Tag Archives: Texas Frightmare Weekend 2022

And like that, it was over. Texas Frightmare Weekend has always been a blowout of a show, from the first Triffid Ranch table back in 2009 to now, but 2022 was far and ahead the most successful show to date, and now it’s time to plot and scheme to do even better. That’s as much of a tradition as bringing doughnuts for the Frightmare crew, and one I want to keep going for as long as possible.

On that note, many thanks need to go to the Frightmare crew, starting with Loyd and Sue Cryer for their leadership and going through the army of staff, security, and support that make Frightmare happen every year. It’s been a rough couple of years for everyone, and some folks weren’t here to help us celebrate the end, but in their memory we’re all going to make 2023 even bigger than ever.

So what’s the plan for the future? Well, the first is that it’s time to move to a larger table space for 2023, as can be judged by what little is left in the photos above. All of that, of course, is contingent upon making the cut in vendor selection next year (in order to give as diverse a selection of vendors as possible, vendors are carefully curated each year, and everyone has to reapply as if this was their first show), but Danielle and I discussed some possibilities in both presentation and selection that should surprise and delight. With luck, a lot of the distribution issues that brought everything down to the wire this spring will be minimized or reconciled in 2023, and certainly all of the tribulations of the first half of 2022 aren’t going to happen again any time soon. Until then, many thanks to everyone who came by the Triffid Ranch table, even the Spy Clown, and get ready for some major new changes next May.

Fin.

One of the many Triffid Ranch services that’s not exclusive to Texas Frightmare Weekend, but that gets a lot of use here, is the holding service. Essentially, a lot of customers want to purchase plants early on, but need to leave them at the table for the duration of the show. Sometimes it’s because they’re staying at an overflow hotel (and this year, Frightmare had a LOT of overflow hotels) and they don’t want to risk the plant being damaged, sometimes it’s because they won’t have room in the car until the end of the convention, and sometimes it’s as simple as not wanting to lug a big contraption of glass and peat around a big crowd all weekend. To facilitate customer convenience, I’ve developed a system that works extremely well: upon purchase, the customer gets a ticket asking for name and phone number, which gets put onto the plant’s ID tag. If 4:00 on Sunday rolls around, the customer gets a friendly call to remind them that they still need to take their plant home. In the last decade since Frightmare set up at its current location, I’ve had to call maybe five people, and generally they all get their charges before we have to start breaking down at 5:00.

Eventually, this was going to have a slight hiccup, and that came with a customer with phone problems. The hotel, like so many other 1970s/1980s semi-Brutalist constructs, was built when nuclear war was a more realistic future shock than handheld universal communication devices, so calls drop and calls never get through. Eventually, though, our buyer was able to come by the gallery to get her new plant, and everyone was greatly amused by the resolution.

Here you go, Wendy. That pot belonged to my late mother-in-law, and she’d have been thrilled to have learned how happy you were with it.

To be continued…

One of the really nice things about being a vendor at Texas Frightmare Weekend is that there’s absolutely no telling who’s going to show up to say hello. I’ve had people I haven’t seen in thirty-odd years drop by (yet another reason why Frightmare needs a revival of the old Dallas Dawn of the Dead audience participation midnight shows), I’ve had the kids of high school classmates pass on regards, and I’ve had a lot of guests stop by to see what’s what. This usually ends very well: there was the time when I came around a corner with a cart full of plants on Sunday morning to hear “Wow! Pitcher plants!” and nearly literally ran into Mark Rolston admiring the Sarracenia. What I didn’t know was that he’s a serious plant enthusiast, and I introduced him to the sole Roridula I had at the time, and we were on such a roll that his handlers nearly literally dragged him away to get him to his first event in time. This happens a lot on both Friday (when vendors are first setting up and guests are getting an idea of where they need to be) and on Sunday (when everyone finally gets a chance to see what everyone else is doing because we’re all still in a bit of shock from Saturday), and the only issue on Friday is that you get caught in great conversations right when you also need to finish emptying the truck at the loading dock and give someone else a chance to unload.

So, the Lance Henriksen story. What most people don’t know is that in addition to his extensive and lively acting career, Mr. Henriksen also has a well-deserved reputation as a potter, and I’d always wanted to talk to him just on that. Well, I got my chance, kinda: as Danielle and i were getting set on Friday afternoon, who else should walk up and ask “Are these real plants?” but one of our guests of honor. Quick explanations, and then back to the loading dock to finish dragging plants in, with a promise to go into detail if he had the chance to come back. If he didn’t, this was understandable, because we’re all busy, this is work for guests and vendors alike, and there’s so much to see at Frightmare that it’s easy to forget the last wonder you spotted when looking at the next.

Anyway, a very nice couple came by on Saturday to buy a purple pitcher plant, and then they came back a couple of hours later to get another. This happens regularly, but they had a better explanation than simply “We wanted another to keep the first one company.” They were in line for an autographing session, Mr. Henriksen saw their Sarracenia purpurea, and bought it off them since he wouldn’t have time that day to come by himself. So far as I know, it’s now in his house, enjoying the Los Angeles breezes, and if anyone involved with the Los Angeles Carnivorous Plant Society is reading this, you should be getting a very distinguished guest at your next show and sale. I made sure to pass on that information.

To be continued…

One of the better surprises at this year’s Texas Frightmare Weekend involved something of which nobody had any control. Most years in the Dallas area, dormancy among temperate carnivorous plants is a holiday affair: no more temperate carnivore sales after Halloween, everything is well-established in the beginnings of dormancy by Thanksgiving, and everything stays quiet until the first signs of bloom spikes around St. Patrick’s Day. This means that the height of blooming is around the middle of April, and by Frightmare’s traditional opening by the first weekend of May, most of the blooms are already spent. This year, though, we had a reprise of the funky cold waves of 2015, with big multi-day subfreezing shocks at the end of February and in the middle of March, causing everything to reset. This meant that the earliest bloomers, such as Sarracenia flava and its hybrids, still had a few extant blooms by the end of April, most temperate carnivores (most Sarracenia, threadleaf sundews), were just getting going, and others such as Venus flytraps and Sarracenia leucophylla pitcher plants were just waking up. Even now, over a week later, Venus flytrap blooms are only now starting to open, the triggerplants are growing back but generally without blooms, and the leucophylla finally have their first pitchers of the season.

What it meant for Frightmare, as in 2015, was that attendees got to see not incipient Sarracenia seed capsules but flowers in their full glory, giving a view of what a particular plant looked like in bloom and with pitchers. Sarracenia blooms already look bizarre enough to be mistaken for traps themselves, so that added just a little extra spice to the proceedings. It’s always great when a touch of atmospheric serendipity improves the whole Frightmare experience, especially for kids that never had any idea that carnivorous plants bloomed at all.

To be continued…

To start off this story, let me introduce everyone to Danielle. Danielle started as a longtime Triffid Ranch customer, where we both first met at Texas Frightmare Weekend nearly a decade ago. She and her husband Sean own custom enclosures (A Canticle for Troodon and Skarif Salvage), they’ve been wonderful sounding boards for gallery plans and strategies, and I;m proud to call them dear friends. Heck, Danielle and I even worked together in 2021. When I was getting everything together for this year’s Frightmare, not only was she the logical choice for booth cohort, but she volunteered.

It’s not an exaggeration in the slightest that without Danielle’s capable and expert assistance, this show wouldn’t have turned out anywhere near as well as it did. All three days, she was seemingly in four places at once, manning operations during the one major issue the whole weekend (large trucks had to move to overflow parking in DFW Airport, and I would have been back with plenty of time if the hotel’s parking shuttle fleet had two vehicles undergoing repairs that Friday and the third nearly 90 minutes late), and even entertaining convention guest Lance Henriksen as he asked question after question about the difference between Nepenthes and Sarracenia pitcher plants. (A heads-up to the Los Angeles Carnivorous Plant Society: you may be getting a few new attendees before too long, because we bragged on you lot all weekend long.) More than a few times when I was too frazzled with multiple questions to answer others, she stepped in and took over, making sure that I remembered to drink water and wear clean underwear.

And trust Danielle to see connections that I was far too busy and harried to notice, and take advantage of them. Halfway through the show, she noticed that two Sarracenia containers had, erm, somewhat of the same theme, and insisted we put them together right in front so everyone could appreciate them. “I’m twelve,” she said, and apparently everyone else at Frightmare was twelve, because the juxtaposition was a huge hit.

To be continued…