The Aftermath: Texas Frightmare Weekend 2022 – 1

To start off this story, let me introduce everyone to Danielle. Danielle started as a longtime Triffid Ranch customer, where we both first met at Texas Frightmare Weekend nearly a decade ago. She and her husband Sean own custom enclosures (A Canticle for Troodon and Skarif Salvage), they’ve been wonderful sounding boards for gallery plans and strategies, and I;m proud to call them dear friends. Heck, Danielle and I even worked together in 2021. When I was getting everything together for this year’s Frightmare, not only was she the logical choice for booth cohort, but she volunteered.

It’s not an exaggeration in the slightest that without Danielle’s capable and expert assistance, this show wouldn’t have turned out anywhere near as well as it did. All three days, she was seemingly in four places at once, manning operations during the one major issue the whole weekend (large trucks had to move to overflow parking in DFW Airport, and I would have been back with plenty of time if the hotel’s parking shuttle fleet had two vehicles undergoing repairs that Friday and the third nearly 90 minutes late), and even entertaining convention guest Lance Henriksen as he asked question after question about the difference between Nepenthes and Sarracenia pitcher plants. (A heads-up to the Los Angeles Carnivorous Plant Society: you may be getting a few new attendees before too long, because we bragged on you lot all weekend long.) More than a few times when I was too frazzled with multiple questions to answer others, she stepped in and took over, making sure that I remembered to drink water and wear clean underwear.

And trust Danielle to see connections that I was far too busy and harried to notice, and take advantage of them. Halfway through the show, she noticed that two Sarracenia containers had, erm, somewhat of the same theme, and insisted we put them together right in front so everyone could appreciate them. “I’m twelve,” she said, and apparently everyone else at Frightmare was twelve, because the juxtaposition was a huge hit.

To be continued…

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