The spring 2020 NARBC Arlington reptile show is over, but the application for the September 2020 show just went out. Expect a much wider range of plants in September, as the Venus flytraps and North American pitcher plants were still in winter dormancy in February, and expect a whole new range of enclosures as well. Thanks to everyone who came by the booth this time, and I look forward to seeing all of you in seven months.
Astute readers might notice that the enclosures at the gallery and at shows through 2020 so far have nameplates with both basic information on the enclosure and a QR code. Triffid Ranch displays already started phasing out individual business cards as of last year and using QR codes for the main Web site, with overwhelmingly enthusiastic results. The QR codes on the nameplates was based on extensive study of museum display design: the overwhelming number of smartphones today read the QR code with the camera and ask “Would you like to go to (Web site)?” as soon as it’s detected. Among many other things, the individual nameplates are for those who want to take a further look when the booth is overcrowded: take a quick shot and read the enclosure listing at your leisure.
The biggest surprise upon implementing QR codes was with younger attendees: they know about the codes, but overwhelmingly they only see it used for advertising, and advertising for products where they have absolutely no interest, in an attempt to be “edgy”. When they discover someone who uses QR codes that actually impart information, instead of trying to get their email addresses in exchange for a discount coupon, they practically squeal with joy. When I get back to technical writing, this is going to be part of an ongoing discussion on usability that needs to be elaborated further. As Vincent Flanders has been noting for the last two decades, people are willing to use new technology if it actually does something for them, and not because some marketing rep is looking to pad his/her resume with yet more buzzwords. Suffice to say, expect the Triffid Ranch to expand in their use, particularly with more elaborate plant care guides in the near future.
One of the best things about attending the NARBC Arlington reptile show for the last decade is watching the evolution of the venue and the attendees. While Texas had excellent reptile shows on its own in the past, the real conversations involved big shows on either coast of the US, and we were left on the sidelines. The last time I was a vendor at NARBC, back in 2013, one of the regular questions asked by attendees was “Are you going to be at (big East Coast show)?” This time, all focus was on Arlington, with a remarkable number of attendees coming in from outside the state, and some coming from outside the US.
(This leads to an apology in advance: this show and Texas Frightmare Weekend are the two Triffid Ranch shows with a significant number of attemdees who fly in from elsewhere, so a lot of patrons point to a bottle or jar and ask “Could I take this on the plane?” That’s a question I honestly cannot answer, because it depends upon the airline, the baggage handler, and whether or not the TCA rep inspecting your carry-on luggage has issues with you having a flask full of sundews among your lacy unmentionables. The best thing I can recommend is to check two sources before flying out to an event like this: the first is to check with the airline in advance as to its policies about glassware in carry-ons, and GET IT IN WRITING in case someone has an issue during boarding. The second is to check with the state or country to which you will be returning about any necessary inspections or permits needed to bring live plants back home: the last thing any of us want is for you to have your new plant confiscated and/or destroyed because of a regulation or ordinance of which you were unaware.)
This in itself led to interesting conversations with regulars from the NARBC Tinley Park show in Illinois, many of whom hoped that the Triffid Ranch might go transcontinental. Sadly, as much as I would love to attend any show in the Chicago area (I haven’t been in Chicago in 40 years, and a lot of online friends have been nuhdzing about making a trip north for a while), the thought of a trip of that duration depends upon how well the New Orleans Oddities & Curiosities Expo show goes this August. If New Orleans works out, well, it’s high time to head up to Chicago.
It’s been a while since the last time a Triffid Ranch booth appeared at the North American Reptile Breeders Conference show in Arlington: it wasn’t for a lack of interest, but a lack of opportunity. This year, though, it was time to return, both to a new date (the first time since moving to the new gallery space that it was practical or sane to attempt a February show) and to an extensively expanded space at the Arlington Convention Center. Taking over the adjoining hall meant both room for new vendors and much wider aisles between rows than in previous years, both of which were greatly appreciated by new and returning attendees. This meant the largest crowds I’ve ever seen at an NARBC event, and the crowds kept coming all day Saturday and to the close of business on Sunday. Reptiles, amphibians, invertebrates, enclosures and accessories: NARBC had it all, and now it included carnivorous plants.
February and March are already going to be packed with events, but for those wanting to come out to the gallery, please take note that we’re hosting a special Leap Day open house on February 29. Art, jewelry, carnivorous plants, and the opportunity to get in an early celebration of my birthday on February 30. Get your tickets now.
With the opportunity to catch some breath after all was said and done, if this open house was any indication, the year of the Stainless Steel Rat is going to be a good one. Many thanks to everyone who attended, Bistro B for the food (especially the exemplary spring rolls), and Visions of Venice, the best neighbor a boy could ever want. Expect an announcement on the next open house soon: it’s going to be a busy year.
The idea was to celebrate the lunar new year with neighbors and cohorts, and see about making the Year of the Metal Rat more of a Year of the Stainless Steel Rat. Because of a choice entry in the Dallas Observer, this was not just the largest open house to date, it was the most diverse, with folks continuing to visit until nearly midnight. If these get much larger, we may have to move to a warehouse.
The big draw, of course, was a collection of new enclosures making their debut, of which photos will be available shortly. Between existing enclosures going home with customers and new plans to be announced on February 2, they’ll fill gallery gaps quite nicely.
Posted onJanuary 10, 2020|Comments Off on The Aftermath: ReptiCon Dallas January 2020 – 3
Among many other things, the ReptiCon Dallas show marks the beginning of a new decade for the Texas Triffid Ranch: we’re now a fifth of the way through the Twenty-First Century, so it’s time to act like it. For the previous decade, the Triffid Ranch got its start at science fiction and horror conventions, and a very selective spread of shows at these will continue. (Anyone who tells you that I’m phasing out Texas Frightmare Weekend shows, for instance, is trying to start something, because so many of the staff and attendees are family in all but DNA, and even then I have suspicions.) This year, though, that expands to a much more aggressive push toward art gallery shows, reptile and amphibian shows (particularly the upcoming NARBC show at the Arlington Convention Center on Valentine’s Day weekend), and museum events. Expect to see a lot more carnivorous plants all over the place, because 2020 is going to get a bit wild.
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Posted onJanuary 8, 2020|Comments Off on Interlude: Chinese New Year at the Texas Triffid Ranch
And so it begins: invitations for the Chinese New Year at the Texas Triffid Ranch open house on January 25 just went out: if you happen to be a member of the arts press, Dallas or elsewhere, who needs one, or if you know of a member who should know, feel free free to pass on a mailing address. For everyone else, you’re all invited, too: in fact, it wouldn’t be any fun without you. As always, admission is free.
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Posted onJanuary 8, 2020|Comments Off on The Aftermath: ReptiCon January 2020
It started as a lark. For the last several years, notices for ReptiCon shows in Dallas would arrive in the mailbox, usually literally seconds after scheduling another event for that same weekend. At the end of December, another notice came for a show right after New Year’s Day, and this time, the schedule was free. Load up the van, galumph out to the town of Grapevine, unload at the Grapevine Convention Center, and spend the next two days talking about carnivorous plants with a very tight and cohesive show full of people with a mission: I’ve spent much worse New Year’s weekends doing much worse things.
To be continued…
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Posted onNovember 21, 2019|Comments Off on State of the Gallery: November 2019 – Special Edition
A lot has happened in November so far, and more is gearing up for the rest of the month, in what the author Harlan Ellison called “the hour that stretches.” November has always been an, er, interesting month in my life, what with layoffs, moves, new jobs, and more than a few deaths. November 2019 follows in that tradition, and the plan is that the window that opens when the door closes is a greenhouse vent and not an airlock. Yeah, it’s been one of THOSE Novembers.
Anyway, the practical upshot is that appointment availability for Triffid Ranch consultations just became a lot more open. The Nightmare Weekends Before Christmas Saturday night open houses starting on November 30 remain unaffected, but now the gallery will be open a lot more often during the week, too. Just excuse the mess: the events over the last two months (of which no more will be said) interfered with new projects, so the idea now is to rectify that situation. Among other things, this frees up storage space, it gives new homes for older plants to stretch out, and it gives more reasons for all of you lot to come out to multiple Nightmare Weekends to see what’s new THIS time. If you’ve had an eye on a particular enclosure but haven’t made the move to take it home just yet, this may be the perfect opportunity.
And the rest of the year? That’s dedicated both to a wedding anniversary blowout (17 years as of December 28, and people still assume that we’ve been married for weeks) and to getting ready for 2020. This includes a stem-to-stern renovation of the gallery, other essential updates (after all, we’ve been in the space for three years as of February, so we have plans), and scheduling for the largest list of outside events yet. Among other things, a quick perusal of the calendar revealed that next Valentine’s Day falls on a Friday, and between this and Leap Day on a Saturday, it’s time to call some people and plan a multi-venue event. As always, details will follow as they happen: if it doesn’t happen, you’ll never know about it.
Speaking of venues, if you’ve attended an open house and never stepped across the doorway to our neighbor Visions of Venice, consider yourself encouraged to investigate. Besides being the absolute best business neighbor a boy could ever want, the amount of crossover interest between carnivorous plants and Italian glasswork continues to surprise me. Even better, the storefront is open during the week, so don’t be afraid to head out during a lunch break with a whole group of coworkers and peruse the stock of masks and chandeliers. (Yes, they actually go together. Don’t argue with me on this.)
Finally, before loading up the van and heading out to Austin for this weekend’s Blood Over Texas Horror For the Holidays show at the Travis County Exposition Center, a little note: some of you may have noticed that the new URL for this Web site changed to http://www.texastriffidranch.com within the last week. It’s a funny story as the old URL still works, and you’ll have to come out to one of the Triffid Ranch events for an explanation. In the meantime, if you haven’t been exploring through the archives in a while, please indulge your curiosity, as WordPress and Google are fighting over whether or not this is new content. Besides, you don’t have anything better to do the week before American Thanksgiving when you’re trapped at work and everyone else is taking off on early vacations, right?
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And so we come to the end of the 2019 carnivorous plant growing season. (Cue the national anthem.) The cold front that whipped through the Dallas area early Halloween morning saw to that: right now, the Venus flytraps and Sarracenia pitcher plants are already preparing for winter dormancy, and a few days of warmer temperatures in November won’t stop their normal progression thanks to shorter days and longer, cooler nights. Even in the gallery, it’s time to switch to winter hours: all of the timers need to be reset anyway due to the end of Daylight Savings Time, so they’re all being set for about ten hours of light per day so they get a good rest, too. (In March, when the indoor and outdoor photoperiods go back to longer days, we’ll all be glad of it, as the blooming response should be phenomenal, especially with the sundews and bladderworts.) The flytraps and Sarracenia are the big ones to worry about, though: if they don’t get a proper dormancy, they’ll eventually wear out and die, and our freezing temperatures at Halloween just bumped their naptime ahead by about three weeks.
Now, you’d think that with the arrival of dormancy season, everything would shut down over at the gallery. Anything but. The only time this place will be more busy than in November and December will be in January and February. The show schedule definitely doesn’t let up in November: there’s the Deep Ellum Creative Market in Dallas the weekend of November 9 and the Blood Over Texas Horror for the Holidays show in Austin on November 23 and 24. The real fun, as it has for the last four years, starts the first Saturday after American Thanksgiving, with the Nightmare Weekends Before Christmas gallery open houses starting on November 30 and continuing through December 7, 14, and 21. (November 30 and December 1 are doubly auspicious, as these mark the fortieth anniversary of my first moving to Texas and meeting my best friend Paul Mears for the first time, respectively. For four decades, he’s referred to December as “a day that will live forever in infamy” on a personal level, and, well, he’s not wrong about that assessment.) After that, it’s a matter of spending January and February constructing new enclosures, working out the logistics on new shows, and generally getting everything ready for when the flytraps and Sarracenia wake up again.
And speaking of new shows, news that’s had to be held in confidence since the end of August: the Triffid Ranch has three new shows in 2020 through the Oddities & Curiosities Expo folks. Besides the Dallas show on March 28 and the Austin show on June 20, it’s time to hop state borders and bring the Triffid Ranch to New Orleans on August 29. The New Orleans show is going to be the biggest test of event logistics yet: if this works out and I kill neither myself nor plants, then it’s time to try spreading the wealth to new cities outside of Texas. If it doesn’t, at least I’ll have the opportunity to visit with old and dear friends, including many whom I haven’t seen in person since the late, lamented Exoticons imploded at the end of 2000. Win/win. (The date on the Austin show is particularly auspicious, even if it means heading right back out after returning from the Houston Horror Film Festival the weekend before. 2019’s show was impressive but not as packed as 2018, a factor commonly attributed both to the soul-withering heat of Central Texas in mid-August and to classes at the University of Texas starting up the next week. June is much better: as with Dallas, it might even mean that we get a bit of rain that weekend before the summer blast furnace starts in earnest in July.)
Other than that, it’s back to commissions and new enclosures to replace those sold over the summer: keep checking back for new enclosure details. Among many other things, 2019 is the year that I finally enter enclosure photos for the Spectrum Awards. (I know I have no chance in hell of winning an award, but getting stomped and pantsed by the best artists in the field of fantastic art is also an inducement to keep working toward winning.) In addition, keep an eye open for some extra backstory on new and old enclosures: no more details until it’s done, but those familiar with the works of Harlan Ellison may recognize the concept.
As always, the gallery endures: for those coming in late, it’s open by appointment or at regular open houses. If you have particular demands for custom enclosures intended as holiday gifts, get your appointment in NOW. By the time the Nightmare Weekends start, getting additional commissions may be problematic before the middle of January.
Comments Off on State of the Gallery: October 2019
95 days left until the end of calendar year 2019, and the gallery thrives. If you haven’t checked out the Triffid Ranch account on Instagram, you’re missing out on the spectacle that is “Mandatory Simon,” in which my walking brisket of a cat attempts to be as famous as Curious Zelda, but everything else over here can be explained via text. And a lot there is.
To start, October is going to be a very, VERY busy month, and not just because of the vague promise of cooler weather starting around October 5. The celebration of surviving another endless summer starts on October 12, where we offer an alternative to the standard Texas/OU weekend festivities of filling the streets with bodily fluids with the Texas Triffid Ranch Autumn Extravaganza and Open House at the gallery. Not only are the Sarracenia threatening to take over the planet this year (a change of pace, because the Nepenthes had made it THEIR year for a while), but this comes with the debut of several new never-before-seen enclosures and the official debut of others. This will be the last open house until the beginning of the Nightmare Weekends Before Christmas starting December 7, so it’s either here or you’re traveling.
(As an aside to those having attended previous open houses, an apology and a restitution. Discussions have been undertaken with the property management about the church at the other end of the block and its taking up all available parking on weekends for their drunken parties, er, “prayer meetings,” so we now have permission to reserve parking spaces specifically for the gallery during special events such as this. Right now, we can’t reserve more than three spaces, but at least this is a start.)
Actually, I fib, because this won’t be the first Triffid Ranch event in October. The first was just resolved today, with a guest collection of carnivores on display at the Spooky Science On Tap social event at the Fort Worth Museum of Science & History on October 11. As with the Perot Museum in Dallas, any excuse to go to the Fort Worth Museum is a good one, if only for opportunities to pose in front of the life-sized Acrocanthosaurus model in the front of the museum, so make sure to get there early before traffic gets entertaining.
Not like things slow down the next weekend, either. October 19 marks a return to Curious Garden near White Rock Lake in Dallas for an encore of last spring’s carnivorous plant workshop. The last workshop kinda grew from its expected size in a matter of days before the event, and we discovered that the most we could do was two workshops of 20 people at a time. Since reservations in the workshop have to be made with Curious Garden, with no walk-ins accepted, this means you have to get in now if you want to reserve a space. (And yes, we’re planning more workshops. Don’t panic.)
After doing two workshops, it’s time for a rest, right? Oh, that’s adorable. After getting back to the gallery on Saturday, the next Sunday goes to a booth space in the famed Texas Theater in Oak Cliff for the Oak Cliff Movie & Gardeners Party, as a complement to a screening of Little Shop of Horrors on October 20. It’ll be a short show, but a nice change of pace and a good excuse to come out to Oak Cliff. After THAT, though, it’s time for a nap.
In a perfect world, Halloween would fall on a Saturday, so we could throw another open house that day and finish off October the way it was meant to be. The good news is that this perfect world starts next year thanks to our impending February 29 (the day before my birthday on February 30), but we’ll have to make do in 2019. The good side to that the Massacre on Division Street Dark Art Festival in Arlington fills the gap October 26 quite nicely, and the Triffid Ranch will be just one of a plethora of artists for this show. This works out well: we have to do SOMEthing with six months until the next Texas Frightmare Weekend. This is also on the recommendation of a local arts critic whose opinion I take seriously: after the holidays, the number of art shows in Dallas containing a custom enclosure is going to go through the roof.
Finally, I can’t talk about particulars until the official announcement, but if you haven’t been to the Shows, Lectures, and Other Events page in a while, you’ll probably be surprised at the number of outside-of-Dallas shows scheduled for 2020. Going with Nosferatu Festival in Austin and the Houston Horror Film Festival, get ready for several new shows to be revealed on October 31, including the Triffid Ranch’s first show outside of Texas. 2020 will also be the year for a return to the NARBC reptile show in Arlington: that show runs twice a year, so expect a Triffid Ranch booth in September and hope for one in February. Suffice to say, 2020 is also the year to expect an official Triffid Ranch van, because after a decade, it’s finally more practical to buy a van than to keep renting them. And so it begins.
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Posted onAugust 14, 2019|Comments Off on The Aftermath: DFWS FIRST Thrift Convention – 2
One of the more interesting aspects of the recent DFWS FIRST Thrift Convention was watching the culmination of a sea change I’ve observed with shows of this sort for the last decade. The old perceptions of flea markets and thrift fairs are falling apart: why would anyone with access to a smartphone put up with a surly vendor with a pile of broken or heavily worn items at “you won’t find it anywhere else” prices? (I submit that this is a major factor in the ongoing implosion of literary science fiction conventions, too, but that’s a different dangerous vision.) Successful vendors in this new world are engaging vendors, and attendees notice and respond to naked enthusiasm. At this show, a small subset complained loudly about how the word “thrift” was misleading, as there weren’t any spectacular discounts they could steal away and sell on eBay. They were overwhelmed by a very large crowd that was willing to pay an admission fee for an experience, and boy howdy did they get one. The venue itself was a little small, but a lot of intriguing vendors, carrying items that attendees didn’t know they wanted until they saw them, didn’t mind in the slightest.
To be continued…
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Posted onJuly 23, 2019|Comments Off on The Aftermath: Curious Garden Carnivorous Plant Workshop – July 2019
The location: Curious Garden, run by Jason Cohen, a former neighbor when we both lived in Exposition Park in Dallas in the early 1990s.
The project: A carnivorous plant workshop, dedicated both to sharing information on carnivorous plants and to walking everyone through the construction and planting of their personal spoonleaf sundew (Drosera spatulata) enclosure.
The turnout: This was the workshop that kept growing, from one workshop of about 15 participants to two workshops of 20 each, and we very easily could have filled a third if we’d had the resources.
The response: Sometimes the best way to learn is to get hands-on experience instead of just taking notes at a lecture, so the whole enclosure process was set up to explain not just the how but the why of every layer and addition. Several attendees admitted that they had been too worried about getting into carnivorous plants before the workshop, so I now look forward to seeing their own contributions to carnivorous plant horticulture. (It may be time to talk to friends about setting up meetups for a local branch of the International Carnivorous Plant Society, because the number of Dallas and Fort Worth enthusiasts is hitting critical mass.)
The aftermath: After the second workshop, we still had more people stopping by to ask about the next one, so Jason and I are working out the details right now. Right now, we’re shooting for either August 31 or sometime in October. Look for details in the very near future.
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Posted onJuly 1, 2019|Comments Off on The Aftermath: Triffid Ranch Open House -June 2019
Three shows in three weeks, a weekend off for gallery maintenance, and then an open house to celebrate the end of June. Never mind that the “weekend off” combined a dead air conditioner in the house with a particularly pernicious bout of summer bronchitis, making any work that weekend other than slow suffocation impossible. It all still worked out, with even larger and more diverse crowds at the June open house than ever before. Combine this with the debut of two new commissioned enclosures and a whole load of very happy Cape sundews and Nepenthes ventrata pitcher plants, and everyone went home happy. Even the now-expected cloudburst was reasonably light and brief.
As for plans for July, this is a month to concentrate on getting through August, focusing mostly on a new commission that should be finished around the time of the Curious Garden carnivorous plant workshop on July 20. After that. It’s shows on August 3 and August 17, and then our fourth anniversary open house on August 24. We have a lot to celebrate then, so schedule your time accordingly.
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Posted onJune 28, 2019|Comments Off on The Aftermath: 500x Gallery Hot & Sweaty 2019
All is said and done. The Hot & Sweaty 2019 open show at the 500x Gallery was a success on two levels. Firstly, the very enthusiastic response to the two enclosures put on display, particularly during the show opening, suggests that a deep dive into research on science art shows and exhibitions is something that needs to be done this summer. At the very least, the Hot & Sweaty proved that carnivore enclosures on display need two cards: one on the construction, and one on the natural history of the plant on display. I’m not ready to manage or curate a separate exhibition of science and engineering art, but it may be time to track down somebody who is.
And the other level? Something about the 500x was very encouraging to both of the plants on display. I’m used to Nepenthes ampullaria going through sudden growth spurts with little to no warning, but the Cephalotus pitchers on display in Antarctica in Decline just exploded. I don’t know if it was due to additional light in the new gallery, increased carbon dioxide, or the simple fact that Cephalotus are attention hounds and simply got their fill, but I’m going to have to try this again.
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Posted onJune 17, 2019|Comments Off on The Aftermath: 500x Gallery Hot & Sweaty 2019 Open Show
After years of little weekend shows and events, the Texas Triffid Ranch has arrived: enclosures exhibiting in an established gallery. The 500x Hot & Sweaty open show, at one of Dallas’s most famous galleries, had a wide variety of submitted art in different media and formats, but I was confident at the beginning that it probably wouldn’t have any science art or science-inspired art. At the Hot & Sweaty opening on June 8, not only did that make the two submitted enclosures unique, but the response suggests a combination of art show and museum exhibition, with either interactive displays or live provosts to explain the science side of displays for those unfamiliar with the background.
Hot & Sweaty 2019 ends on June 23, but don’t let that stop you from coming out during the week and weekend. The 500x is open on Saturday and Sunday from noon to 5:00, and open during the week by appointment. If you’ve wanted to view a Triffid Ranch enclosure but haven’t been able to make an open house, here’s your chance.
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Posted onJune 4, 2019|Comments Off on State of the Gallery: June 2019
It’s hard to believe what’s changed with the Triffid Ranch since 2015: it was four years ago this month that wandering through an ArtWalk at Valley View Center meant coming across a freshly vacated space at the dying mall that looked like a perfect place to start a carnivorous plant gallery, and everything snowballed from there. Four years of late nights, early mornings, mad dashes to the space after the Day Job was done, road trips for plants or gear, massive remodelings and rearrangings, and it’s all been worth the effort. The gallery isn’t absolutely perfect (I certainly wouldn’t complain about another 1000 square feet for growing area and a loading dock), but compared to where it started, it’s getting there.
The irony of the situation is that getting word out about the gallery requires leaving it. For all of the noises about online promotion and publicity, people have had nearly a quarter-century to get used to ignoring online ads, and nothing beats getting out for shows and events and letting them see what makes the Triffid Ranch unique. The plan all along was for the gallery to act as a base for shows throughout the area and the state, but who had any idea that things were going to get so busy this year?
As for those shows, things go fast and furious in June. The last Garland Urban Flea in downtown Garland, Texas was flooded out, and the makeup day was held at the same time we were already scheduled for an event in Denton. (Let us not talk about the event in Denton: there’s a big difference between an actual music festival and a gaggle of hipsters who decide “Let’s put on a show!”) The Urban Flea is getting back onto its normal schedule, though, with this month’s event on June 8 from 9:00 to 4:30, right in the middle of downtown Garland. And speaking as a proud resident for the last near-decade, if your sole impressions of Garland come either from passing through in the 1980s or that quip in the movie Zombieland, I think you’ll be nicely surprised. (As always, with any outdoor show, serious weather may delay or shut down the whole thing. The good news is that as of June 4, the Dallas area gets a lot of rain before and after, but Saturday should be absolutely beautiful. As always, though, we’ll see.)
In unorthodox events, right after packing up everything at the Garland Urban Flea, it’s time to head back to old stomping grounds in Dallas’s Exposition Park. The 500x Gallery on Exposition Avenue, on the approach to the north entrance to Fair Park, just celebrated its 40th anniversary, and its Hot & Sweaty show every year is famous for its opening to anybody willing to drag art through the front door at the scheduled times. While the show runs every day from 12 noon to 5:00 until June 24, the opening on June 8 runs from 7:00 to 10:00, meaning that it’s a perfect opportunity to come by and view two sample enclosures for those who haven’t had the opportunity to come by the gallery. Besides, speaking as a resident of Exposition Park in the early 1990s, it’s always good to get back to the neighborhood.
(And the work keeps coming, by the way: after the 500x opening, it’s back to the gallery to finish up a slew of commissioned works, and to allow official Triffid Ranch photographer Allison David to get good photos of the current enclosures for a portfolio going out for the official fourth anniversary in September. To steal from the famed comics artist Matt Howarth, it may stop, but it never ends.)
The weekend after this gets even more interesting, as it’s time to go back to the Swizzle’s Tiki Lounge in Industry Alley Bar just south of downtown Dallas for the Swizzle’s Waipuna Tiki Flea on June 15. Last year’s show was unexpectedly show by comparison, as I was told by organizers and attendees alike, probably due to the cold drizzle running all day and most of the night. This year, there’s no excuse, weather-wise.
After that, it’s time to take a break for one weekend, if only to mow the lawn and brush the cats. That breath-catching is in order to finish up everything for the next Triffid Ranch open house on June 29 from 6:00 to whenever we kick out the last people. If you’ve been out already, you already know the drill, but for those popping into Dallas for work or fun before the heat really kicks in, this is the time to see the plants in air-conditioned comfort among fellow carnivorous plant enthusiasts.
Oh, and before I forget, one extra bit of good news. One of the many pleasures of this last May’s Texas Frightmare Weekend (and we’re already gearing up for the 2020 show) was running into Bunny Voodoo of Blood Over Texas in Austin, and Bunny had the particulars on this coming November’s Horror For the Holidays show. It’s still running the weekend before Thanksgiving, but because of its increasing number of vendors and attendees, it’s moving from Come and Take It Live to the Travis County Expo Center. That means that Horror for the Holidays runs for both Saturday and Sunday, this year, meaning both that attendees have more flexibility with their schedules and we vendors don’t have to set up and tear down just in one day. This means that you can expect a lot more surprises this November, but you’ll have to wait until then to find out what they are. This also means that the Triffid Ranch is moving further out of Dallas proper: between this and the Oddities & Curiosities Expo in August, this marks two shows per year in Austin, with plans to move to Houston and San Antonio as soon as venues and opportunities allow.
And on the subject of August, the Triffid Ranch will go a little quiet in July, partly because of the heat and partly because of the need for new enclosures after this sort of June. However, it’s going to be busy from the beginning of August all the way to the end of the year, so keep checking the event calendar. It’s going to fill up: mark my words.
Posted onMay 21, 2019|Comments Off on The Aftermath: Texas Triffid Ranch Gallery Open House -May 2019
Best-laid plans and all that: after the last few blowout shows, it was time to come back home and let showgoers see the larger enclosures and talk about commissions. No huge new enclosures to debut: this was going to be a quiet open house, with no drama or outside influences. We knew that we might get some rain, but we had no idea how much rain.
Shortly before the open house started, pretty much everything in a line from South Texas to northern Iowa was blasted with a line of thunderstorms that threatened to blast everyone in its path to Oz. (Well, everyone else was hoping for Oz: I had bets on Lankhmar, Imrryr, or Ulthar.) This, of course, followed a four-year tradition of open houses and ArtWalks scheduled months in advance that coincide with flash floods, so we were prepared. Not so much the rest of Dallas: half the city faced blackouts, mostly due to falling or flying trees, and we’re still cleaning up broken beleanches, downed telephone poles (are they still used for telephone lines, I wonder?), and mudflats.
Even with all of that, it was still an enthusiastic turnout, seeing as how we still had power and thus refrigeration and air conditioning. (After a storm of this magnitude, the general air quality in Dallas is best described as “too thick to breathe, too thin for waterskiing.”) Naturally, we welcomed anybody willing to brave subsequent storms, and a grand time was had by all.