The Texas Triffid Ranch Flash Sales continue: the May 17 Flash Sale coincided with a stunning day after about 24 hours of thunderstorms and torrential rains, so the porch opened up again, masks came out, and a grand time was had by all. Old friends came out, folks who came across the Triffid Ranch booth at Spooky Spectacle and Texas Frightmare Weekend last year, and new patrons looking for carnivorous plants…everyone was welcome.
With the impending change in weather, we’re looking at changes in how both the Flash Sales and the ongoing gallery visit appointments will be run for the foreseeable future. Right now, Saturdays will be an appointment open call: visits still require prior appointments, but the idea is that Saturdays are reserved exclusively for appointments, so coming out to select a new enclosure can be done throughout the day. As for the Flash Sales, these are going to continue through June and July, but they’re going to start early in the morning and end at noon: there’s not much point in being out in the heat when everyone else is avoiding the afternoon Texas blast furnace as well. As always, keep an eye on upcoming events: so long as the weather holds, the Flash Sales continue.
(One hint for the upcoming Memorial Day Weekend sale: everyone seems to be in the mood for Sarracenia pitcher plants right now, and that’s next weekend’s focus. Expect to see a lot of Sarracenia on Sunday, because most of last year was spent preparing for a record run of Triffid Ranch shows, and the pitcher plants won’t wait for show season to start back up. In particular, if you’re looking for a lot of plants for a container bog garden, that can be worked out.)
The first third of 2020 has been quite the decade, hasn’t it? We should be thankful: it hasn’t gone full Mad Max: Fury Road (or even the Canadian version), and the current federal plan to open up everything was named “Operation Warp Speed” instead of the obvious “Operation Impending Doom 1”. Things are opening up slightly, and so many of us have gone from “hunkering down and waiting for instructions” to “taking care of each other because nobody else will.” Of course, we haven’t hit Memorial Day Weekend yet: as I learned 40 years ago this June, all bets are off when things start to get hot outside.
As for the gallery, both the need to care for plants and the need to reorganize continues, and the last two months led to a lot of cleaning and reorganizing, the likes of which haven’t happened since we first moved in three years ago. The reorganizing of supplies and accessories meant rediscovering all sorts of things buried in odd places, and their rediscovery means being able to use them all up. To that end, expect to see a lot of new enclosures, both originals and commissions (the latest commission is going to be a special surprise, so keep an eye open for updates), if and when things stabilize.
As far as activities at the gallery are concerned, for obvious reasons, the open houses aren’t going to be an option for a while, but the Flash Sales on the gallery front porch continue through the whole month of May. They may continue in the mornings through the summer: everything depends upon the weather, and trying to conduct anything in the afternoon and evening between the middle of June and the beginning of October in North Texas is just folly. In the meantime, they’ll run every Sunday in May from noon to 6:00 pm, always with a mask and a smile for car-side pickup.
Outside events continue to get interesting. As of May 15, the Dallas Oddities & Curiosities Expo is still scheduled for the end of June, but everything depends upon both the city of Dallas and the state of Texas as to whether it gets rescheduled. That already happened with the Austin Oddities & Curiosities Expo: all convention events in Austin have been cancelled for the foreseeable future, so this year’s show was rescheduled for June 2021. The same applies for shows rescheduled for August and September: things may stabilize enough to allow big events to go on, and they may not, and all we can do is wait for word.
Because of that uncertainty, expect a lot of virtual events, especially now that a lot of the initial technical issues with the Twitch TV channel have been rectified. Well, kinda: Twitch still has issues with its tablet app freezing up at the end of a stream and not saving the preceding stream for later viewing, so it was time to join the early 2000s and start a YouTube channel as well. There’s not much there yet, as it just started, but expect a lot of strangeness in the very near future, especially with demonstrations of fluorescence in North American and Asian pitcher plants, as well as fluorescence in blooms you wouldn’t expect. (Most Americans have never seen an aloe bloom, so just wait to see what one looks like to a hawkmoth or hummingbird. It’s high time to crack out the fluorescent mineral lights that were just unearthed during the storeroom cleanup. (It’s also time to give the crew at Glasstire their five-minute virtual tour, so there’s that, too.)
Other than that, the main focus is getting everything ready for something resembling normal operation, and now that the shelter-in-place order over Dallas County has been lifted, the Triffid Ranch reopens by appointment. It’s time to get back to work.
(And before you ask, the cat at the top of the page is Benji, the greenhouse cat. No, I don’t know his real name. No, he isn’t mine: he has a collar and a tag, so he belongs to someone else. All I know is that most mornings, I find him camped out in the greenhouse, and he has a thing about perching on one of the benches and giving me the perfect Japanese cat print smile. I just can’t take a picture of it, because the moment he sees a camera or phone, he demands attention and ruins the shot. He and my cat Alexandria also apparently have a relationship: she has no interest in going outside, but she loves to camp out in the closed garage and talk to him through the garage door. Things could always be worse.)
Another beautiful Sunday, another successful flash sale, and with it a plan for more. Since the general forecast for the month of May suggests that we’ll have relatively cool (for North Texas) weather through Memorial Day weekend, feel free to join the social-distanced and well-masked festivities on May 17, 24, and 31, starting at noon and ending at 6:00 or whenever we run out of plants. Each week, expect a different selection of plants, and if you can’t make it, deliveries are an option as well. (As of this week, the gallery tentatively opens for appointments and commission discussions, so to arrange a delivery or to purchase one of the new enclosures, give a yell.)
Okay, so the limitations on non-essential retail businesses opening in Dallas County just expired, on the proviso that those non-essential businesses only conduct sales via curbside pickup. As it turns out, the Triffid Ranch has a whole slew of plants already potted and ready for several March and April shows that have been cancelled, and since the Dallas County orders require that any purchases HAVE to be made via curbside pickup, with no entrance into the premises by the customer, it’s time to skip the usual open house and try something different. It’s time for a flash sale.
Here’s the situation for the foreseeable future. Every Sunday starting at noon, patrons can come out to buy a particular set of plants, with those plants being placed in their cars after selection. Each Sunday, a different set of plants will be offered for sale, and the sale will continue until 6:00 pm Central Time or until everything is sold out, whichever comes first. All of the specials are beginner plants, already potted into appropriate containers, including the basic care guide instructions on the container as expected from Triffid Ranch shows. If this works well, this will continue every weekend until the shelter-in-place order is lifted and regular shows can continue. In the meantime, if you’ve been craving a touch of green and want something different, you live in the general Dallas area, and you enjoy the novelty of curbside service, this is the best option when standard appointments aren’t possible.
(NOTE: the larger enclosures as highlighted in the Enclosures Past & Present section may always be purchased and picked up by appointment. Unfortunately, we cannot allow patrons to enter the premises to view them, and they have to be brought out for inspection and purchase. If you have any questions, please contact us.)
For the first Flash Sale, we offer four species: three types of Asian pitcher plant (Nepenthes x ventrata, Nepenthes ventricosa, and Nepenthes sanguinea), and Cape sundews (Drosera capensis). As shown below, the pitcher plants include a one-gallon glass container, substrate, and decorations for $35.00US plus sales tax. The Cape sundews include an Erlenmeyer flask and substrate, and sell for $25.00US plus sales tax.
For pickup, calling or emailing in advance isn’t necessary: just pull up to the building and let the handy but a little dim attendant take your order. (For larger enclosures, please call or email in advance.) Masks and gloves will be mandatory, for your safety and mine. Payment can be made in cash or credit card. For directions, follow the map. If things work well, expect this to be the first of many flash sales, at least until the current situation is over, and I’ll see everyone starting at 12:00 on Sunday.
Posted onApril 12, 2020|Comments Off on Welcome To Your Career In The Arts
For the last several years, I freely admit that I blatantly stole a beautiful concept from the artist and musician Steven Archer, famed for his involvement with Ego Likeness, Hopeful Machines, and Stoneburner. In addition to his other endeavors, any of which make us mere mortals want to eat his brain so we can steal his powers, Steven also shares particularly disturbing failure videos and gifs, usually involving faceplants and setting idiots’ knees afire, all of which beg for one specific soundtrack, for his followers and interested passersby. The punchline is the same with each video or animated gif: “Welcome to your career in the arts.”
Part of the reason why so many of these are so funny isn’t just in being glad that we aren’t as unlucky, unskilled, or foolish as the individuals in said videos. It’s that for anybody with an actual career in the arts, we watch the videos, wipe our brows, and sigh “So it’s not just me.” So often, no matter how hard we prepare and what we try, it’s Faceplant City, and most of us just brush the concrete dust off our noses, spit out the broken teeth, and get up to do it again. Compulsion is a wonderful thing.
And so it goes. Since before the beginning of this foul Year of Our Lord 2020, the original plan for the Triffid Ranch was to jump up the number of Triffid Ranch shows, lectures, and open houses, including an expansion outside of the greater Dallas/Fort Worth area. Well, you can call COVID-19 “The Rona” or “Captain Trumps,” but every artist, musician, and writer in town saw the implosion of venues and events and called it “The Devil Vomits In My Face Once More.” You wipe off your eyes, reach for a towel and an eyewash station, and start again.
And to follow the old adage “when God closes a door, He also opens a window,” it’s time to see if if the next few weeks constitute defenestration or flying. The original plan was to hold a major open house, the Manchester United Flower Show, on April 18, if the current shelter-in-place order for Dallas County would allow it. Since that order runs until at least the beginning of May, this wouldn’t happen anyway, and a lot of folks understandably don’t want to risk crowds even after the order is lifted. We can’t have a traditional open house, and a lot of people outside of Dallas regularly mope (but mope in a cute way) about not being able to get to an open house anyway, so it’s time to make things virtual.
With the recommendation and inspiration of Christopher Doll of Breaking Fitt’s Law and Pete Freedman of Central Track, both essential reading, the Triffid Ranch is going to Twitch. The Eventbrite invitations will go out soon, but we’re going to try a video open house starting at 6:00 pm Central Standard Time on Saturday, April 18. Just as with the in-person open houses, this will run until about 11:00, thus allowing folks in varying time zones a chance to jump in. If this works out well and it doesn’t lead to a terminal curbstomping, we may have more in our current time of crisis, and probably way beyond. Not only will this give friends and interested bystanders a chance to see the inner workings of carnivorous plant blooms, but it gives a chance to confirm that the sole proprietor has far too much in common with the late Rik Mayall’s most famous character. See you then.
Posted onApril 6, 2020|Comments Off on The Return of the Manchester United Flower Show 2020
Sometime back in the mists of the Late Cretaceous, the plan was to host a special gallery open house in April that took advantage of blooming season. With one known exception, carnivorous plants bloom like any other angiosperm, with the height of the spectacle hitting in Dallas in the latter half of April. Sometimes the blooms last into May, and some species just never stop blooming through the growing season (yes, Stylidium debile, I’m looking at you). The last few years have been particularly rough on this idea, with last year’s flower show cancelled due to illness, but this year it was going to happen. Absolutely. Sure of it.
Well, as you may have noticed, we’re in the middle of a pandemic, and the gallery is just a little too small to allow easy social distancing: at least, allowing social distancing and access to the restroom. With the current lockdown and shelter-in-place order for the entirety of Dallas County, currently extended to April 30, large gatherings are not just discouraged but open to fines and arrest, so the original open house was regretfully cancelled. Heck, when the RHS Chelsea Flower Show is cancelled for 2020 because of COVID-19, there’s no reason to risk life and health even if the shelter-in-place order wasn’t an issue. We can still have one in 2021, but a live show isn’t an option right now, and probably not until well after all of the blooms are gone for the year.
Into this comes a possible solution. Between the crew at Glasstire calling for short videos of Texas art exhibitions in lieu of personal appearances and Pete Freedman of the Dallas news site Central Track hosting regular video conferences on Twitter with readers, it may be time to take the Manchester United Flower Show online. Among other things, so many friends and cohorts regret not being able to get to Dallas to view an open house, so this is an opportunity to include them with no obligation and no plane tickets. For everyone else sick to death of online conferences for work and otherwise, it’s an opportunity to sit back and let someone else drive. We’re still working out the details, but we’re going back to the original date and time of Saturday, April 18 at 6:00 pm Central Time, with a repeat later in the evening for those on the other side of the International Date Line. Keep an eye on the site for more details, but the idea is to have an opportunity for as many people as possible to watch, so it probably won’t be attached to a particular platform. We’ll burn those bridges as we come to them.
To reiterate, the Manchester United Flower Show is back in place on April 18, barring life imitating art, and without issues with parking. See you then.
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Posted onMarch 15, 2020|Comments Off on State of the Gallery: March 2020
Well. Skip out on one update in February, and look at what happens. All I wanted was a Pepsi, just one Pepsi…er, I mean, all of those years of mental preparation for the collapse of human civilization, and here’s what it comes down to. No zombies, no Daleks, no mutants, no dinosaurs, no asteroid impacts, all of the rampaging highway raiders in Mohawks and bondage pants are riding mopeds…there’s a very good reason to stay home until this is all over.
Very seriously, for all of the “Love In the Time of COVID-19” jokes, March just got very interesting around the Triffid Ranch. Being open solely by appointment, social distancing was already enforced before everything went down, and a lot of those appointments may now be run virtually. (Yes, that means finally getting my Skype account up and going.) I was literally in Austin for 15 minutes last weekend when the City of Austin announced that it was shutting down the SXSW art and music festival, and cancellations rapidly spread through Texas, especially after Dallas County set up a ban on gatherings for more than 500 people on March 13. I was last-minute scheduled for a one-night presentation via the Corpsepaint Show at Gas Monkey Live on March 13, so there was that. All-Con was on its second day when Dallas County ordered its shutdown, with all of the vendors having to pack up and go home at about 11:30 Friday morning. Then came the list of events that were being rescheduled because there was no guarantee that COVID-19 would abate by the planned date. The Deep Ellum Art Festival. Fan Expo Dallas. When the Houston Livestock Show and Rodeo shuts down, you know people are taking this seriously.
To their eternal credit, the organizers of the Oddities & Curiosities Expo touring shows and Texas Frightmare Weekend have been on the case. Not within an hour of the Dallas County announcement, the Oddities & Curiosities crew were up and rescheduling shows, with the Dallas show moving from March 28 to June 27. Texas Frightmare Weekend is still starting on May 1 until further notice, but Loyd Cryer and his faithful crew were already running contingency plans and reassuring attendees and vendors that if anything changed, they’d know as soon as humanly possible. To their greater credit, both shows understood that a lot of us vendors were going to be hit badly due to the number of March shows shutting down, so they both posted lists of vendors so interested bystanders could buy from them directly until the situation was under control. In the interests of solidarity with cohorts and friends, go check them out and buy mass quantities, or at least let friends know that they’re out here:
With all of this, it’s hard not to bring up my home town’s unofficial motto: “Aside from THAT, Mrs. Kennedy, what do you think about Dallas?” All I can say is that while we’re all staying home, with good reason, keep an eye open for interesting updates: since the gallery is reasonably isolated and I have plenty of time that was previously taken up with show preparation, it’s time to write up all of the plant care guides and other ephemera that had been put off for months and sometimes years. At least, that’s the idea. We’ll see how it goes from here. Until then, stay inside, stay safe, and rest assured that if you get a newsletter from me, it’ll include more content than far too many of the ones flooding your email box right now. And so it goes.
UPDATE (3/16/2020): I just got word from Jason at Curious Garden about Saturday’s carnivorous plant workshop, and it’s being rescheduled for a date after all of our current self-quarantine. This news wasn’t unexpected, but it came just as the City of Dallas ordered the closure of bars, restaurants, and gyms within city limits. It’s getting strange out there, folks, so take care.
Posted onFebruary 21, 2020|Comments Off on The Aftermath: NARBC Arlington Spring 2020 – 4
The spring 2020 NARBC Arlington reptile show is over, but the application for the September 2020 show just went out. Expect a much wider range of plants in September, as the Venus flytraps and North American pitcher plants were still in winter dormancy in February, and expect a whole new range of enclosures as well. Thanks to everyone who came by the booth this time, and I look forward to seeing all of you in seven months.
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Posted onFebruary 20, 2020|Comments Off on The Aftermath: NARBC Arlington Spring 2020 – 3
Astute readers might notice that the enclosures at the gallery and at shows through 2020 so far have nameplates with both basic information on the enclosure and a QR code. Triffid Ranch displays already started phasing out individual business cards as of last year and using QR codes for the main Web site, with overwhelmingly enthusiastic results. The QR codes on the nameplates was based on extensive study of museum display design: the overwhelming number of smartphones today read the QR code with the camera and ask “Would you like to go to (Web site)?” as soon as it’s detected. Among many other things, the individual nameplates are for those who want to take a further look when the booth is overcrowded: take a quick shot and read the enclosure listing at your leisure.
The biggest surprise upon implementing QR codes was with younger attendees: they know about the codes, but overwhelmingly they only see it used for advertising, and advertising for products where they have absolutely no interest, in an attempt to be “edgy”. When they discover someone who uses QR codes that actually impart information, instead of trying to get their email addresses in exchange for a discount coupon, they practically squeal with joy. When I get back to technical writing, this is going to be part of an ongoing discussion on usability that needs to be elaborated further. As Vincent Flanders has been noting for the last two decades, people are willing to use new technology if it actually does something for them, and not because some marketing rep is looking to pad his/her resume with yet more buzzwords. Suffice to say, expect the Triffid Ranch to expand in their use, particularly with more elaborate plant care guides in the near future.
To be continued…
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Posted onFebruary 20, 2020|Comments Off on The Aftermath: NARBC Arlington Spring 2020 – 2
One of the best things about attending the NARBC Arlington reptile show for the last decade is watching the evolution of the venue and the attendees. While Texas had excellent reptile shows on its own in the past, the real conversations involved big shows on either coast of the US, and we were left on the sidelines. The last time I was a vendor at NARBC, back in 2013, one of the regular questions asked by attendees was “Are you going to be at (big East Coast show)?” This time, all focus was on Arlington, with a remarkable number of attendees coming in from outside the state, and some coming from outside the US.
(This leads to an apology in advance: this show and Texas Frightmare Weekend are the two Triffid Ranch shows with a significant number of attemdees who fly in from elsewhere, so a lot of patrons point to a bottle or jar and ask “Could I take this on the plane?” That’s a question I honestly cannot answer, because it depends upon the airline, the baggage handler, and whether or not the TCA rep inspecting your carry-on luggage has issues with you having a flask full of sundews among your lacy unmentionables. The best thing I can recommend is to check two sources before flying out to an event like this: the first is to check with the airline in advance as to its policies about glassware in carry-ons, and GET IT IN WRITING in case someone has an issue during boarding. The second is to check with the state or country to which you will be returning about any necessary inspections or permits needed to bring live plants back home: the last thing any of us want is for you to have your new plant confiscated and/or destroyed because of a regulation or ordinance of which you were unaware.)
This in itself led to interesting conversations with regulars from the NARBC Tinley Park show in Illinois, many of whom hoped that the Triffid Ranch might go transcontinental. Sadly, as much as I would love to attend any show in the Chicago area (I haven’t been in Chicago in 40 years, and a lot of online friends have been nuhdzing about making a trip north for a while), the thought of a trip of that duration depends upon how well the New Orleans Oddities & Curiosities Expo show goes this August. If New Orleans works out, well, it’s high time to head up to Chicago.
To be continued…
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February and March are already going to be packed with events, but for those wanting to come out to the gallery, please take note that we’re hosting a special Leap Day open house on February 29. Art, jewelry, carnivorous plants, and the opportunity to get in an early celebration of my birthday on February 30. Get your tickets now.
Posted onJanuary 10, 2020|Comments Off on The Aftermath: ReptiCon Dallas January 2020 – 3
Among many other things, the ReptiCon Dallas show marks the beginning of a new decade for the Texas Triffid Ranch: we’re now a fifth of the way through the Twenty-First Century, so it’s time to act like it. For the previous decade, the Triffid Ranch got its start at science fiction and horror conventions, and a very selective spread of shows at these will continue. (Anyone who tells you that I’m phasing out Texas Frightmare Weekend shows, for instance, is trying to start something, because so many of the staff and attendees are family in all but DNA, and even then I have suspicions.) This year, though, that expands to a much more aggressive push toward art gallery shows, reptile and amphibian shows (particularly the upcoming NARBC show at the Arlington Convention Center on Valentine’s Day weekend), and museum events. Expect to see a lot more carnivorous plants all over the place, because 2020 is going to get a bit wild.
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Posted onJanuary 9, 2020|Comments Off on The Aftermath: Repticon Dallas January 2020 – 2
When coming out to a new event, placement may be everything, but that depends upon what you want to accomplish. Being completely unfamiliar with the venue for ReptiCon Dallas, two adjoining tables at one end of the hall seemed like a perfect spot. These two tables were beneath an overhang and next to a big projection screen complete with a big black curtail, and fellow vendors winced “Oh, they stuck you back THERE?” For most of the reptile and reptile supply vendors out there, the location may have been the kiss of death, but for the Triffid Ranch, it was absolute perfection. The curtain meant that I could sit across the aisle from the tables, talking with customers while others filed by, without worrying about bumping into neighbors or clogging access, and the curtain helped baffle noise from the rest of the room. When I return to ReptiCon, I’m asking for these tables, because I couldn’t have found a better locale if I’d intended to do so.
To be continued…
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Posted onJanuary 8, 2020|Comments Off on Interlude: Chinese New Year at the Texas Triffid Ranch
And so it begins: invitations for the Chinese New Year at the Texas Triffid Ranch open house on January 25 just went out: if you happen to be a member of the arts press, Dallas or elsewhere, who needs one, or if you know of a member who should know, feel free free to pass on a mailing address. For everyone else, you’re all invited, too: in fact, it wouldn’t be any fun without you. As always, admission is free.
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Posted onJanuary 8, 2020|Comments Off on The Aftermath: ReptiCon January 2020
It started as a lark. For the last several years, notices for ReptiCon shows in Dallas would arrive in the mailbox, usually literally seconds after scheduling another event for that same weekend. At the end of December, another notice came for a show right after New Year’s Day, and this time, the schedule was free. Load up the van, galumph out to the town of Grapevine, unload at the Grapevine Convention Center, and spend the next two days talking about carnivorous plants with a very tight and cohesive show full of people with a mission: I’ve spent much worse New Year’s weekends doing much worse things.
To be continued…
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The end of any year in the Gregorian calendar that ends in a “9” always ends the same: innumerable alcoholic amateurs assuming that they’re channeling the spirit of Hunter S. Thompson, massive disappointing clearance sales with clothing stores acknowledging that styles WILL change and soon, and the continuing war between pedants on whether a particular decade ends at the end of the “9” year or the end of the “0” year. Personally, since 1970, which just never rolled over and went away until about 1987, my attitude has been that those “0” years are transition years: the decade that was dies tonight at midnight, but the beast won’t die until the signal travels all the way through its bulk and reaches its tail, and it’ll thrash around for a while in the process. We now have a year to find out what the Twenty-Twenties are going to look and sound like, and we shouldn’t worry about the exact date of death. What matters right now is that as of midnight on January 1, the Twenty-First Century is now one-fifth over, and we should start behaving like it. Want a semantic cause? Start insisting that those still using the term “turn of the century” need to emphasize which one.
There’s no question that 2019 was a year of transition, of what the author Harlan Ellison referred to as “the hour that stretches.” Harlan’s 1988 collection Angry Candy started with an introduction discussing all of the friends, cohorts, heroes, and fellow travelers he’d lost by that point, and how the sudden conga line of mortality directly affected his storytelling. At the time I bought that collection when it came out in hardcover, I was nearly 22, so I had no real grasp of his pain: now, I’m the age he was when Angry Candy was published, and I understand far too well. You may not recognize the names of Jeb Bartlett or Rob Fontenot or Laura Huebner, or of my father-in-law Durwood Crawford, but they made the world just a little more fun and a little more kind, and they’ll always have a spot in the Triffid Ranch pantheon of heroes alongside Adrian Slack and old Harlan himself. (And I have to leave a little room for my late cat Leiber, as his life stretched across nearly a third of mine, and not hearing his happy chirps when I’d look at all of the cat fur in the vacuum cleaner and scream “WHY IS THIS CAT NOT BALD?” has left the house just a little darker and lonelier, no matter how much Alexandria and Simon try to fill the gap.)
As far as accomplishments are concerned, this was a good year because of their sheer number. This was the first year a Triffid Ranch enclosure was entered in a professional art exhibition, and the first year of making more than one trip outside of Dallas to show off enclosures. (Next year will be even more fun, with at least three shows in Austin, one in Houston, and the first-ever show outside of Texas in New Orleans in August.) This was a year for workshops, and a year for presentations, and a year for rapidly changing directions. This was the year, a decade after the first halting Triffid Ranch shows, where I never regretted quitting professional writing less, because those workshops and presentations did more actual good than writing about long-forgotten movies and books ever did. Expect a lot more of those in 2020, too, because the life of a carnivorous plant grower is always intense.
With that year in transition comes a few unpleasant but necessary sidebars. 2020 is going to be a year without Facebook: after a lot of thought about Facebook’s accessibility for friends and customers versus the company’s issues with security, its never-ending throttling of Page access to subscribers unless the Page owner pays for “boosts” (and the ever-decreasing reach of those boosts thanks to ad blockers and the company’s own algorithms), it’s time to leave early so as to avoid the rush. Social media access continues with both Instagram and Twitter (just search for “txtriffidranch”), but the rabbit hole opened every time someone sent a message that lowered Triffid Ranch Page posts if I didn’t respond immediately to yet another discovery of that idiotic Santa Claus Venus flytrap video just takes up too much time. Besides, if you’re wanting news on what’s happening with the gallery, that’s what the newsletter is for.
Anyway, thank you all for sticking around, for coming up and asking questions at presentations and lectures, for buying enclosures so I have room to place new ones, and for coming out to open houses. You’re appreciated, and just wait until you see what’s planned for 2020. The first open house of the year is on January 25: you won’t want to miss this one.
Posted onNovember 21, 2019|Comments Off on State of the Gallery: November 2019 – Special Edition
A lot has happened in November so far, and more is gearing up for the rest of the month, in what the author Harlan Ellison called “the hour that stretches.” November has always been an, er, interesting month in my life, what with layoffs, moves, new jobs, and more than a few deaths. November 2019 follows in that tradition, and the plan is that the window that opens when the door closes is a greenhouse vent and not an airlock. Yeah, it’s been one of THOSE Novembers.
Anyway, the practical upshot is that appointment availability for Triffid Ranch consultations just became a lot more open. The Nightmare Weekends Before Christmas Saturday night open houses starting on November 30 remain unaffected, but now the gallery will be open a lot more often during the week, too. Just excuse the mess: the events over the last two months (of which no more will be said) interfered with new projects, so the idea now is to rectify that situation. Among other things, this frees up storage space, it gives new homes for older plants to stretch out, and it gives more reasons for all of you lot to come out to multiple Nightmare Weekends to see what’s new THIS time. If you’ve had an eye on a particular enclosure but haven’t made the move to take it home just yet, this may be the perfect opportunity.
And the rest of the year? That’s dedicated both to a wedding anniversary blowout (17 years as of December 28, and people still assume that we’ve been married for weeks) and to getting ready for 2020. This includes a stem-to-stern renovation of the gallery, other essential updates (after all, we’ve been in the space for three years as of February, so we have plans), and scheduling for the largest list of outside events yet. Among other things, a quick perusal of the calendar revealed that next Valentine’s Day falls on a Friday, and between this and Leap Day on a Saturday, it’s time to call some people and plan a multi-venue event. As always, details will follow as they happen: if it doesn’t happen, you’ll never know about it.
Speaking of venues, if you’ve attended an open house and never stepped across the doorway to our neighbor Visions of Venice, consider yourself encouraged to investigate. Besides being the absolute best business neighbor a boy could ever want, the amount of crossover interest between carnivorous plants and Italian glasswork continues to surprise me. Even better, the storefront is open during the week, so don’t be afraid to head out during a lunch break with a whole group of coworkers and peruse the stock of masks and chandeliers. (Yes, they actually go together. Don’t argue with me on this.)
Finally, before loading up the van and heading out to Austin for this weekend’s Blood Over Texas Horror For the Holidays show at the Travis County Exposition Center, a little note: some of you may have noticed that the new URL for this Web site changed to http://www.texastriffidranch.com within the last week. It’s a funny story as the old URL still works, and you’ll have to come out to one of the Triffid Ranch events for an explanation. In the meantime, if you haven’t been exploring through the archives in a while, please indulge your curiosity, as WordPress and Google are fighting over whether or not this is new content. Besides, you don’t have anything better to do the week before American Thanksgiving when you’re trapped at work and everyone else is taking off on early vacations, right?
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Posted onNovember 14, 2019|Comments Off on The Aftermath: Deep Ellum Creative Market – 2
One of the biggest issues with doing Triffid Ranch shows outside involves wind. After all, North Texas is noted for its winds, and both the big windstorm that hit Dallas last June and the tornadoes that hit us in October arrived shortly after I’d broken down after events, either earlier that day or the night before. (With the June show in Garland, not only would the storm have blown everything to Oz or at least Nehwon, but the tree shading my booth also shed the big branch previously hanging directly overhead.)
In the case of the Deep Ellum Creative Market, the tradition continued: subfreezing temperatures and a serious threat of snow, but those only came after everything had been packed up and carted home. Before that, though, for a weekend with an inordinate number of events in the Dallas area, including a major Cowboys football game, the crowd coming through was both numerous and enthusiastic.
For a first-time show, the Creative Market ran very well, and its only issues were due to its youth. If things go well and it runs next year, expect to see the Triffid Ranch out there in a prominent location.
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Posted onNovember 14, 2019|Comments Off on The Aftermath: Deep Ellum Creative Market 2019 – 1
When doing outdoor shows, it’s best to go out on a high note. Rain would have been bad enough, but last Monday came with the sort of subfreezing temperatures and brutal north winds that usually hit Dallas around the beginning of January. The weekend of the Deep Ellum Creative Market, though, was clear, sunny, and warm, and you couldn’t have asked for better weather for the last outdoor show of the year.
For those outside Dallas, the Deep Ellum area east of downtown started with a reputation for great blues musicians in the 1920s and 1930s, and then fell into decline as an industrial area until 1984, when the famed Russell Hobbs opened the sadly-long-defunct Theater Gallery in 1984. The resultant explosion of clubs and arts galleries led to official city pushback (especially when the sole news coverage for the area came via business interests with money tied up in the Lower Greenville and West End adult amusement parks), leading to a regular series of booms and busts and expansions. The latest boom coincides with the construction of highrise apartment buildings through the area, but there are still plenty of people who remember little outstanding venues such as Club Clearview and Another Roadside Attraction, world-famous murals by local artists Mosquito and Trippy Thompson (both former neighbors of mine when I lived in nearby Exposition Park in the early Nineties), and a young jewelry artist famed for selling necklaces and bracelets out of a guitar case.
(With the last, I first met that jewelry artist in a then-vacant field in 1990 as she sat next to a trio of other vendors. My girlfriend at the time was immediately jealous of her: and so she should have been, seeing as how 29 years later, we’ve been married for the better part of two decades.)
The idea behind the Deep Ellum Creative Market was a celebration of those kind of connections. Unlike the much larger Deep Ellum Art Fest, which begrudgingly gives tent space to local artists from time to time, the main requirement for admission into the Creative Market was an actual connection to the area, or at least more of one than “I threw up in a urinal at Club Dada once.” Since the first-ever Triffid Ranch booth was at the long-forgotten Deep Ellum Sellem in 2006, I had more bona fides than merely marrying a local fixture. Therefore, after much wrangling, about 50 other vendors and I set up tents on a cool Saturday morning and put out our wares to a lively audience of residents and pedestrians.
To be continued…
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And so we come to the end of the 2019 carnivorous plant growing season. (Cue the national anthem.) The cold front that whipped through the Dallas area early Halloween morning saw to that: right now, the Venus flytraps and Sarracenia pitcher plants are already preparing for winter dormancy, and a few days of warmer temperatures in November won’t stop their normal progression thanks to shorter days and longer, cooler nights. Even in the gallery, it’s time to switch to winter hours: all of the timers need to be reset anyway due to the end of Daylight Savings Time, so they’re all being set for about ten hours of light per day so they get a good rest, too. (In March, when the indoor and outdoor photoperiods go back to longer days, we’ll all be glad of it, as the blooming response should be phenomenal, especially with the sundews and bladderworts.) The flytraps and Sarracenia are the big ones to worry about, though: if they don’t get a proper dormancy, they’ll eventually wear out and die, and our freezing temperatures at Halloween just bumped their naptime ahead by about three weeks.
Now, you’d think that with the arrival of dormancy season, everything would shut down over at the gallery. Anything but. The only time this place will be more busy than in November and December will be in January and February. The show schedule definitely doesn’t let up in November: there’s the Deep Ellum Creative Market in Dallas the weekend of November 9 and the Blood Over Texas Horror for the Holidays show in Austin on November 23 and 24. The real fun, as it has for the last four years, starts the first Saturday after American Thanksgiving, with the Nightmare Weekends Before Christmas gallery open houses starting on November 30 and continuing through December 7, 14, and 21. (November 30 and December 1 are doubly auspicious, as these mark the fortieth anniversary of my first moving to Texas and meeting my best friend Paul Mears for the first time, respectively. For four decades, he’s referred to December as “a day that will live forever in infamy” on a personal level, and, well, he’s not wrong about that assessment.) After that, it’s a matter of spending January and February constructing new enclosures, working out the logistics on new shows, and generally getting everything ready for when the flytraps and Sarracenia wake up again.
And speaking of new shows, news that’s had to be held in confidence since the end of August: the Triffid Ranch has three new shows in 2020 through the Oddities & Curiosities Expo folks. Besides the Dallas show on March 28 and the Austin show on June 20, it’s time to hop state borders and bring the Triffid Ranch to New Orleans on August 29. The New Orleans show is going to be the biggest test of event logistics yet: if this works out and I kill neither myself nor plants, then it’s time to try spreading the wealth to new cities outside of Texas. If it doesn’t, at least I’ll have the opportunity to visit with old and dear friends, including many whom I haven’t seen in person since the late, lamented Exoticons imploded at the end of 2000. Win/win. (The date on the Austin show is particularly auspicious, even if it means heading right back out after returning from the Houston Horror Film Festival the weekend before. 2019’s show was impressive but not as packed as 2018, a factor commonly attributed both to the soul-withering heat of Central Texas in mid-August and to classes at the University of Texas starting up the next week. June is much better: as with Dallas, it might even mean that we get a bit of rain that weekend before the summer blast furnace starts in earnest in July.)
Other than that, it’s back to commissions and new enclosures to replace those sold over the summer: keep checking back for new enclosure details. Among many other things, 2019 is the year that I finally enter enclosure photos for the Spectrum Awards. (I know I have no chance in hell of winning an award, but getting stomped and pantsed by the best artists in the field of fantastic art is also an inducement to keep working toward winning.) In addition, keep an eye open for some extra backstory on new and old enclosures: no more details until it’s done, but those familiar with the works of Harlan Ellison may recognize the concept.
As always, the gallery endures: for those coming in late, it’s open by appointment or at regular open houses. If you have particular demands for custom enclosures intended as holiday gifts, get your appointment in NOW. By the time the Nightmare Weekends start, getting additional commissions may be problematic before the middle of January.
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