The Texas Triffid Ranch Occasional Newsletter and Feedlot Clearance Sale – #25

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Installment #25: “Chicago: City of the Future!”

Originally published April 1, 2021

Last year, the plan for the Triffid Ranch was to start moving outside of the Dallas area. Shows in Austin, Houston, and San Antonio were a given, but the original idea was to expand to the first show outside of Texas with a debut at the New Orleans Oddities & Curiosities Expo last August.. Explanations as to why might be needed…for someone whose TARDIS broke down in mid-Devonian Greenland, and the wait for rescue was just long enough that getting up to speed in the present was too much aggravation. (And don’t worry: my grandmother is fine. She even rescued her favorite umbrella.) Suffice to say, with early plans to restart shows and events in 2021, a lot of events were kicked to autumn, and so many had no option but to schedule themselves on the very same weekend as others. (For instance, as much as I would love to show plants at the Deep Ellum Arts Fest, after finally making it through the backup list, this year’s Arts Fest runs the same exact weekend as Texas Frightmare Weekend, and Frightmare obviously takes precedence.) Combine that with a new day job to keep the plants in light and food, and that 2020 schedule looks a little threadbare.

Not to worry, though. The big out-of-state event was just upgraded. The Triffid Ranch is going to Chicago!

Very technically, it’s “going back to Chicago”: I lived in the suburb of Hazel Crest for a year, from the end of 1978 to 1979, where a lot of interesting stuff happened. John Gacy, filming of The Blues Brothers, the Blizzard of 1979, and the moment when two local film critics by the names of Roger Ebert and Gene Siskel took their discussions on movies and movie trends to PBS. On a very personal level, this was when I personally encountered my first carnivorous plant: a Venus flytrap purchased in a local garden center. (As I relate at shows and events, it was doing great in Chicago, and then my family moved to Flower Mound, Texas at the end of 1979. The first time I watered that flytrap with Flower Mound tap water, the plant died within an hour, and I didn’t discover why for another 23 years.) Other than passing through in 1982 on the way to Michigan, and one transfer through O’Hare Airport in 1999, the opportunity to return hasn’t been available since then.

As for the event, it’s Chicon, the 80th World Science Fiction Convention, being held the weekend of September 1-5. Right now, everything other than the actual trip is tentative: I’ve volunteered for programming and for art show presentations, and current logistics involve figuring out how to move a truck full of carnivorous plant enclosures closer to the 45th Parallel than I’ve traveled in at least a decade. And yes, someone has already made the joke about the 300-pound Sontaran attorney.

One of the bigger reasons why this is so intriguing isn’t just to meet Chicago online friends in meatspace for the first time, and inflict silent vomiting in a few attendees assuming that I’m returning to pro genre writing. (As I tell my parents when they nag about moving “back” to Wisconsin, a place I left 35 years ago in May, I’ll return the moment the Dallas Cowboys win a shutout World Series pennant, and not a second earlier.) It’s also because of several cohorts who pointed out that the IGC Show, the country’s largest independent garden center show and convention, runs roughly at the same time. With news that the IGC Show might not have a 2021 event due to Illinois COVID-19 lockdowns, this leads to all sorts of mischief, er, plots, um, ideas. Yeah, IDEAS.

The reality is that both the concept of Worldcon and the IGC Show could use a boost, particularly to attract new audiences. Right now, both tend to skew toward the older side of the US demographic bell curve: I’ll be 56 when Chicon starts, and I’ll probably still be in the bottom 10 percentile of attendees sorted by age. (Thankfully, it won’t compare to the San Antonio Worldcon in 2013: for multiple reasons, I skipped out on being a vendor at San Antonio, and one of the most prominent was “If I wanted to waste a perfectly good birthday weekend listening to a herd of seventysomething xenophobes cry impotently about how the world changed without their written permission, I’d go to a family reunion.”) They both tend to be rather insular, with a lot of attendees worrying about the way things should be instead of what their customers really want. So why not merge them?

Hear me out. Anybody going through a publisher catalog, especially from science fiction publishers such as Baen and Tor, notices that science fiction needs a lot more biology, a lot more flowers, and a lot more exposure to interesting symbiotic and paraparasitic relationships. Anyone going through a garden center catalog notices that garden centers really need a lot more in the way of mysterious and surreal sculpture and topiary. A joint literary science fiction/garden center convention is the Reese’s Peanut Butter Cup of pop culture: these two need each other more than they realize. Just look at these talking points:

Dealer’s Rooms. Worldcon not only needs a much wider variety of items for sale in its dealer’s room, but items that convince the longtimers to leave the bar for a while. The IGC needs items for sale and order for those desperately sick and tired of the twee in garden ornamentation. Roses, Tillandsia, carnivores, fluorescent minerals. Swords, dragons, robots, and wrecked starships. Plan things right, and edge out the book dealers who just sit in the corner and grump at anybody wanting a book published after 1970, and dealers on both sides would make a killing.

Music. The IGC Show is famed for its regular free rock concerts for all attendees, usually from acts who last hit major radio airplay back in the days of Reagan and Thatcher. Half of rock music of the last half-century has at least some influence from genre themes. DragonCon in Atlanta already has a reputation of (a) running on the same weekend as Worldcon and (b) hosting big concerts for attendees, so this is a perfect opportunity to amp things up slightly and get the longtimers out of the bar. I recommend a headliner of GWAR.

Cooking. Not only does Chicago offer some of the best cuisine in North America, but the IGC Show has lots of panels and demos involving new and existing vegetables and herbs. Worldcon attendees, though, have a reputation of being perfectly happy with $15 overcooked hot dogs from the convention hotel restaurant. Hot peppers, rosemary skewers, mesquite wood, wonderful cooking scents from the food tents out in the parking lot and inside the hotel, and something something out of the bar. 

Costuming. Okay, so the costumes at the IGC Show are accidental. Worldcon, though, has a reputation for attendees creating their own costumes that goes back all the way to the beginning of science fiction fandom. Lots of cross-pollination, pun intended, here: Triffids, Delvians, vargas, Krynoids, Vervoids, Vegetons, Pink Bunkadoos, Violet Carson roses, and Slaver Sunflowers, and who knows what attendees will think up after coming across hammer orchids, triggerplants, and cycads. And let’s face it: every garden center show could use at least a few Freeman Lowell and Dr. Pamela Isley cosplayers, just to make things interesting.

Okay, we have 17 months to make this happen, or die trying. And if it doesn’t happen in Chicago, it might have to be done, to a suitable scale, in Dallas. Heh heh heh.

Other News

Since all of the plants that survived February’s freeze are starting to emerge, it’s time to start up spring video presentations, particularly as the sundews, flytraps, and pitcher plants start blooming. Naturally, teachers, museums, or anybody with an audience of interested bystanders looking for something different are welcome to send an email to discuss setting up a unique virtual experience. (Now is also a great time for print, online, television, and/or radio interviews, too, because things might get a bit more exciting as the growing season gets going.)

Shameless Plugs
 
Well, the old computer had reached its planned end-of-life shortly after I received it, and that was a decade ago, so a new computer was called for, because there’s a lot that can’t be done with an iPad after all. Among many other things, this gave the opportunity to purchase the whole of the Affinity professional creative suite, Among other things, this gives the opportunity to start working on PDF zines on carnivore care, and some of the publishing options are going to be dangerous. Watch this space.

Recommended Reading
 
Regular readers already know about my love of wasps, and the book Wasps: The Astonishing Diversity of a Misunderstood Insect by Eric R. Eaton. Besides being loaded with interesting wasp information, this book is one of a dying breed: a book that starts at a level of “almost no knowledge about the subject in the reader’s mind” without being patronizing or childish. If anything, the section on wasp fossils and relationships is worth buying it alone, because the illustrations and photos are absolutely top-notch.

Music

In the ongoing quest for both work music in the gallery and tunes for the bike ride to the gallery, the band T3rr0r 3rr0r kept turning up, much to the distress of anyone hearing it seep out from headphones. No matter: more for me. This is the soundtrack the 1990s were supposed to have, back before everything turned into dotcoms and whiner rock.

The Texas Triffid Ranch Occasional Newsletter and Feed Lot Clearance Sale #25 is copyright 2021 by Paul Riddell, and may be reproduced in its entirety and forwarded at will. The Texas Triffid Ranch is Dallas’s pretty much only carnivorous plant gallery, located in scenic Richardson, Texas, and is open by appointment. More information is available at www.texastriffidranch.com. Since nobody else read this far, the key for the device can be found on page 44 of the book Didn’t You Kill My Mother-In-Law? by Roger Wilmut and Peter Rosengard. It’s page 44: page 42 is a trap that initiates detonation immediately.

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