Posted onNovember 14, 2019|Comments Off on The Aftermath: Deep Ellum Creative Market – 2
One of the biggest issues with doing Triffid Ranch shows outside involves wind. After all, North Texas is noted for its winds, and both the big windstorm that hit Dallas last June and the tornadoes that hit us in October arrived shortly after I’d broken down after events, either earlier that day or the night before. (With the June show in Garland, not only would the storm have blown everything to Oz or at least Nehwon, but the tree shading my booth also shed the big branch previously hanging directly overhead.)
In the case of the Deep Ellum Creative Market, the tradition continued: subfreezing temperatures and a serious threat of snow, but those only came after everything had been packed up and carted home. Before that, though, for a weekend with an inordinate number of events in the Dallas area, including a major Cowboys football game, the crowd coming through was both numerous and enthusiastic.
For a first-time show, the Creative Market ran very well, and its only issues were due to its youth. If things go well and it runs next year, expect to see the Triffid Ranch out there in a prominent location.
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Posted onNovember 14, 2019|Comments Off on The Aftermath: Deep Ellum Creative Market 2019 – 1
When doing outdoor shows, it’s best to go out on a high note. Rain would have been bad enough, but last Monday came with the sort of subfreezing temperatures and brutal north winds that usually hit Dallas around the beginning of January. The weekend of the Deep Ellum Creative Market, though, was clear, sunny, and warm, and you couldn’t have asked for better weather for the last outdoor show of the year.
For those outside Dallas, the Deep Ellum area east of downtown started with a reputation for great blues musicians in the 1920s and 1930s, and then fell into decline as an industrial area until 1984, when the famed Russell Hobbs opened the sadly-long-defunct Theater Gallery in 1984. The resultant explosion of clubs and arts galleries led to official city pushback (especially when the sole news coverage for the area came via business interests with money tied up in the Lower Greenville and West End adult amusement parks), leading to a regular series of booms and busts and expansions. The latest boom coincides with the construction of highrise apartment buildings through the area, but there are still plenty of people who remember little outstanding venues such as Club Clearview and Another Roadside Attraction, world-famous murals by local artists Mosquito and Trippy Thompson (both former neighbors of mine when I lived in nearby Exposition Park in the early Nineties), and a young jewelry artist famed for selling necklaces and bracelets out of a guitar case.
(With the last, I first met that jewelry artist in a then-vacant field in 1990 as she sat next to a trio of other vendors. My girlfriend at the time was immediately jealous of her: and so she should have been, seeing as how 29 years later, we’ve been married for the better part of two decades.)
The idea behind the Deep Ellum Creative Market was a celebration of those kind of connections. Unlike the much larger Deep Ellum Art Fest, which begrudgingly gives tent space to local artists from time to time, the main requirement for admission into the Creative Market was an actual connection to the area, or at least more of one than “I threw up in a urinal at Club Dada once.” Since the first-ever Triffid Ranch booth was at the long-forgotten Deep Ellum Sellem in 2006, I had more bona fides than merely marrying a local fixture. Therefore, after much wrangling, about 50 other vendors and I set up tents on a cool Saturday morning and put out our wares to a lively audience of residents and pedestrians.
To be continued…
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And so we come to the end of the 2019 carnivorous plant growing season. (Cue the national anthem.) The cold front that whipped through the Dallas area early Halloween morning saw to that: right now, the Venus flytraps and Sarracenia pitcher plants are already preparing for winter dormancy, and a few days of warmer temperatures in November won’t stop their normal progression thanks to shorter days and longer, cooler nights. Even in the gallery, it’s time to switch to winter hours: all of the timers need to be reset anyway due to the end of Daylight Savings Time, so they’re all being set for about ten hours of light per day so they get a good rest, too. (In March, when the indoor and outdoor photoperiods go back to longer days, we’ll all be glad of it, as the blooming response should be phenomenal, especially with the sundews and bladderworts.) The flytraps and Sarracenia are the big ones to worry about, though: if they don’t get a proper dormancy, they’ll eventually wear out and die, and our freezing temperatures at Halloween just bumped their naptime ahead by about three weeks.
Now, you’d think that with the arrival of dormancy season, everything would shut down over at the gallery. Anything but. The only time this place will be more busy than in November and December will be in January and February. The show schedule definitely doesn’t let up in November: there’s the Deep Ellum Creative Market in Dallas the weekend of November 9 and the Blood Over Texas Horror for the Holidays show in Austin on November 23 and 24. The real fun, as it has for the last four years, starts the first Saturday after American Thanksgiving, with the Nightmare Weekends Before Christmas gallery open houses starting on November 30 and continuing through December 7, 14, and 21. (November 30 and December 1 are doubly auspicious, as these mark the fortieth anniversary of my first moving to Texas and meeting my best friend Paul Mears for the first time, respectively. For four decades, he’s referred to December as “a day that will live forever in infamy” on a personal level, and, well, he’s not wrong about that assessment.) After that, it’s a matter of spending January and February constructing new enclosures, working out the logistics on new shows, and generally getting everything ready for when the flytraps and Sarracenia wake up again.
And speaking of new shows, news that’s had to be held in confidence since the end of August: the Triffid Ranch has three new shows in 2020 through the Oddities & Curiosities Expo folks. Besides the Dallas show on March 28 and the Austin show on June 20, it’s time to hop state borders and bring the Triffid Ranch to New Orleans on August 29. The New Orleans show is going to be the biggest test of event logistics yet: if this works out and I kill neither myself nor plants, then it’s time to try spreading the wealth to new cities outside of Texas. If it doesn’t, at least I’ll have the opportunity to visit with old and dear friends, including many whom I haven’t seen in person since the late, lamented Exoticons imploded at the end of 2000. Win/win. (The date on the Austin show is particularly auspicious, even if it means heading right back out after returning from the Houston Horror Film Festival the weekend before. 2019’s show was impressive but not as packed as 2018, a factor commonly attributed both to the soul-withering heat of Central Texas in mid-August and to classes at the University of Texas starting up the next week. June is much better: as with Dallas, it might even mean that we get a bit of rain that weekend before the summer blast furnace starts in earnest in July.)
Other than that, it’s back to commissions and new enclosures to replace those sold over the summer: keep checking back for new enclosure details. Among many other things, 2019 is the year that I finally enter enclosure photos for the Spectrum Awards. (I know I have no chance in hell of winning an award, but getting stomped and pantsed by the best artists in the field of fantastic art is also an inducement to keep working toward winning.) In addition, keep an eye open for some extra backstory on new and old enclosures: no more details until it’s done, but those familiar with the works of Harlan Ellison may recognize the concept.
As always, the gallery endures: for those coming in late, it’s open by appointment or at regular open houses. If you have particular demands for custom enclosures intended as holiday gifts, get your appointment in NOW. By the time the Nightmare Weekends start, getting additional commissions may be problematic before the middle of January.
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One of the things about big shows like Spooky Spectacle is, no matter how busy vendors may be, we’re already making plans for the next three or four shows during every downtime opportunity. It’s the newbies who sit around at a slow show and sigh loudly: the rest of us are evaluating potential repairs to displays, ordering new inventory, contemplating new signage, and generally making hay. That’s in addition to making contacts and comparing notes about new venues. It’s absolutely amazing how quickly a show like this goes by when you’re already making plans two years in the future.
For all of the aggravations with the Will Rogers Memorial Center, one of the joys with last week’s Spooky Spectacle involved an old friend from Tallahassee. Ever since that chance job offer in Tally introduced me to the world of carnivorous plants, the dream was to be able to grow Sarracenia pitcher plants in Dallas that were as robust as those in the Florida panhandle, and the famed white pitcher plant, Sarracenia leucophylla, was a particular challenge. Part of the thrill lay with S. leucophylla being as much of a nightowl as I am: in addition to the secretion of nectar and the UV fluorescence it shares with other species, the distinctive white lace lid and throat of its pitchers also fluoresce under moonlight. Even under a half-moon, the pitchers’ glow makes them stand out among other Sarracenia, but under a full moon, the pitchers are spectacular.
That this is an effective strategy for insectivory is demonstrated by cutting open a dead pitcher and examining the shells and other detritus of its prey. Fully half of the remains in a typical leucophylla pitcher kept outside are of moths, click beetles, and other purely nocturnal insects, and if you go around a stand of leucophylla in the middle of the night with an LED flashlight, you’ll see the cigarette-cherry glow of moth eyes as they fight to drink the nectar on pitcher lids and lids. (That’s not all you’ll see glowing. During the day, many Sarracenia have mantises, ambush bugs, lynx and crab spiders, and even tree frogs and anoles waiting next to or inside pitchers for incoming insect prey. Sarracenia leucophylla, though, also gets wolf spiders and the introduced Mediterranean gecko Hemidactylus turcicus camping out at its pitchers to feed on moths, and the same LED flashlight that reveals moth eyes will also return eyeshine from the wolf spiders as they await their chance.)
Anyway, the first full moon on a Friday the 13th in 19 years was a welcome coincidence the night before Spooky Spectacle, but even more welcome was that the leucophylla in the Triffid Ranch collection simply exploded this September. Sarracenia tend to have two growing seasons in North Texas with a long layover in the worst of the summer heat, with autumn pitchers being much more vibrant in color and size after their summer near-dormancy. The enthusiasm this year’s leucophylla had, though, wasn’t just surprising. It was almost shocking. Apparently others are reporting blowout leucophylla growth all over the Northern Hemisphere, and also with hybrids such as the favorite “Scarlet Belle,” but the only thing better than seeing it was being able to haul in plants to show off. I don’t know exactly what environmental factor is responsible for such growth, but that factor returning next autumn wouldn’t be unwelcome.
To be continued…
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After a long run of exceptional events in 2019, it was inevitable that a show might not work out as well as others. The crew behind Spooky Spectacle, formerly the Granbury Paranormal Fest, tried their best to put together a great show, and having one that wasn’t outside in last weekend’s heat was very much appreciated. That said, I’m making the formal announcement that after four shows in the venue over the last decade, future shows at the Will Rogers Memorial Center in Fort Worth simply aren’t an option.
(I want to apologize to people who tried to come out and couldn’t find parking, so they had no choice but to turn around and leave. Will Rogers is already lacking in parking for events as it is, but between blocking off vendor parking and forcing vendors to take up potential attendee spaces, a walkathon that took up one entire lot, and remaining parking going to a “Party on the Patio” event at the Kimbell Art Museum during the evening, I’m glad that anybody could show up at all. I won’t get into the rampant incompetence of the company handling the parking in the first place: dealing with contradictory directions from yahoos who got off on the chaos made Saturday morning load-in an absolute joy, and I understand that things only got worse as the day went on. Combine that with “Party on the Patio” drunks driving the wrong way down one-way streets as we left and the main thoroughfare connecting the center to the highway undergoing its perpetual repair and subsequent narrowing to one lane each way, and I was surprised to see only one fistfight between frustrated attendees just wanting to park for the day.)
Anyway, barring the parking situation, the show gave a great opportunity to hang out with Triffid Ranch stalwarts and newcomers, and this is definitely a show I’ll show up for again…so long as it’s not at Will Rogers.
To be continued…
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Posted onAugust 30, 2019|Comments Off on The Aftermath: Austin Oddities & Curiosities Expo 2019 – 5
Well, that’s about it as far as this year’s Oddities & Curiosities Expo season is concerned: check back after Halloween to find out alongside me as to dates and locations for 2020 events. And because the managers there deserve a special shoutout, many thanks to the Extended Stay America in downtown Austin next to the Palmer Event Center: I literally couldn’t have done this without you. Selah.
And so it goes.
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Posted onAugust 29, 2019|Comments Off on The Aftermath: Austin Oddities & Curiosities Expo 2019 – 4
As promised, this year is the start of events outside of the Dallas area: this hasn’t been deliberate, but a side effect of setting up the old gallery and then having to move to the current location just as the old space was under control. Now that the current gallery is reasonably under control (but as Matt Howarth used to say, “It stops, but it never ends”), it’s time to start exploring.
As far as explorations with the Oddities & Curiosities Expo crew is concerned, that’s a funny story. Both August’s Austin show and last March’s Dallas show were absolute joys, both with attendees and staff, and my only problem lies with people asking “So are you going to be at next year’s shows?” The problem is that as of right now, nobody outside of Expo staff knows a thing about 2020’s show schedule, either dates or locations. I know that a lot of attendees are clamoring for Houston and San Antonio shows to go with Dallas and Austin, but we’ll all discover the 2020 plans on Halloween. Until then, rest assured that the Triffid Ranch will show up at Expo events for as long as they’ll put up with me, and 2020 might also feature two magical words on the Triffid Ranch show and event schedule: “New Orleans.”
To be continued…
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Posted onAugust 28, 2019|Comments Off on The Aftermath: Austin Oddities & Curiosities Expo – 3
After looking at results over the last few years, I’ve noticed a major sea change in outré events such as the Oddities & Curiosities Expos, and I’m still processing the implications. Widely anticipated events that only occur once per year are increasingly packed, if only from the number of people who heard about the previous event and buy tickets very early so as not to miss out. Biannual two-day shows for a very specialized crowd can work, but generalized gatherings for a wide range of enthusiasts come up short. For one-shot events, touring shows, or revived or rebooted events, one-day shows work well, but two days just spreads out the crowd without getting new attendees. It’s easy to blame social media for this (and I’ve watched some event organizers do so, to the point of one personally contacting everyone who expressed interest in his event to nag them about why they weren’t at the show), but I suspect the shift away from three-day and four-day events just signals a change in available free time. One-day first-time events require a commitment to getting out to it on that day: two days means it’s far too easy to kick the football to Sunday, only to have something else get in the way.
Whatever the situation, one-day events are becoming quite the thing this year, and I heartily endorse them in the future. Yes, they require more preparation beforehand, but they also attract people who really want to be there. That sort of enthusiasm is infectious.
To be continued…
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Posted onAugust 23, 2019|Comments Off on The Aftermath: Austin Oddities & Curiosities Expo 2019 – 2
For those who have never been to Texas, a primer in humidity. As can be expected with a state with such a wide range of climates and biomes, each big city has a completely different atmosphere. Being very close to the Gulf of Mexico shore, Houston is soupy: incessant winds off the Gulf bow moisture inland. Austin is semidesert, where competing south winds strip the essential moisture from your skin and leave a crackle of salt on your skin that used to be sweat. Dallas is the worst of both worlds, where the morning air is best described as “too thick to breathe, too thin to waterski on,” but afternoon humidity in August can drop to as low as 7 percent just before the sun goes down.
This led to some interesting conversations at last weekend’s Oddities & Curiosities Expo in Austin, as about a quarter of the attendees and vendors hailed from Houston and New Orleans and another quarter from Dallas and Tulsa. No matter how often they visit, the Houstonians still can’t get used to their scalps bunching up and their lips dessicating as the day goes by. The Dallasites, though, revel in salt crystals growing between their shoulder blades like Godzilla fins and leaving lumps of uric acid in the toilet, because it beats the slow poaching of Houston. Listening to all of this are people from more amenable climes, who can now count their kidney stones by listening to the rattle while they walk, who break the monotony by screaming “What the hell is WRONG with you people?” when they aren’t screaming about their eyeballs collapsing in on themselves.
It’s a fair question, especially when wandering the streets of Austin looking for food that won’t require two hours’ wait for a seat. That’s why you stay away from anyone over the age of 50 in Texas when complaining about the weather: the odds are pretty good we’ve lived through the record highs and lows, and as soon as you hear the sigh of “If you think this is bad, you should have been here in 1980,” it’s already too late to escape.
To be continued…
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Posted onAugust 15, 2019|Comments Off on The Aftermath: DFWS FIRST Thrift Convention – 3
One final mention about the DFWS FIRST Thrift Convention: in a year of truly outstanding shows, it’s the little ones that keep surprising me. The organizers tentatively plan for a followup show in November: if it doesn’t conflict with Austin trip, I’ll be the first one handing over the booth fee.
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Posted onAugust 14, 2019|Comments Off on The Aftermath: DFWS FIRST Thrift Convention – 2
One of the more interesting aspects of the recent DFWS FIRST Thrift Convention was watching the culmination of a sea change I’ve observed with shows of this sort for the last decade. The old perceptions of flea markets and thrift fairs are falling apart: why would anyone with access to a smartphone put up with a surly vendor with a pile of broken or heavily worn items at “you won’t find it anywhere else” prices? (I submit that this is a major factor in the ongoing implosion of literary science fiction conventions, too, but that’s a different dangerous vision.) Successful vendors in this new world are engaging vendors, and attendees notice and respond to naked enthusiasm. At this show, a small subset complained loudly about how the word “thrift” was misleading, as there weren’t any spectacular discounts they could steal away and sell on eBay. They were overwhelmed by a very large crowd that was willing to pay an admission fee for an experience, and boy howdy did they get one. The venue itself was a little small, but a lot of intriguing vendors, carrying items that attendees didn’t know they wanted until they saw them, didn’t mind in the slightest.
To be continued…
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Posted onAugust 7, 2019|Comments Off on The Aftermath: DFWS FIRST Thrift Convention -1
I won’t lie: every vendor at any show, despite the evidence, has a little voice running in the background whispering “You KNOW, you could just go back, put everything up, and go back to bed.” That voice picks up on every minor aggravation and misgiving, from the torrential rain and literally flooded-out streets on the way to a venue to the one fellow vendor who blocks off the only ramp from the parking lit to the venue sidewalk with his car and refuses to move, and pushes that one last nerve. One of the biggest secrets to selling at shows, conventions, and events is to grab that voice by the throat, shove it head-first into a 55-gallon drum, pour concrete into the drum, and then shove that drum into the nearest lake. That won’t kill it, but it’ll slow it down for a while.
For instance, the morning of the DFWS FIRST Thrift Convention, sponsored and run by Thrifty Pirate Vintage Retro, the whole of the Dallas area was inundated by a seemingly never-ending wave of thunderstorms. With most shows, morning thunderstorms, especially in summer, are a moodkiller, and combining that with it being a first-time show, the odds weren’t good. Some people, vendors and customers both, would turn around and go back home, grumbling all the way. The professional response, though, is to try to make things work: the fact that almost everyone else felt the same way was why the Thrift Convention had the most enthusiastic response to a first-time one-day show that I’ve seen in years.
Among other joys: the very enthusiastic response to the Larry Carey Triffid Ranch poster almost made me regret Larry wanting to update it, but only just.(As a reminder, even though the poster and shirt design are changing, the Shirt Price discount still applies to the old shirts, for as long as they’re wearable. In fact, if you have designs on making old shirts into more fashion-forward attire, run with it. The discount still applies.)
To be continued…
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Posted onAugust 2, 2019|Comments Off on State of the Gallery: August 2019
Seven months of 2019 down and dead, and five to go. We just might get to the end of the Twenty-Teens in one piece after all. Of course, I also said that at the beginning of August 1989, and we saw how THAT turned out. (Don’t even bring up August 2009: there’s nothing quite like having to go in for a CT scan of a lung “anomaly” on your birthday, that turned out $900 after deductible later to be pneumonia scarring that had been on record since 1982.) As is our wont, it’s time to discuss the gallery and how things are progressing, and pass on interesting news that might come in handy to others.
To begin, those who haven’t been by to visit the Event Calendar in a while are going to be extremely surprised, as 2019 is the Triffid Ranch’s busiest year yet. This includes signing up for a lot of new shows, such as the Massacre on Division Street Dark Art Festival in Arlington on Halloween weekend and the Deep Ellum Creative Market at the beginning of November. (Yet another reason for staying in Texas: the first real cold day usually hits by the end of November: the beginning of November might be exceedingly windy, but it’s usually really nice, especially for those cooped up inside all summer long.) The big news, though, is that the promised expansion of Triffid Ranch shows outside of the Dallas/Fort Worth/Denton triangle worked out better than expected, with multiple shows in Austin and now the Houston Horror Film Festival next June. I’m not quite ready for Brownsville or Corpus Christi because of the drive (Brownsville is nearly eight hours away from Dallas on a good day), and the Texas Panhandle is still terra incognita, but it’s a start. This is in addition to showings in other galleries throughout the state, but that’s also something that’s on the agenda.
August is another reason for celebration other than the Halloween decorations and displays in the local Michael’s stores: it’s hard to believe that we’re coming up on the second anniversary of the soft opening of the current gallery and the fourth anniversary of the original opening at Valley View Center. Naturally, that means having another open house on August 24, right after coming back from the Oddities & Curiosities Expo in Austin on August 17. The plan is to debut several new enclosures on the 24th, which is a bit necessary: between purchases of existing enclosures and commissions, it’s getting a touch bare out here. We should all have such issues.
Anyway, it’s back to the linen mines: tomorrow’s DFW First Thrift Convention in North Richland Hills starts off the month, and there’s still a lot to do before the doors open at 10:00. See you then.
Posted onJuly 17, 2019|Comments Off on State of the Gallery: July 2019
39 years ago this month, what was later known as the Heat Wave of 1980 kicked into overdrive across Texas, and kept going until the end of September. Considering that was my first summer significantly below the 45th Parallel (and having just survived the Chicago Blizzard of 1979 18 months earlier), that was the first and last year I could complain about not knowing about the heat. Longtime residents have three ways to deal with July and August in Dallas. The sanest is to find a very deep and thick-walled shelter and sleep in the dark until the rains return. If you don’t feel like impersonating a Gila monster, you have two choices: gather with others who are shocked at torrid Texas summers and whine “It’s HOT” over and over, or make plans to be productive while the Gila monsters are sleeping. The first just means that every public venue sounds like a pterosaur rookery after a while, with people who would complain even more if we got a meter of snow. The latter isn’t always easy, as I learned 39 years ago when delivering copies of the long-dead and much-missed Dallas Times Herald right at the peak of the heat, but it offers at least the promise of fun.
And on the subject of outside shows, We’ve got quite a few lined up over the next few months. The first and most obvious is this weekend’s carnivorous plant workshop at Curious Garden in Dallas on July 20.The response to last year’s open house was so overwhelming that it had to be expanded this year to two classes: thenoon to 2:00class is now full, so everyone agreed that we needed a second onefrom 2:00 to 4:00that afternoon. Check with Curious Garden about availability: due to space constraints, we’re limited to 20 participants, so don’t come in without setting up reservations in the hopes of getting a seat.
After that, it’s a weekend off to focus on commissions and renovations, and then we’re heading to the wilds of Hurst for the DFWS FIRST Thrift Conventionon August 3.This is predominately a vintage event, but with an indoor venue so people and plants don’t cook, runningfrom 10:00 am to 6:00 pm. As to what will be there…that’s a good question, as this is the first show of its sort. With luck, I’ll have an answer for everyone byAugust 4, so we can all make plans for the 2020 show.
As promised last year, 2019 and 2020 are years intending to move Triffid Ranch shows outside of the Dallas area, andAugust 17is the date for one of the big ones. Based on last March’s response to the Dallas show, and the sheer number of friends and customers in Austin, Houston, and San Antonio who don’t want to have to haul themselves up to Dallas to say hello, it’s time to hit the Travis County Expo Center for the latest Oddities & Curiosities Expo in Austin. It’s only a one-day show, but considering the crowds that wrapped around the building at the Dallas show, make sure to show up early and stay hydrated.
Finally, it’s been a long while since the last time a Triffid Ranch show was in Fort Worth, and the good news is that the first show in September will be indoors and away from the last of the summer heat. Even better, for those of us who survive the end of August and beginning of September by viewing Halloween decorations for sale at the local Michael’s store, this is for the Spooky Spectacle horror convention at the Will Rogers Center the weekend ofSeptember 14.(Sadly, this coincides with the NARBC reptile show in Arlington, but that’s why the NARBC runs twice per year. Right now, it’s very possible that the first Triffid Ranch show of 2020 will be at the February NARBC, because it’s been entirely too long since the last time.)
Well, enough of this. Time to get back to the linen mines: the only way these shows and events are going to happen is if the hard work is complete by the time they start. See you then.
Posted onJune 18, 2019|Comments Off on The Aftermath: Swizzle’s Waipuna Tiki Flea 2019
Hot, humid, and sticky. All three apply over most of Texas all year around, but it’s particularly relevant in Dallas in June. This changes rapidly in July, when humidity drops like a rock after the sun comes up and the south wind starts up, but we’re not yet to July. Combine that with an impending storm front that concentrated that heat and humidity, and Dallas on June 15 was, if you squinted hard, an analogue for Honolulu. What this meant was that it was an absolutely perfect day for the Swizzle’s Waipuna Tiki Flea show at theIndustry Alley Bar just south of downtown, and nobody involved was going to let a little thing like geography get in the way of the fun.
As part of Dallas Tiki Week, the Tiki Flea is now a regular and much-anticipated event, and dragging out plants to next year’s show is a given. In the interim, Swizzle’s hosts an annual holiday gift show in December, and that’s where I expect things are going to get good and weird.
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Posted onJune 14, 2019|Comments Off on The Aftermath: Garland Urban Flea – June
The plan for the last year was to set up a tent at the first-ever outdoor Triffid Ranch show, and that plan also involved setting up at the Garland Urban Flea in downtown Garland, Texas. Part of the reason was because it was just down the road from the gallery, and part was because the Garland downtown with which I had been familiar in the early 1990s had changed beyond recognition. The roads were paved, the shops revived, and the central park had just finished a much-needed and very much appreciated renovation. Combine that with decent rents for vintage stores and unique restaurants, and every event in the park found an enthusiastic audience. The Garland Urban Flea was just one event, scheduled on the second Saturday of every month, but it seemed to be a perfect one with which to try conducting an outdoor show.
Anybody regularly attending or vending at outdoor shows will tell you that the weather can go sideways very quickly, especially in Texas, and that was getting to be an ongoing joke with previous attempts to set up at the Garland Urban Flea. First time: pouring rain. The next time, the previous day’s temperatures promised a beautiful event, and then a cold front dropped temperatures to the edge of freezing, making too much of a risk to the plants. The next show that didn’t conflict with other events was in May, where the rain started up around 2 in the morning and didn’t let up until about the time the Urban Flea was expected to pack up. Oh, and the makeup rain day? Memorial Day Weekend, right after I’d scheduled another show. And so it goes.
As it turned out, everything worked out. The next Garland Urban Flea ran on June 8, and the weather was GLORIOUS. Slight breezes, sunny but cool enough that everyone wanted to get out and do something before the summer heat hit, and the tent location was directly under two live oak trees, which gave extra shade all day. Combine that with cool neighbors and curious and excited attendees, and it was a great debut at the Urban Flea. Even breakdown was easy. It may be a few months until the next time the tent goes up (the Garland Urban Flea doesn’t run in August because of the heat, and July and September are just a little too warm for the plants), but October and November are perfectly reasonable if the weather holds.
And why the emphasis on the weather? Well, despite having a tent with sides, there’s only so much rain that a typical pop-up tent can deflect, and that’s not counting winds that tend to turn show tents into parachutes. The very next day, the Dallas area was hit with a massive rainstorm with 70mph winds, which tore trees apart, ripped off roofs, and cut power for most of the city and surrounding suburbs for days. Had that storm hit 24 hours earlier, everything would have been a total loss: what the rain and wind wouldn’t have destroyed directly would have been smashed when a branch from one of those shading live oaks came down. And now you know why most Triffid Ranch shows are indoors.
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Posted onMay 14, 2019|Comments Off on The Aftermath: Texas Frightmare Weekend 2019 – Finale
With special shows, it’s all about the preparation. Oh, and the time for the preparation, which is never, ever enough with shows that keep growing every year. At the end of Texas Frightmare Weekend, there’s always a bittersweet tang of not wanting the party to end versus figuring that another two days of this intensity would probably kill us all. Well, Frightmare 2019 is over, done, swept up, and put away, and now it’s time to start getting ready for 2020. Approximately 350 days to go: that just might be enough time, if someone will kindly provide me with a vaccine for sleep. See all of you next year.
Posted onMay 13, 2019|Comments Off on The Aftermath: Texas Frightmare Weekend 2019 – 8
Some people brag on the cast and crew at Texas Frightmare Weekend. Others want to join. Me, I just do my best to spoil everyone by bringing donuts for everyone on Sunday morning, when the end is in sight and they just need a little boost. It’s the least I can do.
To be continued…
Comments Off on The Aftermath: Texas Frightmare Weekend 2019 – 8
Posted onMay 13, 2019|Comments Off on The Aftermath: Texas Frightmare Weekend 2019 – 7
The second question I’m regularly asked, after “So why are you selling plants at a horror convention?”, is “So when is Texas Frightmare Weekend moving to a new venue?” I’m not privy to any discussions as to the future for Frightmare, nor would I presume to have any knowledge one way or another, but what I can share is that the host hotel is undergoing a massive renovation that should be complete in time for the 2020 show. This thrills me for multiple reasons, as I have history with this hotel that goes back a full 30 years this month. Besides being a guest at several conventions at this hotel during my pro writing days in the 1990s, a show in 1989 was where I first met the individual who later introduced me to my wife. To blatantly steal from the comic artist Sam Hurt, it’s not so much a small world that’s folded over a lot.
Comments Off on The Aftermath: Texas Frightmare Weekend 2019 – 7