- Absolute Surefire Steps to Kill Your Venus Flytrap
- Cat Monday
- Dumb Ideas
- Hard Science
- Have A Great Weekend
- I'm living in my own private Tanelorn
- Personal Interlude
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- Swimming in Strange Waters
- Tales From The Ranch
- Things to Do in Dallas When You're Dead
- Thursday is Resource Day
- Travels Abroad
- @fossilius I didn’t know about the new display at the Perot. Thank you. (The tracks bring back memories of the shor… twitter.com/i/web/status/1… 5 hours ago
- @Afro_Herper #Foundthatlizard , and that’s about as close as one has ever let me get. (I love them, but they’re def… twitter.com/i/web/status/1… 7 hours ago
Monthly Archives: January 2020
Getting the gallery ready for tomorrow’s Chinese New Year gallery open house, finishing up the latest newsletter, and getting started with preparations for the big NARBC reptile show in Arlington on Valentine’s Day weekend…to quote Matt Howarth, it may stop, but it never ends.
Thesis: Just over two decades after Apple changed computer design forever with the first iMac, the technology inside is best described as “quaint”. In 1998, the decision to be the first personal computer to jettison the floppy disk drive was as prophetic as adding a USB connector, but nobody expected the standard cathode-ray tube monitor to itself become completely obsolete a decade later. Downloads and streaming removing the need for CD-ROM drives, the hard drives becoming increasingly obsolete, and more actual processing power and functionality in the first generation of iPhones…22 years after that first 233mHz Bondi Blue iMac hit computer stores, there’s not a lot that the innards can do that can’t be done faster and cheaper with current tech, but that wonderful, beautiful polycarbonate shell is a different story.
Thanks to two former school computers gifted at the beginning of the last decade and a client who really wanted them as plant enclosures, it was time to go back and try making new iTerrariums from two stages of the iMac evolution: one converted from the first-generation Bondi Blue model circa 1998, and one from the much faster 400mHz Graphite model from 2001. Both had the classic handle on the back cut out and used as an access door, but the Graphite had one ring of ventilation holes around the handle that made its conversion much easier. The Graphite also had a plastic cradle that suspended the interior up against a support plate that also held the monitor and the speakers, and since the plate was polystyrene, it didn’t survive its slow journey through the Twenty-First Century in one piece. The original one disintegrated while attempting to fit glass over the monitor aperture: thankfully, I had a spare.
In both cases, quite literally, the bottom plate was relatively easy to waterproof and ready for holding soil mix, even around the ports for the power input and the peripherals. If anything, the Graphite had a smoother bottom thanks to that support cradle, but both were finished, sealed, and readied for the client.
As for lighting, previous iTerrariums used standard 17x LED bulbs because waterproof lights of that intensity didn’t exist at the time. Ah, how the world changes in less than a decade. More light, less heat, and a significantly reduced risk of electric shock, as well as a more modular system where the entire enclosure can be moved much more easily.
In any case, these won’t be the last dead tech conversions to come out of the Triffid Ranch, but these will be some of the last iMac conversions for a while. Worthy iMacs may not be as rare as Eighties-era console televisions, but they’re getting there, and when I go through the last available shells, that’ll be it. The important part is that the client will be happy, and now it’s time to move to other projects.
One week to the Chinese New Year gallery open house, and everything is getting in order. Before then, music.
Because as bad as January can get, we’re still a ways off from purple mohawks and bondage pants…so far.
Among many other things, the ReptiCon Dallas show marks the beginning of a new decade for the Texas Triffid Ranch: we’re now a fifth of the way through the Twenty-First Century, so it’s time to act like it. For the previous decade, the Triffid Ranch got its start at science fiction and horror conventions, and a very selective spread of shows at these will continue. (Anyone who tells you that I’m phasing out Texas Frightmare Weekend shows, for instance, is trying to start something, because so many of the staff and attendees are family in all but DNA, and even then I have suspicions.) This year, though, that expands to a much more aggressive push toward art gallery shows, reptile and amphibian shows (particularly the upcoming NARBC show at the Arlington Convention Center on Valentine’s Day weekend), and museum events. Expect to see a lot more carnivorous plants all over the place, because 2020 is going to get a bit wild.
When coming out to a new event, placement may be everything, but that depends upon what you want to accomplish. Being completely unfamiliar with the venue for ReptiCon Dallas, two adjoining tables at one end of the hall seemed like a perfect spot. These two tables were beneath an overhang and next to a big projection screen complete with a big black curtail, and fellow vendors winced “Oh, they stuck you back THERE?” For most of the reptile and reptile supply vendors out there, the location may have been the kiss of death, but for the Triffid Ranch, it was absolute perfection. The curtain meant that I could sit across the aisle from the tables, talking with customers while others filed by, without worrying about bumping into neighbors or clogging access, and the curtain helped baffle noise from the rest of the room. When I return to ReptiCon, I’m asking for these tables, because I couldn’t have found a better locale if I’d intended to do so.
To be continued…
And so it begins: invitations for the Chinese New Year at the Texas Triffid Ranch open house on January 25 just went out: if you happen to be a member of the arts press, Dallas or elsewhere, who needs one, or if you know of a member who should know, feel free free to pass on a mailing address. For everyone else, you’re all invited, too: in fact, it wouldn’t be any fun without you. As always, admission is free.
It started as a lark. For the last several years, notices for ReptiCon shows in Dallas would arrive in the mailbox, usually literally seconds after scheduling another event for that same weekend. At the end of December, another notice came for a show right after New Year’s Day, and this time, the schedule was free. Load up the van, galumph out to the town of Grapevine, unload at the Grapevine Convention Center, and spend the next two days talking about carnivorous plants with a very tight and cohesive show full of people with a mission: I’ve spent much worse New Year’s weekends doing much worse things.
To be continued…