Tag Archives: iTerrarium

Interlude: A Matter of Conversions

Thesis: Just over two decades after Apple changed computer design forever with the first iMac, the technology inside is best described as “quaint”. In 1998, the decision to be the first personal computer to jettison the floppy disk drive was as prophetic as adding a USB connector, but nobody expected the standard cathode-ray tube monitor to itself become completely obsolete a decade later. Downloads and streaming removing the need for CD-ROM drives, the hard drives becoming increasingly obsolete, and more actual processing power and functionality in the first generation of iPhones…22 years after that first 233mHz Bondi Blue iMac hit computer stores, there’s not a lot that the innards can do that can’t be done faster and cheaper with current tech, but that wonderful, beautiful polycarbonate shell is a different story.

Thanks to two former school computers gifted at the beginning of the last decade and a client who really wanted them as plant enclosures, it was time to go back and try making new iTerrariums from two stages of the iMac evolution: one converted from the first-generation Bondi Blue model circa 1998, and one from the much faster 400mHz Graphite model from 2001. Both had the classic handle on the back cut out and used as an access door, but the Graphite had one ring of ventilation holes around the handle that made its conversion much easier. The Graphite also had a plastic cradle that suspended the interior up against a support plate that also held the monitor and the speakers, and since the plate was polystyrene, it didn’t survive its slow journey through the Twenty-First Century in one piece. The original one disintegrated while attempting to fit glass over the monitor aperture: thankfully, I had a spare.

In both cases, quite literally, the bottom plate was relatively easy to waterproof and ready for holding soil mix, even around the ports for the power input and the peripherals. If anything, the Graphite had a smoother bottom thanks to that support cradle, but both were finished, sealed, and readied for the client.

As for lighting, previous iTerrariums used standard 17x LED bulbs because waterproof lights of that intensity didn’t exist at the time. Ah, how the world changes in less than a decade. More light, less heat, and a significantly reduced risk of electric shock, as well as a more modular system where the entire enclosure can be moved much more easily.

In any case, these won’t be the last dead tech conversions to come out of the Triffid Ranch, but these will be some of the last iMac conversions for a while. Worthy iMacs may not be as rare as Eighties-era console televisions, but they’re getting there, and when I go through the last available shells, that’ll be it. The important part is that the client will be happy, and now it’s time to move to other projects.

State of the Gallery: February 2019

Anniversary time at the Triffid Ranch. As of next week, it’s been two years since we packed up the last of the stuff in the old gallery, swept out the floors, handed in the keys, and drove the moving truck one last time to the new location. Oh, there was sadness that last day, as sheetrock barriers went up and all of us departing artists shook hands and wished each other the best. Two years later, the last of the stuff frantically put on shelves and in closets to make room is FINALLY getting put in proper locations. That’s perfect, considering the number of new commissions and projects that need to go out the door in 2019: the best thing for any artist isn’t about finding room to show off the latest project, but in working on new projects to replace the projects that just sold. Between a superior location and less commute time from the Day Job to the new gallery every day, this simply wouldn’t have been possible if we’d stayed at the old Valley View spot. And should I mention the new airbrush station?

(And as an aside, I thank everyone who keeps forwarding Dallas Morning News columns about the ongoing non-demolition of Valley View Center, but it’s time to let it go. I say this not only because, as is Dallas’s fashion, the current spate of lawsuits involving the property pretty much guarantee that nothing’s going to happen to the mall for years and possibly decades, until the cases are resolved or the grandchildren of everyone involved decide it’s time to get a real job and move on. It’s also because the only person who really cares any more is the James Lipton of Fandom over at the Morning News, because he had so much pinned on being able to get into the promised Midtown mall before anybody else. The mall that, based on his ecstatic front-page press release transcriptions in 2016, was supposed to be finished with initial construction and moving in tenants by now. I understand his attachment to memories of Valley View: his first swirly, the first time he pitched a fit about getting freebies he claimed he was going to review, the first time high school classmates told him to wait for them at Valley View so they could go to Prestonwood or the Galleria in peace without his obsessively yapping about Star Trek and comic books…I understand. I know the feeling all too well, and I got a life because that vague nostalgia for something that wasn’t all that great doesn’t accomplish a thing. However, considering that every column on Valley View still has the same underlying theme of “Do you know who I am? I used to have my own CABLE SHOW!”, reading any more goes contrary to my favorite Bible passage, Proverbs 26:11. If he’d had any concern for the artists and retailers being forced out of Valley View before last month, instead of crowing about its demolition, I might feel a bit differently, but that change was only because of his butthurt over the mall’s owner not returning his phone calls, and not because he gave a damn about Dallas artists and retailers. End rant.)

Anyway, the rest of February and the beginning of March are going to be a bit quiet, but only in the way setting the right seismic charges deep within the Earth’s crust is quieter than the resultant eruption of a significant portion of that crust into orbit as our newest moon. In addition to several commissions, this time of the year is vital for getting everything ready for spring. Cleaning out the Sarracenia pools, checking the rainwater caches, getting seeds for carnivores and peppers stratified before temperatures rise…it may stop, but it never ends. That affects the upcoming show schedule, too: as mentioned last month, we made the hard decision to pull out as vendors at March’s All-Con, mostly due to Day Job commitments that made appearing at a four-day convention impossible. Right now, the first Triffid Ranch show of the year will be at the Dallas Oddities & Curiosities Expo in Fair Park on March 30, and we’re awaiting word about the standby list for a big show shortly after that. As we hear more, we’ll pass it on.

I’ll also add that things get even more interesting on those commissions, because sometimes having to sit on something for a while yields unexpected benefits. Nearly a decade ago, what started as a vague suggestion from a cohort turned into a major project to convert an old first-generation iMac into a working and useable plant enclosure. The resultant iTerrarium led to a bit of coverage and a lot of smartaleck comments (including one Cat Piss Man who sat in front of my booth at the 2012 All-Con repeatedly snarking “That’s the one good use for a Mac” until I got up to confront him: I wonder what happened to him?), and other projects got in the way. Well, never underestimate late 1990s nostalgia, because I was just commissioned to do several more. Best of all, because of serious changes in in both lighting and painting technology, it’s possible to do these with higher light levels, lower heat buildup, and less general maintenance. Expect details within the next month, as I make the developers of white-light LEDs just a little bit richer.

Events past and present

Now that the Halloween insanity is over, you’d think that gardening season joins it. It may for those in northeast North America (my friend Joey Shea just sent me a picture of a little girl with a jack-o’-lantern atop a snowman, thereby setting the stage for The Nightmare Before Christmas 2: Oogie Boogie Strikes Back), but we’re still good for another four to eight weeks. Heck, now’s the time to get prepared for next spring, and I’ve already had my next-door neighbor give me some really odd looks upon watching me throw purloined bags of grass cuttings over my back fence. I tell him “it’s for the Czarina’s tomatoes next year,” but I don’t think he believes me.

Now’s also when lecture season really kicks in, before all of the temperate carnivores go into winter dormancy and the tropical ones need to move indoors. I’ve done a lot of talks and lectures in the last few years, but I have to say that last Thursday’s talk at the Episcopal School of Dallas had to have been one of the best of the lot. The only thing better than showing off carnivores to a gaggle of extremely curious and exceptionally intelligent kids is discovering that most had already been taking Latin, so they understood exactly why I started lapsing into Linnean binomial nomenclature. When discussing the four different and very distantly related groups of plants commonly referred to as “pitcher plants”, that’s vital.

(Sadly, I had no pictures of the lecture, even though the Czarina brought out the camera. She got a bit involved with passing around plants, and I don’t blame her. She also got great enjoyment off watching the girls in the front of the lecture room wince and make “eww” noises when talking about sundew feeding habits, because they were listening to every last word. I wouldn’t be surprised if we hear from a few of them in a few years, making serious contributions to natural history after being inspired by those sundews.)

The only problem with the ESD lecture was that it was far too short, which can be a problem when discussing the sheer variety of carnivorous plant habits, environments, and capture and digestion strategies. This weekend’s Discovery Days: Discovering Reptiles & Other Critters event at the Museum of Nature & Science in Dallas’s Fair Park should take care of that. Look for the Triffid Ranch table within the lofty environs therein on Saturday and Sunday until 5 in the afternoon, feel free to let your kids bring grown-ups, and don’t be afraid to let the grown-ups ask lots of questions. I’ll probably be mute by Sunday evening, but it should be a blast in the interim.

And speaking of the Nightmare Before Christmas motif, we’re now 25 days away from the MetroPCS Fair Park Holiday show, hosted by Friends of Fair Park. If things go quiet between now and then, it’s because I’ll be at work on Capsicum pepper bonsai and iTerrariums. Look at it as a live rendition of the Day of the Triffids Holiday Special, and come on out.

The party’s over

The party at FenCon VIII is over for this year, and the next big Triffid Ranch presentation starts on November 5 at the Museum of Nature & Science’s Discovery Days: Reptiles and Other Critters weekend in Dallas’s Fair Park. This year’s FenCon was an interesting mix: so many people from my old writing past came by that the show started to resemble a Dallas Fantasy Fair reunion, along with a lot of kids. The latter were the greatest joys, because they always had great questions or anecdotes. (For instance, the son of one of our fellow vendors had an acquaintance who was snagged by “some weird plant,” and we managed to work out that his acquaintance was nearly the victim of a devil’s claw.) Among other premieres:

de Marigny (2011)
de Marigny (2011), $350
Remember the conversion effort on that Eighties-era hexagon tank from a while back? Here’s the final effect. This set includes a custom-cut glass top to keep in humidity and prey animals, and it contains a Nepenthes bicarcalata pitcher plant, a spoonleaf sundew cluster, and appropriate statuary. The top is arranged so that it can be used in conjunction with standard high-intensity reptile enclosure lighting, or (preferably) natural sunlight.

Uncle Sam's on Mars
Uncle Sam’s On Mars (2011), $35
The Viking 1 lander model was one for which I’d been searching for years. The clay bonsai pot was one I’d had for years, but that needed just the right elements for it to work. The Crassula in this low-key saikei arrangement is some strange hybrid that I haven’t been able to identify, but that demanded to be included with this pot and this model. Together, they’re a reminder of the Mars explorations that almost were.

iTerrarium Mark II
iTerrarium Mark II (2011), $150
Some may remember when David Shaw proudly showed off the first-generation iTerrarium, my efforts to reuse the nearly indestructible polycarbonate shell of a second-generation iMac. After cutting and buffing the rear handle into an access hatch to reach the interior of the iTerrarium, it was fitted with a single light socket for a compact fluorescent bulb (23 watts for carnivores) and a thermometer and humidity gauge on the inside. The iMac in question was a DV SE G3/400, so it still retains the original transparent graphite rear shell. Future versions will include custom paint on the rear shell (to both block and reflect excess light and to do something with the original Bondi blue shell), latches on the rear hatch to secure it for use for reptiles and amphibians, and electronic temperature and humidity gauges.

Well, that’s it for the moment, but it’s a start. Just wait until I’m done with the new projects for the Fair Park Holiday Market this coming November.

EDIT: You know that I’ve been married to the Czarina for a while when I start picking up her propensity for reasonably witty or at least memorable puns. Normally, I loathe puns, but describing the act of packing up everything and loading it into the cargo van on Sunday as a “Jenga tu Madre,” though, just fits.