When composing and constructing plant enclosures for the Triffid Ranch gallery, a lot of back stories and inside jokes get mixed in. Sometimes, it’s serendipity, with an object with a lot of backstory that just happens to be the perfect inclusion to a new enclosure, and a little voice in the back row says “Let it go, so someone else can appreciate it.” Others are items with so much context that they encourage the construction of the whole arrangement. However, keep an eye open for one particular set of additions, because there’s some sentiment tied to it.
My parents-in-law first moved to their house in the late 1960s, back when Dallas was still just a bit more than a town and long before the oil boom of the 1980s expanded its sprawl in all directions. My wife spent the first days of her life in that house, and grew up not far away from the gallery’s current location. She has all sorts of stories about how the neighborhood changed over the decades, with new people moving in to replace those who moved elsewhere, additions added and removed (she loves telling the story of the neighbors who refused to clean their big sunken pool and thereby deal with the clouds of mosquitoes rising off it every evening, so she introduced bullfrogs that made so much noise that the neighbors took out the pool), walking a succession of Norwegian elkhounds to friends’ houses, and keeping in touch even after moving out on her own. Her story became my own in 2002, including the house hosting our wedding reception. The years went on, with my planting roses I’d grown from cuttings taken from roses planted in front of our own house and neglected. The roses at the original house were cut back too far just before the worst heat wave since 1980: they’re gone, but the cuttings are still in the back yard, throwing off gigantic pink and red blooms to everyone’s delight.
Eventually, though, the story of my in-laws’ time in the house had to end. The house was already too large for them to maintain easily when Caroline and I married, and the tales of my father-in-law installing Christmas lights on the eaves outside went from comedy to incipient terror. Finally, at the end of August, they made the decision to move from the monster house in which they’d resided for a half-century, and moved into a retirement apartment. The house went through the now-inevitable estate sale, and then it went onto the market. We just received word that an offer had been made by a couple that admired it and wanted to keep it as it was and not tear it down for replacement with a McMansion, so we can still drive by from time to time and share our memories. Its actual involvement in our lives, though, is done. As someone who moved a lot both as a kid and as an adult, I had defense mechanisms in place to mourn in my own time, but it’s understandably hit Caroline a lot harder than she thought would happen.
That’s where the Honeymoon Wall comes in. To hear my mother-in-law tell it, her dream with this house was to put a stone wall in the back, a promise she made on her honeymoon. It took a little longer than she planned, and that wall required building an extension declared “the playroom”. The stone came from trips to the Rocky Mountains, ranging from a deep navy igneous rock to a truly stunning light green stone with darker blue veining running through it from all directions. The Honeymoon Wall, once finished, witnessed the family growing, spreading, and reuniting, including our reception, and the chunks of rock that didn’t make the wall were incorporated into edging on a wildflower garden in the center of the back yard. That was the state of affairs until the estate sale was over and the house was vacated for the last time.
Before the house was cleared, all of the extended family was asked about taking everything not needed for the new apartment, and I was asked repeatedly “are you SURE you don’t want anything?” I really didn’t: we had our own furniture and our own keepsakes, but I asked if I could rescue some of the rocks in the back. One included a rather large petrified log found in the Brazos River decades before, and the rest of them were extra Honeymoon Wall pieces. A bit of experimentation revealed that they polished up in a rock tumbler quite nicely: they weren’t gem quality, but the blue stone was mistaken for sodalite, and the green was different enough that it caught almost everyone’s eye.
Now, a month after the estate sale, the experiment goes to its next stage. The idea is to add pieces of those Honeymoon Wall extras, big and small, to new enclosures, starting with “Hoodoo” from October. Those who know the story will recognize and appreciate the bits of Honeymoon Wall as they encounter them, and I hope to be in the business of constructing carnivorous plant enclosures long enough that customers specifically look for the tumbled stones. For everyone else, though, it’s all about the hidden context: they won’t know that the stone in their enclosures had its origins in a wish nearly seventy years old, but I will, and knowing that bits of that wish are spread across the continent is good enough. Selah.