high note. Rain would have been bad enough, but last Monday came with the sort of subfreezing temperatures and brutal north winds that usually hit Dallas around the beginning of January. The weekend of the Deep Ellum Creative Market, though, was clear, sunny, and warm, and you couldn’t have asked for better weather for the last outdoor show of the year.
For those outside Dallas, the Deep Ellum area east of downtown started with a reputation for great blues musicians in the 1920s and 1930s, and then fell into decline as an industrial area until 1984, when the famed Russell Hobbs opened the sadly-long-defunct Theater Gallery in 1984. The resultant explosion of clubs and arts galleries led to official city pushback (especially when the sole news coverage for the area came via business interests with money tied up in the Lower Greenville and West End adult amusement parks), leading to a regular series of booms and busts and expansions. The latest boom coincides with the construction of highrise apartment buildings through the area, but there are still plenty of people who remember little outstanding venues such as Club Clearview and Another Roadside Attraction, world-famous murals by local artists Mosquito and Trippy Thompson (both former neighbors of mine when I lived in nearby Exposition Park in the early Nineties), and a young jewelry artist famed for selling necklaces and bracelets out of a guitar case.
(With the last, I first met that jewelry artist in a then-vacant field in 1990 as she sat next to a trio of other vendors. My girlfriend at the time was immediately jealous of her: and so she should have been, seeing as how 29 years later, we’ve been married for the better part of two decades.)
The idea behind the Deep Ellum Creative Market was a celebration of those kind of connections. Unlike the much larger Deep Ellum Art Fest, which begrudgingly gives tent space to local artists from time to time, the main requirement for admission into the Creative Market was an actual connection to the area, or at least more of one than “I threw up in a urinal at Club Dada once.” Since the first-ever Triffid Ranch booth was at the long-forgotten Deep Ellum Sellem in 2006, I had more bona fides than merely marrying a local fixture. Therefore, after much wrangling, about 50 other vendors and I set up tents on a cool Saturday morning and put out our wares to a lively audience of residents and pedestrians.
To be continued…
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And so we come to the end of the 2019 carnivorous plant growing season. (Cue the national anthem.) The cold front that whipped through the Dallas area early Halloween morning saw to that: right now, the Venus flytraps and Sarracenia pitcher plants are already preparing for winter dormancy, and a few days of warmer temperatures in November won’t stop their normal progression thanks to shorter days and longer, cooler nights. Even in the gallery, it’s time to switch to winter hours: all of the timers need to be reset anyway due to the end of Daylight Savings Time, so they’re all being set for about ten hours of light per day so they get a good rest, too. (In March, when the indoor and outdoor photoperiods go back to longer days, we’ll all be glad of it, as the blooming response should be phenomenal, especially with the sundews and bladderworts.) The flytraps and Sarracenia are the big ones to worry about, though: if they don’t get a proper dormancy, they’ll eventually wear out and die, and our freezing temperatures at Halloween just bumped their naptime ahead by about three weeks.
Now, you’d think that with the arrival of dormancy season, everything would shut down over at the gallery. Anything but. The only time this place will be more busy than in November and December will be in January and February. The show schedule definitely doesn’t let up in November: there’s the Deep Ellum Creative Market in Dallas the weekend of November 9 and the Blood Over Texas Horror for the Holidays show in Austin on November 23 and 24. The real fun, as it has for the last four years, starts the first Saturday after American Thanksgiving, with the Nightmare Weekends Before Christmas gallery open houses starting on November 30 and continuing through December 7, 14, and 21. (November 30 and December 1 are doubly auspicious, as these mark the fortieth anniversary of my first moving to Texas and meeting my best friend Paul Mears for the first time, respectively. For four decades, he’s referred to December as “a day that will live forever in infamy” on a personal level, and, well, he’s not wrong about that assessment.) After that, it’s a matter of spending January and February constructing new enclosures, working out the logistics on new shows, and generally getting everything ready for when the flytraps and Sarracenia wake up again.
And speaking of new shows, news that’s had to be held in confidence since the end of August: the Triffid Ranch has three new shows in 2020 through the Oddities & Curiosities Expo folks. Besides the Dallas show on March 28 and the Austin show on June 20, it’s time to hop state borders and bring the Triffid Ranch to New Orleans on August 29. The New Orleans show is going to be the biggest test of event logistics yet: if this works out and I kill neither myself nor plants, then it’s time to try spreading the wealth to new cities outside of Texas. If it doesn’t, at least I’ll have the opportunity to visit with old and dear friends, including many whom I haven’t seen in person since the late, lamented Exoticons imploded at the end of 2000. Win/win. (The date on the Austin show is particularly auspicious, even if it means heading right back out after returning from the Houston Horror Film Festival the weekend before. 2019’s show was impressive but not as packed as 2018, a factor commonly attributed both to the soul-withering heat of Central Texas in mid-August and to classes at the University of Texas starting up the next week. June is much better: as with Dallas, it might even mean that we get a bit of rain that weekend before the summer blast furnace starts in earnest in July.)
Other than that, it’s back to commissions and new enclosures to replace those sold over the summer: keep checking back for new enclosure details. Among many other things, 2019 is the year that I finally enter enclosure photos for the Spectrum Awards. (I know I have no chance in hell of winning an award, but getting stomped and pantsed by the best artists in the field of fantastic art is also an inducement to keep working toward winning.) In addition, keep an eye open for some extra backstory on new and old enclosures: no more details until it’s done, but those familiar with the works of Harlan Ellison may recognize the concept.
As always, the gallery endures: for those coming in late, it’s open by appointment or at regular open houses. If you have particular demands for custom enclosures intended as holiday gifts, get your appointment in NOW. By the time the Nightmare Weekends start, getting additional commissions may be problematic before the middle of January.
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One of the things about big shows like Spooky Spectacle is, no matter how busy vendors may be, we’re already making plans for the next three or four shows during every downtime opportunity. It’s the newbies who sit around at a slow show and sigh loudly: the rest of us are evaluating potential repairs to displays, ordering new inventory, contemplating new signage, and generally making hay. That’s in addition to making contacts and comparing notes about new venues. It’s absolutely amazing how quickly a show like this goes by when you’re already making plans two years in the future.
For all of the aggravations with the Will Rogers Memorial Center, one of the joys with last week’s Spooky Spectacle involved an old friend from Tallahassee. Ever since that chance job offer in Tally introduced me to the world of carnivorous plants, the dream was to be able to grow Sarracenia pitcher plants in Dallas that were as robust as those in the Florida panhandle, and the famed white pitcher plant, Sarracenia leucophylla, was a particular challenge. Part of the thrill lay with S. leucophylla being as much of a nightowl as I am: in addition to the secretion of nectar and the UV fluorescence it shares with other species, the distinctive white lace lid and throat of its pitchers also fluoresce under moonlight. Even under a half-moon, the pitchers’ glow makes them stand out among other Sarracenia, but under a full moon, the pitchers are spectacular.
That this is an effective strategy for insectivory is demonstrated by cutting open a dead pitcher and examining the shells and other detritus of its prey. Fully half of the remains in a typical leucophylla pitcher kept outside are of moths, click beetles, and other purely nocturnal insects, and if you go around a stand of leucophylla in the middle of the night with an LED flashlight, you’ll see the cigarette-cherry glow of moth eyes as they fight to drink the nectar on pitcher lids and lids. (That’s not all you’ll see glowing. During the day, many Sarracenia have mantises, ambush bugs, lynx and crab spiders, and even tree frogs and anoles waiting next to or inside pitchers for incoming insect prey. Sarracenia leucophylla, though, also gets wolf spiders and the introduced Mediterranean gecko Hemidactylus turcicus camping out at its pitchers to feed on moths, and the same LED flashlight that reveals moth eyes will also return eyeshine from the wolf spiders as they await their chance.)
Anyway, the first full moon on a Friday the 13th in 19 years was a welcome coincidence the night before Spooky Spectacle, but even more welcome was that the leucophylla in the Triffid Ranch collection simply exploded this September. Sarracenia tend to have two growing seasons in North Texas with a long layover in the worst of the summer heat, with autumn pitchers being much more vibrant in color and size after their summer near-dormancy. The enthusiasm this year’s leucophylla had, though, wasn’t just surprising. It was almost shocking. Apparently others are reporting blowout leucophylla growth all over the Northern Hemisphere, and also with hybrids such as the favorite “Scarlet Belle,” but the only thing better than seeing it was being able to haul in plants to show off. I don’t know exactly what environmental factor is responsible for such growth, but that factor returning next autumn wouldn’t be unwelcome.
To be continued…
Comments Off on The Aftermath: Spooky Spectacle 2019 – 2
After a long run of exceptional events in 2019, it was inevitable that a show might not work out as well as others. The crew behind Spooky Spectacle, formerly the Granbury Paranormal Fest, tried their best to put together a great show, and having one that wasn’t outside in last weekend’s heat was very much appreciated. That said, I’m making the formal announcement that after four shows in the venue over the last decade, future shows at the Will Rogers Memorial Center in Fort Worth simply aren’t an option.
(I want to apologize to people who tried to come out and couldn’t find parking, so they had no choice but to turn around and leave. Will Rogers is already lacking in parking for events as it is, but between blocking off vendor parking and forcing vendors to take up potential attendee spaces, a walkathon that took up one entire lot, and remaining parking going to a “Party on the Patio” event at the Kimbell Art Museum during the evening, I’m glad that anybody could show up at all. I won’t get into the rampant incompetence of the company handling the parking in the first place: dealing with contradictory directions from yahoos who got off on the chaos made Saturday morning load-in an absolute joy, and I understand that things only got worse as the day went on. Combine that with “Party on the Patio” drunks driving the wrong way down one-way streets as we left and the main thoroughfare connecting the center to the highway undergoing its perpetual repair and subsequent narrowing to one lane each way, and I was surprised to see only one fistfight between frustrated attendees just wanting to park for the day.)
Anyway, barring the parking situation, the show gave a great opportunity to hang out with Triffid Ranch stalwarts and newcomers, and this is definitely a show I’ll show up for again…so long as it’s not at Will Rogers.
To be continued…
Comments Off on The Aftermath: Spooky Spectacle 2019 – 1