Category Archives: Shows

State of the Gallery: July 2021

Six years ago this month, things changed drastically for the Triffid Ranch. That was when we signed the lease for what turned out to be the first gallery space, out at what was Valley View Center in North Dallas, and started to put together the first gallery. It took a while – nobody expects the effort necessary to get set up from scratch until they get started, which might help explain why so many art galleries shut down within their first year – but we went live two months later, and never looked back. Now, just over four years in our current location, things are busier that we ever could have predicted back in 2015, and the rest of the year is going to get even weirder.

To start, after years of only being able to squeeze one event per month due to day job schedules and learning curves on enclosure construction, we’re now at the point of having regular weekly events, which is about as much as anybody can handle. (Having the gallery open on a daily basis simply isn’t an option right now, both between day job demands and customer interest, but we have PLANS.) The Porch Sales that started last year have become so popular that we (that is, both the Triffid Ranch and Caroline Crawford Originals in the front) kept them going, and now they’re moving inside for the duration of the summer. Keep checking the schedule for all of the details, but through the rest of the month, based on customers asking for non-Sunday events due to work schedules, we’re alternating back and forth between Saturday and Sunday open houses. This culminates with the Carnivorous Plant Weekend on September 4 and 5: holding these on holiday weekends has been enough of a hit that they’re going to keep going through the rest of the year and beyond.

In slightly related news, thanks to a very considerate series of contributors, a brand new custom Nepenthes enclosure is going in at the Heard Natural Science Museum and Wildlife Sanctuary in McKinney, and attendees at weekend events get to watch its construction in progress over the next few weeks before it debuts. It’s simultaneously a brand new construction challenge and a concept that’s been rattling around in my head for the last three decades, and it should surprise everyone once it’s complete.

And then we have the traveling lectures. After discussing this with owner Jason Cohen (and boy howdy, is he regretting not killing me when he had the chance when we first met 30 years ago this October), we’re going to try another run of the popular Carnivorous Plant Workshops at Curious Garden near White Rock Lake. The first will be a limited run on August 7 (contact Curious Garden about reservations), and then we’ll attempt more through the rest of the year, schedules and COVID-19 willing. Keep checking back for particulars. (This is in addition to the DFW Tap Talks lecture on August 20: that really will be on the gallery’s sixth anniversary and two weeks after Caroline’s birthday, so we have to plan something impressive.)

As for going on the road, things are tightening up for the upcoming Texas Frightmare Weekend on the weekend of September 10, and I didn’t realize how many people needed Frightmare this year until it came out over and over at the last Carnivorous Plant Weekend. Well, we’re going to be out there, along with several new enclosures debuting for the show (including one specifically intended to horrify planned guests Clive Barker and David Cronenberg, both of whom unfortunately had to cancel due to other issues), and a lot of Sarracenia starting to produce their fall pitchers. TFW has always run in the end of April/beginning of May for the last 12 years the Triffid Ranch has had a booth out there, so this should be intriguing.

Speaking of returns to old friends, the forms are filled out, the booth fees paid, and plans made for a return of the Blood Over Texas Horror For the Holidays two-day weekend in Austin on November 20 and 21. Three trips to Austin in a single year: maybe it’s time to try setting up a show outside of Texas for the first time…um, before the Chicago Worldcon in September 2022, anyway.

And now the last bit of news, which was only confirmed today. People who remember my sad excuse for a literary career between 1989 and 2002 have reason to chuckle about my getting confirmation as a vendor at Armadillocon 43 in Austin: most use the term “Anton LaVey getting an invitation to the Pope’s bat mitzvah” when they aren’t laugh-crying about the hotel room. Well, it was a request by an old and dear friend planning to revitalize a longrunning literary convention getting everything in stride after its forced shutdown last year, and it’s also an opportunity to get back in touch with old friends in the science fiction literature community who lost touch after I quit pro writing. Yeah, and it’s also an excuse to show off plants and enclosures and talk everyone to death about carnivores, so it’s time to pull ALL of the stops. Best of all, this is scheduled for October 15 through 17, when Austin is at its most comfortable before the blue northers start blasting through in November, and I’ve desperately missed the days of October Armadillocons for precisely that reason. (Well, that, and a lot of people who couldn’t attend for business or health reasons when Armadillocon would run in the middle of August, the weekend before classes started at UT-Austin, now have an opportunity to come out for the first time in decades. We’re going to boogie ’til we puke.)

The Aftermath: Austin Oddities & Curiosities Expo 2021 – 5

Come into the story midway? Try starting at the beginning.

And in the end, the Austin Oddities & Curiosities Expo was over. Eight hours after the doors opened, the gigantic crowds finally trickled out, and all of the vendors took assessment of what we had left and what we had to replace before our next shows. I just looked at one neighbor and said “If I’d sold just a little bit more, I could leave the van and fly home.” Slight exaggeration, but it came close.

Obviously, everyone who came out was VERY happy. It wasn’t just a matter of people wanting to get out of the house: The Expos keep proving that not only is there a market for the macabre in Texas, but that audience keeps growing. Between these and Texas Frightmare Weekend, Halloween really will be that day when we let the amateurs have their fun. As someone who took decades of grief over “why can’t you just be normal?”, vindication is sweet, especially when it’s shared with friends, cohorts, and fellow unindicted coconspirators.

With such a massive show, many thanks are in order. Obviously, the crew behind every Oddities & Curiosities Expo deserves accolades for pulling off such massive shows without so much as a hiccup, but the fellow vendors do as well. (A tip: go check out Nicole Pangas Ceramics not just because her work is fascinating, but because we Michigan kids stick together. Meanwhile, I’ll always plug The Curiositeer because you always take care of your little sister, even if neither of you share common DNA.) An additional plug for Green Mesquite BBQ on Barton Springs: I only survived breakdown on Saturday evening because I knew I had a few kilos of sausage and pork ribs waiting for me at the hotel once I was done. Most of all, thanks to everyone who came out, whether or not you bought anything, because your interesting and unexpected questions are why this whole shebeen goes on tour. Now to get back to work and finish restocking, I haven’t come back from a show with so little since Texas Frightmare Weekend 2018, and this was after just one day, not three. I don’t think any of us would have survived if the Expo had run on Sunday as well, although I’m willing to test that in Dallas next year.

The Aftermath: Austin Oddities & Curiosities Expo 2021 – 4

Come into the story midway? Try starting at the beginning.

Visitors to Texas in May and June might notice what appears to be snow accumulating in random spots, particularly in places near water. No, this is not snow, and natives and longtime residents will scream that fact with an underlying cosmic horror. THIS IS NOT SNOW. What you’re witnessing, as I personally experienced when stepping outside my hotel room for the Oddities & Curiosities Expo in Austin, is the reproductive cycle of what could qualify as the most typically Texan lifeform in existence, the cottonwood tree (Populus deltoides).

Most residents have a decided love-hate relationship with cottonwood trees, and take great pains to relate the “hate” part. P. deltoides is found all over Texas and New Mexico, usually concentrated around water in otherwise dry areas. They’ve found a second life as opportunists in urban and suburban areas, where their roots head straight for the nearest water, gumming up sewer and drainage lines. The trees themselves are very short-lived on average, and tend to drop large branches during storms, usually directly atop houses. The “fluff” transports seeds long distances, and after the seeds drop off in gardens and on the edges of ponds and streams, the fluff clogs air conditioner vents and car air filters. The fluff also sets off allergies and contact dermatitis among those sensitive to such things, and most summers are spent fighting horrendous itches that only get worse after a shower or swim. The wood is so lightweight that downed branches make poor firewood, and burning green cottonwood makes everything smell like cat urine and/or an anime convention. They choke out other trees, destroy sidewalks and driveways, and cut off light to gardens. Worst of all, they grow so rapidly that someone who accidentally lets one grow next to their house finds out the hard way exactly how expensive they are to remove, especially when grafted into a sewer line or (worse) septic tank.

And then there are the positives. Yes, cottonwoods are very short-lived, but in the process, they produce valuable habitat for everything from beetles to raccoons, through all stages of their life cycle. The seeds borne on the fluff are a valuable food source in summer for birds and ants, and many late-nesting birds use the fluff for nesting material. The trees provide shade without killing the grasses and bushes underneath, and usually come back from storm damage faster than introduced trees. They take in tremendous amounts of water, but through transpiration create microclimates for other organisms that otherwise couldn’t handle Texas summers. The wood that’s so terrible for firewood makes great habitat for everything living and growing around a decaying log, and ultimately breaks up Texas clay and chalk and produces increasingly rich soil in the end. The Spanish word for cottonwood is “alamo,” and many Texas cities started around missions and villages founded around the water sources that the cottonwoods revealed. (As palaeontologists are sick of repeating, the titanosaur Alamosaurus wasn’t named after THE Alamo, but after Ojo Alamo in New Mexico, which translates to “Cottonwood Spring.”) Yes, they’re cantankerous and annoying, but ultimately they do good, like so many of the humans here. I just wish the fluff wasn’t so ridiculously itchy.

To be continued

The Aftermath: Austin Oddities & Curiosities Expo 2021 – 3

Come into the story midway? Try starting at the beginning.

There’s a lot of good things to be said about the general organization of the touring Oddities & Curiosities Expo shows from an attendee’s POV, but most people don’t have a perspective from the vendor’s side. There’s a lot to be said about the professionalism and efficiency of the Oddities crew from setup to final breakdown, but they do one thing I’d love to see at other events, all over the place.

Complimentary cart service.

You see, Oddities & Curiosities vendors carry all sorts of interesting stuff. Besides the narcissistic jerkwad with the carnivorous plants at the Texas shows, you have everything from ceramics to vintage taxidermy, and not all of it is easy to move. Unless you came prepared with a cart, this is a major problem for a lot of customers, where they’d love to get something nice and hefty but don’t have any easy way to get it to their cars, and it’s way too heavy to carry. The vendors would love to help, but between surging crowds and only having one person to watch the booth, the only option is to arrange pickup after the room closes for the day. If that’s not an option, then the customer walks away from something they really want, the vendor watches a sale walk away, and nobody’s happy. This is especially bad at events such as reptile and amphibian shows, where the critters aren’t anywhere near as heavy as new cages and accessories. The world for a handcart and someone to hold open doors.

That’s where the Oddities & Curiosities crew particularly excels. As I watched, several members patrolled the aisles with handcarts and blankets, ready to move someone’s new purchase out front so it could be picked up and taken home with a minimum of aggravation. This was particularly pertinent to a neighbor at the Austin show, who had an absolutely beautiful hippopotamus skull for purchase but no way to break free to move it for a buyer. The Oddities crew was right on it, with everyone happy, and a crowd of interested passersby turning the trip to the front doors into an impromptu parade.

Because of the sheer glee of customers happy with their purchases, I’d like to see more of this at other shows. Speaking from experience, I’d like to see a cart rental service at ZestFest alone: you have no idea how much just “a few” barbecue sauce and salsa containers weigh until one arm is permanently longer than the other and you’re walking like a Japanese waltzing mouse for two hours after the show.

To be continued…

The Aftermath: Austin Oddities & Curiosities Expo 2021 – 2

Come into the story midway? Try starting at the beginning.

Even with longtime and native residents, there’s always something about Texas summers that brings out the desperate optimist. It won’t be that bad this time. June will be nice, and the real heat won’t hit until July. Oh, we’re going to get a break in August. No, really: we’ll finally start cooling off in November. You know, New Zealand, South Africa, and Antarctica are really nice this time of the year. My first summer here was during the Heat Wave of 1980, which set records only exceeded in 2011, so after that trauma, it’s hard not to engage in magical thinking and see all sorts of hints that yes, it won’t be that bad.

That magical thinking doubles when traveling between cities, as with the trek between Citadel and the Bullet Farm, erm, I mean, between Dallas and Austin for the Oddities & Curiosities Expo on June 19. The trip always takes longer than predicted because the midway point runs through the town of Waco (contrary to popular perception, the town’s name is pronounced WAY-co), and any time gained from an otherwise clear highway the rest of the way is burned off from the perpetual hours-long traffic jam passing by Baylor College. Then there’s the fun of having a van full of live plants and glass, stuck in motionless traffic as the van’s thermometer keeps reminding you that the hoped-for cool temperatures for that Friday are turning back into pumpkins and mice. By the time the perpetual traffic jam in downtown Austin let up enough to allow traffic off the highway and into downtown proper, those “unseasonably cool temperatures” teased the previous Monday hit 106F (40C), and with maybe 15 minutes to unload the truck at the Palmer Event Center before they had to kick everyone out for the night. Ah, Waco. Is there anything you can’t do?

To be continued…

The Aftermath: Austin Oddities & Curiosities Expo 2021 – 1

Come into the story midway? Try starting at the beginning.

Much is made about the perceived rivalry between Austin and Dallas, but both cities share one very important common trait: dust. Oh so much DUST. Most of the year, the southern wind that blows across the center of Texas from the Gulf of Mexico picks up untold tons of dust from the Austin area. It’s mostly carbonate rock dust, both from natural erosion of limestone and chalk deposits in Central Texas (there’s a reason why one of the major rock formations in the state is called “the Austin Chalk”) and from incessant construction, and it’s supplemented by passing over the cement kilns that make up the main tourist attraction for the town of Midlothian, which swears that the kilns no longer use toxic and/or low-level radioactive waste as fuel. It comes down in the Dallas/Fort Worth area and lingers like a hipster houseguest, working its way into eyes and throats, gumming up lubricated surfaces, and making Dyson vacuum cleaners and air filters work for their living. We get revenge, though: starting in October, the winds shift and start blasting out of the north, and all of that dust that accumulated on every surface all summer long blows right back to Austin. Enough remains, though, to remind us: when it finally gets cool enough in autumn to justify turning on heaters in Dallas, the accumulated eight months or so on heater coils burns off, and the whole city smells a little like Austin for a day or so.

All things considered, we could have worse things than dust. There’s the distinctive chemical plant fug of Manistee, Michigan, or the burned green bean aroma of the multitude of microbreweries in Portland, Oregon. We SAY this, and then we make road trips in either direction, get out of our vehicles, and spend the next six hours washing off, brushing off, or vacuuming off what was once Cretaceous seabed mixed with bits of dinosaur dung. Yeah, and it tastes like it, too.

To be continued…

The Aftermath: Austin Oddities & Curiosities Expo 2021- Introduction

With the gradual reopening of venues and events closed for the last year, one of the bigger surprises has been the rebirth of the touring Oddities & Curiosities Expo shows. Completely unknown in Texas three years ago, the Expo set up shop in Dallas in March 2019, with a subsequent event in Austin in August, and took both places by storm. Specializing in the exotic and the macabre, it was a natural for a Triffid Ranch show, and both shows in 2019 were so successful that 2020 looked like an even bigger year. In fact, because of the Austin 2020 show being scheduled for June instead of August, the plan as of February 2020 was to do shows in Austin and Houston in June, and then take a big leap with the first-ever Triffid Ranch event outside of Texas, at the New Orleans Oddities & Curiosities show at the end of August. Well, we know how 2020 turned out.

As COVID-19 vaccination rates increase, so do crowds wanting to get back out and do something, ANYTHING, far away from a computer screen. When the Oddities & Curiosities crew announced that they had worked out a post-COVID arrangement with the city of Austin and were reviving the show for June, there was no way I’d pass that up. Little did I know that a significant portion of Texas, Oklahoma, Louisiana, and New Mexico felt the same way.

To be continued…

State of the Gallery: June 2021

And here’s where it gets interesting. Got a few minutes? Well, let’s compare notes.

To start off, as mentioned a little while back, May 2021 was the busiest month for the gallery since the Triffid Ranch first put down roots back in 2015. June already exceeded that, and we still have a week and change to go. It’s been a blowout month for commissions, the Porch Sales have been a hit, and now that outside shows are starting up again, things are getting intense. Last weekend’s Oddities & Curiosities Expo show in Austin not only was the biggest one-day show since this little carnivorous plant gallery started up, but it was the first time nearly EVERYTHING sold at a show since the first trip to Texas Frightmare Weekend in 2009. As I joked with fellow Expo vendors in the same situation, a few more enclosures go home with people, and I’d be able to fly back.

Not that June is over: aside from appointments to schedule commissions, we still have the June 27 Porch Sale to consider, taking advantage of unusually (for North Texas in summer) cool and cloudy weather this coming weekend. I can also assure new and established customers that nearly everything you see will be new, because just about everything sold last weekend and it’s time to restock. After that, it’s a matter of getting ready for the July Carnivorous Plant Weekend on July 3 (4:00 pm to 9:00 pm) and July 4 (10:00 am to 3:00 pm).

Not that everything is smooth: the Thursday evening Twitch installments will have to be delayed for a while in order to work out technical issues with the gallery’s Internet connection. (It’s the same situation at home, but here, I suspect that someone’s porn download habit exceeds everyone else’s total wireless consumption by about 5 to 1, especially in the early hours before dawn,) Once the wonderful folks at AT&T figure out why the wireless connection keeps cutting out every ten seconds during a stream, it’ll be back.

Another issue involves the Day Job, that which guarantees both regular income to keep the gallery going through lean times and job benefits. The schedule is up in the air at the moment, but trips to the East Coast might be necessary through July and August, directly affecting gallery events. Because of this, July and August might be a little quiet, but that should be rectified through the rest of the year, especially when things start cooling off.

As for outside events, the sixth anniversary of the gallery’s opening coincides with the revival of DFW Tap Talks, science lectures in a bar environment, and that first event features your humble gallery owner discussing “Insects: They’ve Got What Plants Crave!” at Rohr & Sons in Fort Worth. Naturally, as they expand events into Dallas, we’ll be trying those, too.

Otherwise, with things reopening again, it’s time to go back to old friends, which is why the Triffid Ranch returns once again to Austin for Blood Over Texas Horror for the Holidays 7, as if they could keep me away. Since two years have elapsed since the last one, expect a lot of new surprises, and not just because of the improved venue.

And one last bit. I can’t talk about particulars just yet because it hasn’t been hammered down yet, but something big, on a personal level, is coming up in October. Let’s just say that it involves a road trip from 30 years ago, an opportunity to meet old friends and annoy old aggravations, and introduce a whole new crew to the joys of carnivorous plants. Let’s also say that when I got the offer, the last time I used the phrase “I feel like Anton LaVey getting an invitation to the Pope’s bat mitzvah,” this was during my writing days when I received a critic’s preview invitation to see Star Wars: Episode One in 1999. When I can talk about it further, people who knew me back then will boogie ‘til they puke, and those who only know me as a gentle purveyor of carnivorous plants will get to see a whole new world. Details will follow.

Well, enough of that. Time to get get back to editing the photos from the Oddities & Curiosities Expo, of which there are SO MANY. Talk to you soon.

The Aftermath: Frightmare Collectibles Spring Slasher Camp 2021

Forget March’s association with lions and lambs: April in North Texas is permanently attached to caribou, emperor penguins, Mexican free-tailed bats, and Christmas Island crabs. It’s all about the journey and the endurance. This April, after two big shows the previous weekend, the Triffid Ranch pushed for three with last Saturday’s Frightmare Collectibles Spring Slasher Camp outdoor event in Justin, Texas. Seeing as how most of the attendees were regulars for Texas Frightmare Weekend, this combined the best of a (socially distanced) Frightmare gathering with beautiful if slightly windy weather. Either way, nobody was complaining.

This was a test of the Frightmare Event System: the plan is for Frightmare Collectibles to host a much larger event on May 1, on what would have been Texas Frightmare Weekend’s busiest day. Four months before the revised opening of Texas Frightmare Weekend and six months before Halloween: for those craving plant shows with a bit darker feel than the traditional arboretum events, hie thee hence to Justin in a month.

If you can’t wait that long, keep an eye out for other events between now and May 1, as well as the regular video shows on Twitch. Now that the Sarracenia are starting to bloom, it’s time for some real fun with the latter.

The Aftermath: Dallas Oddities & Curiosities Expo 2021 – 3

Want to know how this started? Here’s the beginning.

In all of the strangeness and horror of the last year, the Oddities & Curiosities Expo show in Dallas suggested a possible end, if we’re willing to take it. Yes, Texas Governor Greg Abbott dropped statewide mask and social distancing mandates under pressure from campaign contributors wanting to go “back to normal” (translated: “back to brunch at Cheesecake Factory”), but individual businesses and venues may set up their own guidelines as they see fit. Since it’s a traveling tour, O&CE restarted this year under the proviso that mask discipline would be enforced, and vendors or attendees who violated it would be asked to leave without refund. Even so, we had a few people who acted like wearing their masks as chinstraps was somehow playing hooky (especially the ones who acted as if a mask that dropped below their noses could never be put back into place), and one bigwig who was legitimately shocked that a mere booth proprietor would dare request that he put his mask back on, but the vast majority of attendees? We may not be thrilled with wearing masks a year later, and we struggled with issues with hearing loss and terminal mumbling, but that was all so that, Elvis willing, the 2022 show wouldn’t require any.

When everything finished, one of the organizers came by as the booth was coming down and asked how all of us vendors were doing and if they could do anything differently. I was completely and painfully honest: I don’t make comparisons to Texas Frightmare Weekend lightly, but Oddities & Curiosities is Frightmare’s equal in efficiency, courtesy, and sheer fun. For those who couldn’t make it to Dallas in March, the Triffid Ranch will be in Austin on June 19, and there’s simply no way that I’d skip out on any 2022 shows in Texas. That’s the highest compliment a vendor can pay.

Fin.

The Aftermath: Dallas Oddities & Curiosities Expo 2021 – 2

Want to know how this started? Here’s the beginning.

Friends from outside North Texas are always surprised to discover that Dallas has a very deep and very thorough gonzo streak. “You’re talking about Austin, right?”, some ask. Others, whose sole experience with Dallas comes from the 1980s sitcom of the same name (and trust me, that show was a sitcom), scoff “Dallas is a cultural wasteland!” While Dallas can take credit for being the home of so many forms of cultural homogenization (I once lived a literal rock’s throw from the headquarters of Brinker, the restaurant conglomerate behind Chili’s), it’s not all McMansions, bad bleach jobs, and worse cocaine. Some of the most interesting people I’ve ever met in my life either lived in Dallas or came from Dallas, and that was partly due to understanding the phrase attributed to the writer Richard Wright of “Put down your bucket where you are.”

The simple truth is that Dallas’s odd history was always either wallpapered or coopted by proud gatekeepers, so we learned to keep our candles under a bushel basket. Until very recently, VERY recently, any news coverage, either paper or broadcast, on nonconformist events was either spiked or shoved into a template of “Hey, look at the freaks!” The co-option was deadlier: get an enclave of like-minded Nightbreed situated in town, and first the area was swamped by drunken SMU brats wanting a nice slumming session on the weekend, and then the properties were bought up and gentrified all out of recognition. We didn’t have the money or the clout to fight it, so we just always kept at least one bag packed at all times in preparation for the notice that we’d have 30 days to move out before that great record shop or that wonderful band venue was razed and turned into fratbro condos.

And here’s the funny part. As opposed to Austin and Portland, whose reputations as iconoclast havens were dependent upon a constant inflow of people declaring just a little too loudly “I’m expressing my individuality,” Dallas oddballs just waited. We didn’t get a flood of hipsters and attention addicts because the people they were trying to impress didn’t care, and they rapidly flounced off to Brooklyn or Seattle. Instead, Dallas attracted and retained a crowd that wanted to get things done instead of talking endlessly about what they were going to do one of these days when the stars were right and they no longer had to wait for their inheritance. Bit by bit, so many people who really liked the good things about Dallas worked on little bits and chunks, to where we have places like the Kessler and the Texas Theater and Panoptikon and the Oak Cliff Halloween Parade and bike paths that actually go somewhere. Dallas isn’t perfect, but as someone who will celebrate a full 40 years here in December, it’s not the place in which I grew up, and we all salute the places and events that were wilonskyed and then assimilated to death back in the day that helped make this happen.

All of this is a roundabout way of saying that the touring Oddities & Curiosities Expo shows in Dallas might have done as well as they are now if they’d started in 1995, or 1985. However, now we have a large enough crowd willing to put our bucket down where we are that its success is so much sweeter.

To be continued…

The Aftermath: Dallas Oddities & Curiosities Expo 2021 – 1

Want to know where this started? Here’s the beginning.

The traveling Oddities & Curiosities Expo shows are relative newcomers to Texas: the first Dallas show was only in 2019, and the only other city in the state served by the Expos is Austin. Otherwise, they range all across the United States, spread out far enough that attendees aren’t overwhelmed by too many shows close by. The vendors all spread through the outré, from bone collectors to taxidermy restorers to Ripley’s Believe It Or Not, and each show is carefully curated (a term horribly abused over the last decade but completely appropriate here) to maximize the variety of vendors. At each Expo, attendees have the options of curios, natural history, horror and fantastic art, and exotic clothing, and two shows so far have one goofball carrying carnivorous plants.

Another aspect of why the Expos are so successful has to do with thoughtful and succinct advertising and promotion. Instead of blanketbombing an area with advertising that probably won’t reach the people most likely to attend and annoy the people least likely, the Expos work predominantly with word-of-mouth, augmented but not replaced by social media. One of the more charming aspects of its touring schedule is running new shows within a reasonable distance of a previous show, a few months later, so that those who missed one have the option of waiting a year or making a road trip. The upshot for Dallas vendors is that about a third of the attendees had been waiting since 2019 to come out again, a third were from outside the Dallas area but who wanted to see what was in Dallas that wouldn’t be in their local area, and a third would have come out no matter what.

To be continued…

State of the Gallery: November 2020

One of the only issues I’ve ever had with the Henry Selick film The Nightmare Before Christmas involves the ending. For all of the celebration of Santa Claus traveling the world and replacing all of Jack Skellington’s creepy toys with traditional Christmas gifts, not one kid – not one protogoth kid – was screaming and crying and begging Santa to leave a Jack gift behind. I just picture that kid watching the Russian dolls loaded with scorpions being hauled off, swearing right then and there that when s/he grows up, there’s going to be one little part of the world where Halloween never ends, and then finding that a lot of other kids feel the same way, so they start an enclave, and that starts a movement…

Anyway. Where were we? Oh, yes, Triffid Ranch plans for November. Absolutely no connection to the previous paragraph. None at all.

Well, now that Halloween is over, it’s time to switch gears slightly as far as the gallery is concerned. No more Porch Sales until at least the end of March, both because of variable weather and because all of the Venus flytraps and North American pitcher plants need their winter dormancy. Right now, the emphasis is on introducing new Nepenthes, Cephalotus, and Mexican butterwort enclosures through the winter, as well as giving opportunities for everyone to see them. To that end, the first of the November indoor plant tours starts on November 15, from 10:00 am to 5:00 pm, and those plant tours will continue on selected Sundays until spring. (By various necessities, these won’t be running every Sunday, owing to starting a new day job in December and ongoing events with Caroline Crawford Originals at the beginning of the month, but details will be posted as they become available.)

Concerning shows outside of the gallery, everything is still in the air, in some cases quite literally. The latest news concerning a potential COVID-19 vaccine has already started a race with various venues to schedule indoor shows for 2021, and it’s the view of this proprietor that it’s far too early to discuss returning to a regular event schedule when Texas just crossed, as of today, one million known cases. Unfortunately, the combination of live plants and heavy glassware means that shipping isn’t an option, which means that online events such as the Blood Over Texas Blood Bazaar also aren’t an option at this time.

On the subject of the Blood Bazaar, one of the only bits of good news in the last eight months is the solidarity between friends and cohorts in the online community, and it’s time to return a whole slew of favors. It’s been a very long time since the last Post-Nuclear Family Gift Suggestions cavalcade of purchasing opportunities, and that starts up again as of Thursday. Expect lots of recommendations on everything from masks to toy dinosaurs, with a lot of tips on carnivorous plants and carnivorous plant accessories.

Finally, 2020 was intended to start with a serious expansion in both additional Triffid Ranch shows and local business opportunities, and the pandemic put paid to both before things got too involved for the year. Now that businesses are reopening, it’s time to announce the next phase of the Triffid Ranch business empire: the opportunity to rent enclosures. Keep an eye open for the details very soon, but for companies and individuals who would like the uniqueness and prestige of a carnivorous plant enclosure without the maintenance, or who want to switch things out on a regular basis, you now have an option. Again, details will follow very soon.

Other than that, back to the linen mines: new enclosures won’t build themselves. And if you think this is exciting, wait until December.

The Aftermath: NARBC Arlington September 2020 – 3

Another shameless plug: in the decade since I first moved to Garland, Texas, every Sunday morning of a Triffid Ranch show involves a trip to Donut Palace, without fail. Not only is it one of the best donut shops in the Dallas area, with exemplary kolaches for those who need something with more protein than sugar, but the crew there makes sure to take care of everybody, no matter how large or small the order. (For those familiar with Texas Frightmare Weekend, I’ve made a point of bringing donuts for the Frightmare staff on Sunday mornings since the first show at DFW Airport in 2012, and Donut Palace is where I get enough donuts to feed that mob.) It may be superstitious, but I’ve never had a bad show after making a stop there on Sunday morning, and any excuse to grab four or five jalapeno bacon kolaches on a September morning is always a good one.

One final image to sum up the weekend: while getting set up on Sunday morning, one of the ball python breeders at the show asked me if I happened to see a loose snake in my booth. (Escapees are very rare, but sometimes it happens.) I answered completely truthfully that I hadn’t seen so much as a cricket, and continued on with my prep. You can imagine my surprise when I finished my breakdown on Sunday afternoon by flipping a table over to fold it up and get it into the truck, and this little character was curled around one of the table leg supports. Well, we were both surprised. A little coaxing to get him off the support, a little reassurance to let him know he was safe, a little help from a fellow vendor in finding his home, and he was safe and secure. Thankfully, that breeder hadn’t left the convention center yet: as much as I love snakes, I don’t have time to care for one now, and in no way would I have taken someone else’s without paying for it. However, holding this beauty was a great way to end the show, and I hope whomever gets him appreciates him as much as I did.

Fin.

The Aftermath: NARBC Arlington September 2020 – 2

As an interlude, in the nearly 15 years that I have been attending the NARBC Arlington reptile and amphibian shows, one of the simple pleasures is walking off the convention center parking lot to gaze over the lake separating the convention center from the now-defunct Ballpark. The real draw, of course, are the cormorants that flock here for most of the year, gorging on bluegill and other small fish and then basking on any available human-free area. Half of the fun involves a flood drain at one end, which is a little too small for all of the cormorants who want to bask and dry off. You think penguins are bad about knocking each other into the water for an advantage? Penguins are champions of Marquis of Queensbury sparring rules compared to cormorants.

The problem with being a vendor instead of an attendee at an NARBC show: cormorants don’t bask first thing in the morning. No cormorants this trip: just one particularly determined heron.

To be continued…

The Aftermath: NARBC Arlington September 2020 – 1

Today’s shameless plug, thanks to NARBC Arlington attendees asking about where I got it: this carnivorous plant rancher is modeling a Dunkleosteus mask from the Alaska paleoartist Scott Elyard, thereby demonstrating that wearing a reconstruction of a Devonian armored predator is still less scary than having passersby see his unmasked smile. This one should be on driver’s licenses, too.

To be continued…

The Aftermath: NARBC Arlington September 2020 – Introduction

As with everyone else, 2020 has been an interesting year for the Triffid Ranch, in the old sense. The original business plan for 2020 was to expand the previous range and scope of touring shows, even down to the first shows outside of Texas since the first show in 2008. Well, we all know how well that went: after last March’s Nosferatu Festival in Austin, every event, expo, fair, and gathering planned for this year has been rescheduled for 2021, tentatively rescheduled for 2022, or point-blank cancelled. Worse, thanks to COVID-19 resurgences, cities that planned to reopen for large gatherings reconsidered those strategies, and even more shut down in the last couple of months. Last week, the Aquashella Dallas aquarium show announced that it was rescheduling for 2021, leaving one show still on the register: the North American Reptile Breeders Conference Arlington show, running on September 26 and 27.

To give credit to the NARBC staff and the crew at the recently renamed eSports Expo Center (formerly the Arlington Convention Center), the NARBC staff mandated masks and cleanings, hand sanitizer stations were spread throughout the area, and everyone at least tried to encourage social distancing and basic hygiene. Even so, there were just enough attendees who promptly ripped their masks off as soon as they entered, as well as arguing that “masks don’t work,” that things remained more than a little uncomfortable through the weekend. Barring more stringent ordinances in Arlington requiring mask use, this is probably the best that it’s going to get: subsequent NARBC shows, either as a vendor or as an attendee, are going to be contingent upon an effective COVID-19 vaccine.

Even with all of that, the overwhelming majority of NARBC attendees were as usual: unfailingly polite, curious, and friendly, with a lot of really thoughtful questions and suggestions, and I’d be a liar if I said I didn’t miss that interaction. It was obvious that they missed it, too, especially based on the response to news about the Sunday morning porch sales at the gallery through October. And this, friends, is why I do this.

There was one other bright side to all of this: it was a matter of discovering that even with six months between shows, the porch sales kept the organizing juices flowing, so setup and breakdown was much easier than it was with the NARBC spring show last February. Of course, being in the middle of a simply glorious Sarracenia season didn’t hurt, so those who wondered about the lack of pitcher plants and Venus flytraps at the last show were dutifully impressed. Best of all, even with a sudden return of hot and sunny weather that OF COURSE came over the weekend, the weather was cool and clement enough that everything was exploding with new growth. A lot of new people went home with new plants, and this is hopefully a harbinger for the October Porch Sales as well.

And finally, a shoutout to Adeline Robinson, the artist responsible for the new Triffid Ranch poster on display at 2020 events, whom I finally met in real life this weekend. Among other things, I ransacked her selection of herp-themed stickers, so now I could tell my wife Caroline that I was coming home with a crocodile monitor and she couldn’t do anything about it. Adeline was also responsible for the design for the NARBC Tinsley Park shirt, which you should snag at the first available opportunity.

To be continued…

May 24, 2020: Yet Another Flash Sale

The Texas Triffid Ranch Flash Sales continue: the May 17 Flash Sale coincided with a stunning day after about 24 hours of thunderstorms and torrential rains, so the porch opened up again, masks came out, and a grand time was had by all. Old friends came out, folks who came across the Triffid Ranch booth at Spooky Spectacle and Texas Frightmare Weekend last year, and new patrons looking for carnivorous plants…everyone was welcome.

With the impending change in weather, we’re looking at changes in how both the Flash Sales and the ongoing gallery visit appointments will be run for the foreseeable future. Right now, Saturdays will be an appointment open call: visits still require prior appointments, but the idea is that Saturdays are reserved exclusively for appointments, so coming out to select a new enclosure can be done throughout the day. As for the Flash Sales, these are going to continue through June and July, but they’re going to start early in the morning and end at noon: there’s not much point in being out in the heat when everyone else is avoiding the afternoon Texas blast furnace as well. As always, keep an eye on upcoming events: so long as the weather holds, the Flash Sales continue.

(One hint for the upcoming Memorial Day Weekend sale: everyone seems to be in the mood for Sarracenia pitcher plants right now, and that’s next weekend’s focus. Expect to see a lot of Sarracenia on Sunday, because most of last year was spent preparing for a record run of Triffid Ranch shows, and the pitcher plants won’t wait for show season to start back up. In particular, if you’re looking for a lot of plants for a container bog garden, that can be worked out.)

The Aftermath: Nosferatu Festival 2020 – 2

Nosferatu Festival in Austin had a lot going for it, but one of the best was the screenings on Saturday and Sunday of the classic 1922 film. Modernized soundtracks for silent films aren’t new (after all, it’s been 35 years since the rerelease of Metropolis with a soundtrack highlighted with new music from Freddy Mercury and Bonnie Raitt, among others), but Nosferatu seems to bring out the best from original electronica composers, and attendees of Nosferatu Festival got two live performances for their efforts. After that, the number of people chuckling and pointing back at my booth at the scene showing off carnivorous plants was just gravy.

All said, thanks to everyone involved with Nosferatu Festival, from the venue to the attendees to the interested bystanders, for putting up with me over two days, and I for one would love to see more events like this at Come and Take It Live. The venue has an excellent feel that’s perfect for darker events such as this, and combine that with a very horror-friendly staff, even having a tire blow out on my cart while packing up on Saturday night wasn’t the bummer it could have been. (Said tire ruptured with no warning on my second-to-last load, loudly and explosively enough that I thought I’d been shot at, and much better that it blew out at the end of Sunday night than when I started setting up on Saturday. THIS, kids, is why any vendor at any show should have at least one spare cart, rack, or other contrivance to convey inventory, just so you’re not dependent upon borrowing someone else’s cart that might not exist.) Let’s see what next year brings, shall we?

Fin.

The Aftermath: Nosferatu Festival 2020 – 1

Well, there’s Austin. Despite arriving in town just in time to learn that the famed SXSW Festival was being cancelled due to COVID-19 concerns, everyone else involved with this year’s Nosferatu Festival was ready to go, and so was the Triffid Ranch. It shouldn’t be any surprise that a three-day festival dedicated to the first movie vampire would attract people with an appreciation for impending plagues, so even with the rest of Austin crashing around us, we made the best of it. (A little tip: George Romero taught us all that apocalypses are easier to bear if there’s a sufficient supply of barbecue on hand, and I make it a point to stock up at Green Mesquite on Barton Springs every time I’m in town. Considering how late we all got out of the festivities each night, having a nice stockpile waiting for you at the hotel makes being in a strange town a bit better.)

It’s been a while since the last time I set up a booth at Come and Take It Live (some may remember it as the site for the Blood Over Texas Horror For the Holidays shows until it switched venues in 2019), but it’s like riding a bike. The staff and support crew was on the ball, the weather was exemplary, and an enthusiastic crowd waited outside for the 4:00 opening on the two main days. Even with the threat of coronavirus, we were determined.

To be continued…

The Aftermath: NARBC Arlington Spring 2020 – 4

The spring 2020 NARBC Arlington reptile show is over, but the application for the September 2020 show just went out. Expect a much wider range of plants in September, as the Venus flytraps and North American pitcher plants were still in winter dormancy in February, and expect a whole new range of enclosures as well. Thanks to everyone who came by the booth this time, and I look forward to seeing all of you in seven months.

Fin.

The Aftermath: NARBC Arlington Spring 2020 – 3

Astute readers might notice that the enclosures at the gallery and at shows through 2020 so far have nameplates with both basic information on the enclosure and a QR code. Triffid Ranch displays already started phasing out individual business cards as of last year and using QR codes for the main Web site, with overwhelmingly enthusiastic results. The QR codes on the nameplates was based on extensive study of museum display design: the overwhelming number of smartphones today read the QR code with the camera and ask “Would you like to go to (Web site)?” as soon as it’s detected. Among many other things, the individual nameplates are for those who want to take a further look when the booth is overcrowded: take a quick shot and read the enclosure listing at your leisure.

The biggest surprise upon implementing QR codes was with younger attendees: they know about the codes, but overwhelmingly they only see it used for advertising, and advertising for products where they have absolutely no interest, in an attempt to be “edgy”. When they discover someone who uses QR codes that actually impart information, instead of trying to get their email addresses in exchange for a discount coupon, they practically squeal with joy. When I get back to technical writing, this is going to be part of an ongoing discussion on usability that needs to be elaborated further. As Vincent Flanders has been noting for the last two decades, people are willing to use new technology if it actually does something for them, and not because some marketing rep is looking to pad his/her resume with yet more buzzwords. Suffice to say, expect the Triffid Ranch to expand in their use, particularly with more elaborate plant care guides in the near future.

To be continued…

The Aftermath: NARBC Arlington Spring 2020 – 2

One of the best things about attending the NARBC Arlington reptile show for the last decade is watching the evolution of the venue and the attendees. While Texas had excellent reptile shows on its own in the past, the real conversations involved big shows on either coast of the US, and we were left on the sidelines. The last time I was a vendor at NARBC, back in 2013, one of the regular questions asked by attendees was “Are you going to be at (big East Coast show)?” This time, all focus was on Arlington, with a remarkable number of attendees coming in from outside the state, and some coming from outside the US.

(This leads to an apology in advance: this show and Texas Frightmare Weekend are the two Triffid Ranch shows with a significant number of attemdees who fly in from elsewhere, so a lot of patrons point to a bottle or jar and ask “Could I take this on the plane?” That’s a question I honestly cannot answer, because it depends upon the airline, the baggage handler, and whether or not the TCA rep inspecting your carry-on luggage has issues with you having a flask full of sundews among your lacy unmentionables. The best thing I can recommend is to check two sources before flying out to an event like this: the first is to check with the airline in advance as to its policies about glassware in carry-ons, and GET IT IN WRITING in case someone has an issue during boarding. The second is to check with the state or country to which you will be returning about any necessary inspections or permits needed to bring live plants back home: the last thing any of us want is for you to have your new plant confiscated and/or destroyed because of a regulation or ordinance of which you were unaware.)

This in itself led to interesting conversations with regulars from the NARBC Tinley Park show in Illinois, many of whom hoped that the Triffid Ranch might go transcontinental. Sadly, as much as I would love to attend any show in the Chicago area (I haven’t been in Chicago in 40 years, and a lot of online friends have been nuhdzing about making a trip north for a while), the thought of a trip of that duration depends upon how well the New Orleans Oddities & Curiosities Expo show goes this August. If New Orleans works out, well, it’s high time to head up to Chicago.

To be continued…

The Aftermath: NARBC Arlington Spring 2020 – 1

It’s been a while since the last time a Triffid Ranch booth appeared at the North American Reptile Breeders Conference show in Arlington: it wasn’t for a lack of interest, but a lack of opportunity. This year, though, it was time to return, both to a new date (the first time since moving to the new gallery space that it was practical or sane to attempt a February show) and to an extensively expanded space at the Arlington Convention Center. Taking over the adjoining hall meant both room for new vendors and much wider aisles between rows than in previous years, both of which were greatly appreciated by new and returning attendees. This meant the largest crowds I’ve ever seen at an NARBC event, and the crowds kept coming all day Saturday and to the close of business on Sunday. Reptiles, amphibians, invertebrates, enclosures and accessories: NARBC had it all, and now it included carnivorous plants.

To be continued…

The Aftermath: ReptiCon Dallas January 2020 – 3

Among many other things, the ReptiCon Dallas show marks the beginning of a new decade for the Texas Triffid Ranch: we’re now a fifth of the way through the Twenty-First Century, so it’s time to act like it. For the previous decade, the Triffid Ranch got its start at science fiction and horror conventions, and a very selective spread of shows at these will continue. (Anyone who tells you that I’m phasing out Texas Frightmare Weekend shows, for instance, is trying to start something, because so many of the staff and attendees are family in all but DNA, and even then I have suspicions.) This year, though, that expands to a much more aggressive push toward art gallery shows, reptile and amphibian shows (particularly the upcoming NARBC show at the Arlington Convention Center on Valentine’s Day weekend), and museum events. Expect to see a lot more carnivorous plants all over the place, because 2020 is going to get a bit wild.

Fin.

The Aftermath: Repticon Dallas January 2020 – 2

When coming out to a new event, placement may be everything, but that depends upon what you want to accomplish. Being completely unfamiliar with the venue for ReptiCon Dallas, two adjoining tables at one end of the hall seemed like a perfect spot. These two tables were beneath an overhang and next to a big projection screen complete with a big black curtail, and fellow vendors winced “Oh, they stuck you back THERE?” For most of the reptile and reptile supply vendors out there, the location may have been the kiss of death, but for the Triffid Ranch, it was absolute perfection. The curtain meant that I could sit across the aisle from the tables, talking with customers while others filed by, without worrying about bumping into neighbors or clogging access, and the curtain helped baffle noise from the rest of the room. When I return to ReptiCon, I’m asking for these tables, because I couldn’t have found a better locale if I’d intended to do so.

To be continued…

The Aftermath: ReptiCon January 2020

It started as a lark. For the last several years, notices for ReptiCon shows in Dallas would arrive in the mailbox, usually literally seconds after scheduling another event for that same weekend. At the end of December, another notice came for a show right after New Year’s Day, and this time, the schedule was free. Load up the van, galumph out to the town of Grapevine, unload at the Grapevine Convention Center, and spend the next two days talking about carnivorous plants with a very tight and cohesive show full of people with a mission: I’ve spent much worse New Year’s weekends doing much worse things.

To be continued…

The Aftermath: Blood Over Texas Horror For the Holidays 2019 – 4

Ever since the gallery went live, the Blood Over Texas Horror For the Holidays show has been a good excuse to go to Austin, a good excuse to see old friends who moved out of Dallas, and a great way to end the year as far as outside events were concerned. Thanks are in order for the Blood Over Texas crew, all of the attendees of the Horror For the Holidays show, and the staff of Green Mesquite BBQ on Barton Springs in downtown Austin, who kept me fed all weekend. I’ll see you all next November.

Fin.

The Aftermath: Blood Over Texas Horror For the Holidays 2019 – 3

Now, people outside Texas may be a little concerned at the thought of a horror-themed holiday market such as the Blood Over Texas Horror For the Holidays shows, as monsters and nightmares don’t seem to fit the traditional holiday spirit. These are folks who may not be familiar with the history of the German and Czech settlers who moved into Central Texas in the 19th and 20th Centuries, and they brought a lot more than their traditions for beer, sausage, and cheese. (Handy travel tip: Central Texas is full of caves eroded into the underlying limestone, which is one of many reasons why Texas has some of the best cheese caves on the planet. Don’t even get me started on how a breakfast without kolache is like a broken pencil.) Krampus parades are as much a Texas tradition as chili, and the Blood Over Texas crew knows how to throw a good one.