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Installment #21: “The Saga of Simon”
With the end of November comes the end of the main growing season. The Venus flytraps and North American pitcher plants are snug in their beds and going dormant, the lights in the gallery were just switched to the winter schedule so as to encourage blooming in the spring (that’s a surefire way to get blooming in Heliamphora, especially since the gallery has no outside light to interfere with their photoperiods), and with the approach of what Dallas calls winter weather (we might actually go below freezing this week), it’s time to rest for a minute. That is, if Simon will allow it.
For those who missed the news, Simon is the new cat. We adopted him a little over a year ago, shortly after Leiber died. With him in the household, we now have two black cats, which makes my wife Caroline exceedingly happy. Alexandria, our other cat, enjoys having someone to roughhouse with, as Leiber wasn’t up for much of anything besides sleeping in his last year, and she now has a partner with whom to explore the garage when we’re home for the night. He’s a perfect little companion, and would be even better if he were a cat. Instead, I’m certain we adopted a seriously mislabeled black Labrador.
Don’t get me wrong. I’m not saying Simon is dumb or anything. As much as I miss him, I was the first to acknowledge that Leiber was so unlike his namesake that if he got any dopier, I was going to rename him “Doctorow.” Simon doesn’t trip on the carpet pattern or forget which end goes into the food and which end goes into the litter box. No, the adjective that best describes Simon is “goofy.” “Fall off the scratching post” is typical for cats. Simon is “forgetting that he has retractile claws and falling off the side of the bed” goofy. “Beg for human food and then remember that he doesn’t like human food” goofy. “Run in front of his humans in the dark and then flop to be scritched in the dark” goofy. “Figure out how to get into the attic and then howl like a basset hound because he doesn’t want to have to go back down the way he came in, and then hide under the roof supports out of range when we go up to rescue him” goofy. Oh, and then there’s “going berserk when opossums wander up onto the back porch because he wants to chase them” goofy. He’s not dumb, but he doesn’t act like a cat. Acknowledge that he’s just a dog with a bad label, and suddenly his habit of being unable to be pet because he so desperately wants to lick the petter’s hand suddenly makes sense.
Now, Simon is in fine company. Janit Calvo of Two Green Thumbs Miniature Gardens is known just as much for her dog Kitty as for her miniature garden guides. Amanda Thomsen of Kiss My Aster has constant stories involving her multiple critters. The Sarracenia Northwest newsletter has regular updates on their Sarracenia Pup. Jeff VanderMeer‘s cat Neo has a larger fan base than he does, and will probably get a deal with Netflix sooner, too. Everyone who meets Simon loves him. It’s just that the people who know and love dogs particularly fall in love with him, and Caroline gets grumpy when they note that he’s the most doglike cat they’ve ever met.
Me, I just acknowledge that Simon is a dog and leave it at that. Whether he’s fetching or wanting to go for a run (he loves surfing rugs so much that our next house may have to have hardwood floors just for him), he’s typical Simon, so I just encourage him to be who he is. Caroline, though, has issues with my encouraging him with “good puppy.”
“Simon is not a dog. He’s a KITTY.”
“Sorry, but he’s a dog. He gets into the garage and climbs into the car because he wants to go for a drive.”
“HE’S A KITTY.”
“What’s so bad about his being a puppy? Are you trying to tell your son that he can’t be his own person, and he has to go with what you say he is?”
“Do you want to give him a neurosis? He’s a KITTY.”
“Okay, then.” (Look over at Simon.) Okay, Simon, what do have to say about this?”
In barely related news, exactly a year and a day after the last one, your humble chronicler has a new day job. The particularly good news is that this shouldn’t affect the gallery in the slightest, and the gallery shouldn’t affect the day job, either. That said, expect a lot of new projects: it’s amazing how many ideas get doodled out during staff meetings.
I’ve plugged the considerable talents and tastes of my Canadian little sister Tristan Riskseveral times, but for those looking for something whimsical with which to get the taste of 2020 out of their mouths, I’d like to recommend giving her new Nonesuch figure line a viewing. Caroline proudly displays her Nonesuch in her studio, and I suspect that she may need another, because.
I should be saving this for the ongoing Post-Nuclear Family Gift Suggestions guides, but it’s no surprise that the late Ray Harryhausen was a major influence upon Triffid Ranch enclosures, and Ray was one of the many childhood heroes I accidentally and inadvertently scared the hell out of (a list that included Stephen Jay Gould, Carl Sagan, Harlan Ellison, and Johnny Rotten) in my sordid youth. If you can get to the Scottish National Gallery of Modern Art to view the Ray Harryhausen: Titan of Cinema exhibition, do so, but if you can’t, the accompanying catalog of Harryhausen artifacts, full of anecdotes from his daughter Vanessa, is essential reading.
Long nights in the gallery require lots of music, and due to an odd form of aphasia, I have a much better time concentrating on certain tasks with music with no lyrics whatsoever. That’s why the music of Peter Roe gets regular play on weeknights, and why his album Time Traveller hasn’t become the basis for a whole movie is beyond me. Go load up via your favorite streaming service, and thank him for me if you know him.